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"tombstone": "Lions and Tigers in Peony and Bamboo (\u7261\u4e39\u306b\u5510\u7345\u5b50\u3068\u7af9\u306b\u864e\u56f3\u5c4f\u98a8), 1668. Yamaguchi Sekkei (Japanese, 1644\u20131732). One of a pair of six-panel folding screens; ink and color on gilded paper; image: 149 x 330 cm (58 11/16 x 129 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.10.2",
"current_location": null,
"title": "Lions and Tigers in Peony and Bamboo",
"title_in_original_language": "\u7261\u4e39\u306b\u5510\u7345\u5b50\u3068\u7af9\u306b\u864e\u56f3\u5c4f\u98a8",
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"artists_tags": [
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"culture": [
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"technique": "One of a pair of six-panel folding screens; ink and color on gilded paper",
"support_materials": [],
"department": "Japanese Art",
"collection": "ASIAN - Folding screen",
"type": "Painting",
"measurements": "Image: 149 x 330 cm (58 11/16 x 129 15/16 in.)",
"dimensions": {
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{
"id": 302380,
"title": "Japanese Screens from the Museum and Cleveland Collections",
"description": "Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977).",
"opening_date": "1977-03-23T05:00:00"
},
{
"id": 185596,
"title": "Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art",
"description": "Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001).",
"opening_date": "2001-07-15T00:00:00"
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],
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{
"description": "Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (July 18-October 26, 2003).",
"opening_date": "2003-07-18T00:00:00"
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]
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{
"description": "(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)",
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"footnotes": null,
"date": "?\u20131972",
"sortorder": 1
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{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"footnotes": null,
"date": "1972\u2013",
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"description": "Sekkei lived and studied painting in Kyoto at the Kano school studio, the center of traditional painting activity in Japan since 1500. The use of gold foil as a backdrop for the frolicking animals served a practical as well as a decorative function. Because traditional Japanese rooms had no windows, interior lighting came from portable oil lamps and wax candles, whose effects were magnified by reflective surfaces.",
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"citation": "Cunningham, Michael R. \"The Japanese Painter Yamaguchi Sekkei.\" The Bulletin of the Cleveland Museum of Art 67, no. 1 (1980): 2-16.",
"page_number": "Reproduced: p. 2; Mentioned: p. 2-16",
"url": "https://www.jstor.org/stable/25159655"
},
{
"citation": "Cunningham, Michael R. Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2001.",
"page_number": "Reproduced: pp. 38\u201339",
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}
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"updated_at": "2026-07-11 11:57:49.466000"
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