{
    "data": {
        "id": 146704,
        "accession_number": "1972.153",
        "share_license_status": "CC0",
        "tombstone": "Green Peaks under Clear Sky: After Huang Gongwang (\u4eff\u5927\u7661\u6674\u5dd2\u973d\u7fe0\u5716), 1703\u20138. Wang Yuanqi (Chinese, 1642\u20131715). Handscroll; ink and light color on paper; overall: 37.5 x 267 cm (14 3/4 x 105 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.153",
        "current_location": null,
        "title": "Green Peaks under Clear Sky: After Huang Gongwang",
        "title_in_original_language": "\u4eff\u5927\u7661\u6674\u5dd2\u973d\u7fe0\u5716",
        "creation_date": "1703\u20138",
        "creation_date_earliest": 1704,
        "creation_date_latest": 1708,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Qing dynasty (1644-1911)"
        ],
        "technique": "handscroll; ink and light color on paper",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Handscroll",
        "type": "Painting",
        "measurements": "Overall: 37.5 x 267 cm (14 3/4 x 105 1/8 in.)",
        "dimensions": {
            "overall": {
                "height": 0.375,
                "width": 2.67
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u6674\u5dd2\u973d\u7fe0\uff1a\u5023\u9ec3\u5b50\u4e45\u3002\u9e93\u81fa\u3002[\u5370]\u77f3\u5e2b\u9053\u4eba",
                "inscription_translation": "Artist's inscription, signature, and seal:  \n\nGreen Peaks under Clearing Sky: After Huang Zijiu [Huang Gongwang].  Lutai [seal] Shi shi dao ren.",
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "[\u5370] \u5fa1\u66f8\u756b\u5716\u7559\u8207\u4eba\u770b.  \n\n\u5b50\u4e45\u756b\u65bc\u5b8b\u8af8\u5927\u5bb6\u834a\u3001\u95dc\u3001\u674e\u3001\u8303\u3001\u8463\u3001\u5de8\uff0c\u7121\u6240\u4e0d\u6709\u3002\u904b\u7b46\u4e0d\u5047\u4fee\u98fe\u3002\u76b4\u6cd5\u7531\u6de1\u5165\u6fc3\uff0c\u5316\u8af8\u5bb6\u4e4b\u8ff9\u8005\u4e5f\u3002\u6fb9\u660e\u5f90\u541b\u5076\u898b\u7e2e\u672c\uff0c\u81e8\u6479\u516d\u5e45\u3002\u56d1\u4f59\u53c3\u4ee5\u5bcc\u6625\u5927\u610f\uff0c\u6210\u4e00\u9577\u5377\u3002\u4f59\u5919\u591c\u5728\u516c\uff0c\u4e58\u6687\u5076\u4e00\u9ede\u67d3\u3002\u81f3\u620a\u5b50\u4e5d\u79cb\u544a\u7ae3\uff0c\u95b1\u56db\u3001\u4e94\u5e74\u77e3\u3002\u6614\u5927\u7661\u70ba\u7121\u7528\u5e2b\u4f5c\u5bcc\u6625\u5377\uff0c\u4e03\u5e74\u800c\u6210\uff0c\u70ba\u5343\u53e4\u9245\u89c0\u3002\u4eca\u62d9\u7b46\u7661\u920d\u3002\u4ea6\u6df9\u7559\u81f3\u6b64\u3002\u53ef\u70ba\u8b58\u8005\u5674\u98ef\u77e3\u3002\u738b\u539f\u7941\u984c\u3002[\u5370]\u738b\u539f\u7941\u5370; \u9e93\u81fa\n\n[\u5370, \u756b\u82af\u5de6\u4e0b] \u897f\u5eec\u5f8c\u4eba",
                "inscription_translation": "Artist's colophon and 4 seals: \n\n[1 seal] Yu shu hua tu liu yu ren kan. \n\nIn his paintings, Zijiu [Huang Gongwang] possessed everything for which Song masters such as Jin [Hao], Guan [Tong], Li [Cheng], Fan [Kuan], Dong [Yuan] and Ju[ran] were known. In using the brush, he rarely lavished attention on decorative effects. In his cun method, he began from light to dark, thereby fusing the traits of [the aforementioned] masters. In the spring of the kuiwei year [1703], Xu Danming by chance saw small versions of some paintings [by the master], and he copied six of them. He asked me to render a handscroll by incorporating these, together with the main themes in the Fuchun scroll, to make a long handscroll. Because I was preoccupied day and night by official affairs, I could only add dots here or washes there. It was not until the autumn of wuzi [1708] that it was completed, my having already spent four or five years on the task. In the old days, Dachi [Huang Gongwang] painted the Fuchun scroll for Master Wuyong; he completed it in seven years. It was a true masterpiece among thousands of antiquities. Now I looked at my own dumb and foolish brushwork while lingering on to this extent. Those who are connoisseurs would have laughed [at me] heartily. Inscribed by Wang Yuanqi. [2 seals] Wang Yuanqi yin; Lutai \n\n[1 seal at end of painting] Xi lu hou ren.",
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "3 additional colophons and 15 additional seals: \n\n1 colophon and 9 seals of Yang Shicong \u694a\u58eb\u9a44 (b. 1870); \n1 colophon of Wu Hufan \u5433\u6e56\u5e06 (1894\u20131968); \n1 colophon and 1 seal of Wu Mei (20th c.); \n5 seals of Cheng Qi \u7a0b\u7426 (1911\u20131988).",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301752,
                    "title": "Year in Review: 1972",
                    "description": "<i>Year in Review: 1972</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973).",
                    "opening_date": "1973-02-27T05:00:00"
                },
                {
                    "id": 304517,
                    "title": "Eight Dynasties of Chinese Painting",
                    "description": "<i>Eight Dynasties of Chinese Painting</i>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
                    "opening_date": "1981-02-11T05:00:00"
                },
                {
                    "id": 304561,
                    "title": "Visions of Landscape: East and West",
                    "description": "<i>Visions of Landscape: East and West</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
                    "opening_date": "1982-02-17T05:00:00"
                },
                {
                    "id": 311446,
                    "title": "Asian Autumn: Masterpieces from the Collection",
                    "description": "<i>Asian Autumn: Masterpieces from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
                    "opening_date": "1991-09-17T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Yang Shicong \u694a\u58eb\u9a44 [b. 1870]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Wang Poyuan \u738b\u4f2f\u5143 [1873\u20131977]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "Cheng Qi \u7a0b\u7426 [1911\u20131988], to his son, Stephen O. K. Chen",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 3
            },
            {
                "description": "(Stephen O. K. Chen [20th century], New York, NY, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?-1972",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1972-",
                "sortorder": 5
            }
        ],
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        "former_accession_numbers": [],
        "did_you_know": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60472133"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1972.153-green-peaks-under-cl"
            ]
        },
        "citations": [
            {
                "citation": "Cheng, Qi \u7a0b\u7426. <em>Xuanhuitang shuhua lu </em>[\u8431\u6689\u5802\u66f8\u756b\u9304 = Paintings and calligraphy in the collection of Hsu\u0308an-hui-t\u02bbang]. Hong Kong: Xuanhuitang, 1972.",
                "page_number": "pp. 163(b)\u2013164(b)",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 357",
                "url": "https://archive.org/details/CMAHandbook1978/page/n377"
            },
            {
                "citation": "Hironobu Kohara \u53e4\u539f\u5b8f\u4f38, Tamaki Ogawa \u5c0f\u5ddd\u74b0\u6a39, and Roderick Whitfield. <em>Un Juhei, O\u0304 Ki</em> \u60f2\u58fd\u5e73 \u738b\u7fec. To\u0304kyo\u0304: Chu\u0304o\u0304 Ko\u0304ronsha, 1979.",
                "page_number": "Mentioned and Reproduced: p. 66, pl. 86",
                "url": null
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 250, pp. 337\u2013339",
                "url": null
            },
            {
                "citation": "\"Visions of Landscape East and West.\" <em>Asia</em> Vol. 4, No. 5 (January/February 1982): pp. 24\u201329.",
                "page_number": "Reproduced: pp. 26\u201327",
                "url": null
            },
            {
                "citation": "Talbot, William S. \u201cVisions of Landscape: East and West.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 70, no. 3 (March 1983): 112\u2013135.",
                "page_number": "Mentioned and reproduced: pp. 118\u2013119, fig. 8",
                "url": "http://www.jstor.org/stable/25159808"
            },
            {
                "citation": "Chou, Ju-hsi and Anita Chung.<em> Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2015.",
                "page_number": "Mentioned and Reproduced: pp. 419\u2013424",
                "url": null
            }
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