id: 146922 accession number: 1972.324 share license status: Copyrighted url: https://clevelandart.org/art/1972.324 updated: 2023-08-23 22:24:28.645000 Lake Motusu. Fukushima Ichirō (Japanese, 1920–1975). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland, Orient Tour Members 1972.324 title: Lake Motusu title in original language: series: series in original language: creation date: creation date earliest: creation date latest: current location: creditline: Gift of The Print Club of Cleveland, Orient Tour Members copyright: --- culture: Japan, 20th century technique: woodcut department: Prints collection: PR - Woodcut type: Print find spot: catalogue raisonne: --- CREATORS * Fukushima Ichirō (Japanese, 1920–1975) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review: 1972 opening date: 1973-02-27T05:00:00 Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973). title: Gifts of the Print Club of Cleveland, 1969 - 1979 opening date: 1979-09-04T04:00:00 Gifts of the Print Club of Cleveland, 1969 - 1979. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 4, 1979-January 27, 1980). title: Transformations in Japanese Printmaking opening date: 1984-09-25T04:00:00 Transformations in Japanese Printmaking. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 25-December 30, 1984). title: A Tradition Transformed: Japanese Prints, 1947-1987 opening date: 1988-02-09T05:00:00 A Tradition Transformed: Japanese Prints, 1947-1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 24, 1988). title: East Meets West: Tradition and Innovation in Modern Japanese Prints opening date: 2000-03-19T00:00:00 East Meets West: Tradition and Innovation in Modern Japanese Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: The thick, tactile surfaces of Fukushima's prints betray his study of painting (he practiced both Japanese painting and Western oil painting). The combination of observed details, generalized forms and richly textured surfaces contribute to his unique style. --- RELATED WORKS --- CITATIONS Lee, Sherman E. "The Year in Review for 1972." The Bulletin of the Cleveland Museum of Art 60, no. 3 (1973): 63-115. page number: p. 111, #186 url: www.jstor.org/stable/25093732 --- IMAGES