{
"data": {
"id": 147020,
"accession_number": "1972.50",
"share_license_status": "CC0",
"tombstone": "Samson, 1630\u201331. Valentin de Boulogne (French, 1591\u20131632). Oil on canvas; framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1972.50",
"current_location": "217 Italian Baroque",
"title": "Samson",
"creation_date": "1630\u201331",
"creation_date_earliest": 1630,
"creation_date_latest": 1631,
"artists_tags": [
"male"
],
"culture": [
"France"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - French 17th Century",
"type": "Painting",
"measurements": "Framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); Unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.)",
"dimensions": {
"framed": {
"height": 1.57,
"height_inch": 61,
"height_inch_fraction": 0.8125,
"width": 1.25,
"width_inch": 49,
"width_inch_fraction": 0.1875,
"depth": 0.07,
"depth_inch": 2,
"depth_inch_fraction": 0.75
},
"unframed": {
"height": 1.356,
"height_inch": 53,
"height_inch_fraction": 0.375,
"width": 1.028,
"width_inch": 40,
"width_inch_fraction": 0.5
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 301752,
"title": "Year in Review: 1972",
"description": "Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973).",
"opening_date": "1973-02-27T05:00:00"
},
{
"id": 222394,
"title": "Masterpieces of European Painting from The Cleveland Museum of Art",
"description": "Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007).",
"opening_date": "2006-11-08T00:00:00"
},
{
"id": 179662,
"title": "Masterpieces of European Painting from the Cleveland Museum of Art",
"description": "Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).",
"opening_date": "2007-03-29T00:00:00"
},
{
"id": 217143,
"title": "Valentin de Boulogne: Beyond Caravaggio",
"description": "Valentin de Boulogne: Beyond Caravaggio. The Metropolitan Museum of Art, New York, NY (organizer) (October 4, 2016-January 22, 2017); Mus\u00e9e du Louvre, Paris, France (February 22-May 22, 2017).",
"opening_date": "2016-10-04T00:00:00"
},
{
"id": 441198,
"title": "La mirabil congiuntura': Urbano VIII, i Barberini, le arti, la cultura",
"description": "La mirabil congiuntura': Urbano VIII, i Barberini, le arti, la cultura. Palazzo Barberini, Rome, Italy (organizer) (March 15-July 30, 2023).",
"opening_date": "2023-03-15T04:00:00"
}
],
"legacy": [
{
"description": "Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29, 2007 - July 8, 2007)",
"opening_date": "2007-03-29T00:00:00"
}
]
},
"provenance": [
{
"description": "The Cleveland Museum of Art, Cleveland, Ohio",
"citations": [],
"footnotes": null,
"date": "1972\u2013present",
"sortorder": 1
},
{
"description": "Edoardo Almagi\u00e0 [b. 1928], Rome, sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "probably 1921\u20131947",
"sortorder": 2
},
{
"description": "Probably Roberto Almagi\u00e0 [1883-1947], by descent to his son, Edoardo Almagi\u00e0.",
"citations": [],
"footnotes": [
"There is no evidence that Roberto Almagi\u00e0 owned this painting, other than the likelihood that he inherited the painting from his father before it passed to his own son, Edoardo, who would later sell it to the Cleveland Museum of Art.
"
],
"date": "probably 1921\u20131947",
"sortorder": 3
},
{
"description": "Ing. Dr. Edoardo Almagi\u00e0 [b. 1841], Rome, by descent to his son Roberto Almagi\u00e0, or grandson, Edoardo Almagi\u00e0.",
"citations": [],
"footnotes": [
"Almagi\u00e0, a prominent engineer, appears to have acquired many of the Sciarra paintings prior to the 1899 sale, most likely in lieu of payments against outstanding debts, but seven of the Almagi\u00e0 paintings did come from the sale, including the Cleveland picture. A manuscript catalogue of Almagi\u00e0\u2019s collection attributes to the painting (No. 15) to Caroselli.
"
],
"date": "c. 1899\u20131921",
"sortorder": 4
},
{
"description": "(Galleria Sangiorgi, Rome, Sciarra sale, March 28, 1899, fifth sale, no. 363, sold to Edoardo Almagi\u00e0).",
"citations": [],
"footnotes": [
"The painting is attributed to Caroselli in the sale catalogue.
"
],
"date": "1899",
"sortorder": 5
},
{
"description": "Colonna di Sciarra family, Rome.",
"citations": [],
"footnotes": [
"In 1728, Cornelia Barberini, the family heiress, married Giulio Cesare Colonna di Sciarra, and from that point on, the family was known as Barberini-Colonna, or Colonna di Sciarra. In 1812, after complicated litigation, the property of the Barberini family was divided between the Barberini and Sciarra branches of the family, and the Valentin entered the Colonna di Sciarra collection in Rome. Eventually, the painting ended up in the possession of Maffeo Barberini Colonna di Sciarra, who in 1891-1892 sold part of his collection illegally for export. He was heavily fined and sentenced to three months in jail. The decision was appealed, but his activities led to the financial ruin of the family. In 1897, Sciarra owed nearly two million lire to four parties, including Ing. Dr. Edoardo Almagi\u00e0. 126 paintings were to be accepted as payment against Sciarra\u2019s debts; however, for unknown reasons, the contract was never signed, and instead, 133 pictures were sold at auction at Galleria Sangiorgi in March 1899.
"
],
"date": "1812\u20131899",
"sortorder": 6
},
{
"description": "Cardinals Francesco [1597\u20131679] and Antonio Barberini [1607\u20131671], by inheritance within the Barberini family, Rome.",
"citations": [],
"footnotes": [
"This painting was commissioned by Cardinal Francesco Barberini in December 1630: \u201cA Valentino Pittore sc. 5 m.ta mettere in ord.e la Tela, e colori da far Un Sansone p S. Em.za \u20135 [III. MC. 26-31 136v.]. In July 1631, 25 scudi were paid to Valentin: \u201cA Valentino Pittore per resto dell Quadro del Sansone a 25 sc.\u201418\u201d [III. Gius. 1501-1750. 1508] (see Doc. 345 in Marilyn Lavin\u2019s \u201cBarberini Inventories,\u201d 1975). One month later, the painting was incorrectly inventoried as by Poussin [III.inv. 26-31 and III.Barb.Lat. 5635; no. 482]. In 1633 the painting was inventoried, together with Valentin\u2019s David with the Head of Goliath, as in the collection of Cardinal Antonio Barberini, Francesco\u2019s younger brother, and in 1649, the painting was apparently again in the collection of Francesco [III.inv. 49; no. 676], as Valentin. The painting was incorrectly inventoried again, this time as by Andrea Camassei, in 1738 [Arch. Barb. Ind. II, cred. VI, cas. 70, Maz. LXXXIX, Lett. I, no. 32].
"
],
"date": "1631\u20131812",
"sortorder": 7
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The figure of Samson was likely a self-portrait of the artist.",
"early_education_description": null,
"artlens_description": null,
"description": "The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey\u2019s jawbone. Samson\u2019s cuirass, or breastplate, is joined at the shoulder by a clasp in the form of two bees\u2014the emblem of the Barberini family, who commissioned the painting around 1630. In 1627, the Barberini had engaged Valentin to paint another biblical hero, David victorious with the head of Goliath; the canvas depicting Samson was designed to be its pendant.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60472329"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1972.50-samson"
]
},
"citations": [
{
"citation": "\u201cA Grandi Costruttori\u2026Impresa Almagi\u00e0\u201d",
"page_number": null,
"url": "http://sh1.webring.com/people/va/arcigno20000/almagia.htm"
},
{
"citation": "Ramdohr, Friedrich Wilhelm Basilius von. Ueber Mahlerei und Bildhauerarbeit in Rom: fu\u0308r Liebhaber des Schoenen in der Kunst. Leipzig, Germany: Bei Weibmanns Erben und Reich, 1787.",
"page_number": null,
"url": null
},
{
"citation": "Nibby, A. Itine\u0301raire de Rome et de Ses Environs. Rome: [publisher not identified], 1842.",
"page_number": "Mentioned: Vol. I, p. 34",
"url": "https://hdl.handle.net/2027/mdp.39015057087879"
},
{
"citation": "Pistolesi, Erasmo. Descrizione di Roma e suoi contorni: con nuovo metodo breve e facile per vedere la citta\u0300 in otto giorni : adorna di incisioni de\u0300 primi bulini. Roma: G. Gallarini, 1856.",
"page_number": "Mentioned: p. 94",
"url": "https://hdl.handle.net/2027/hvd.32044004590881"
},
{
"citation": "Mariotti, Filippo. La Legislazione delle Belle Arti. Roma: Unione Cooper. editr, 1892.",
"page_number": "Mentioned: p. 135, no. 46",
"url": null
},
{
"citation": "Filippo Mariotti, \u201cGalleria Colonna di Sciarra,\u201d La Legislazione delle Belle Arti (1892): 135.",
"page_number": null,
"url": null
},
{
"citation": "Galleria Sangiorgi. Tableaux, objets d'art. Rome: 1899.",
"page_number": null,
"url": null
},
{
"citation": "Orbaan, Johannes Albertus Franciscus. Documenti sul barocco in Roma. Rome, Italy: 1920.",
"page_number": "Reproduced: p. 511",
"url": null
},
{
"citation": "Haskell, Francis. Patrons and Painters; A Study in the Relations between Italian Art and Society in the Age of the Baroque. London, United Kingdom: Chatto & Windus, 1963.",
"page_number": "Reproduced: p. 45",
"url": null
},
{
"citation": "Blunt, Anthony. The Paintings of Nicolas Poussin. Critical Catalogue. London: Phaidon, 1966.",
"page_number": "Mentioned: Vol. 1, p. 158, no. L4",
"url": null
},
{
"citation": "Vivian, Frances. \"Poussin and Claude Seen from the Archivio Barberini.\" The Burlington Magazine 111, no. 801 (December 1969): 719\u201326.",
"page_number": "Mentioned: p. 721\u201322",
"url": "http://www.jstor.org/stable/876165."
},
{
"citation": "Minneapolis Institute of Arts. Catalogue of European Paintings in the Minneapolis Institute of Arts. Minneapolis, MN: Institute of Arts, 1971.",
"page_number": "Reproduced: p. 163",
"url": null
},
{
"citation": "Spear, Richard E. Renaissance and Baroque Paintings from the Sciarra and Fiano Collections. University Park: Pennsylvania State University Press, 1972.",
"page_number": "Mentioned: p. 32, no. 14",
"url": null
},
{
"citation": "Spear, Richard. \"Unknown Pictures by the Caraggisti (with Notes on Caravaggio and His Followers).\" Storia dell'Arte 14 (1972): 149\u201361.",
"page_number": "Mentioned: pp. 151\u20132, no. 72",
"url": null
},
{
"citation": "Borea, Evelina. \"Considerazione sulla Mostra 'Caravaggio e i suoi Seguaci' a Cleveland.\" Bollettino d'Arte LVII (1972): 154\u201364.",
"page_number": "Mentioned: p. 162",
"url": null
},
{
"citation": "Pepper, Stephen D. \"Caravaggio Rivedute e Coretto: La Mostra di Cleveland.\" Arte Illustrata V (1972).",
"page_number": "Mentioned: p. 171; Reproduced: p. 175, fig. 8",
"url": null
},
{
"citation": "Nicolson, Benedict. \"Caravaggesques at Cleveland.\" The Burlington Magazine 114, no. 827 (February 1972): 112\u201317.",
"page_number": "Mentioned: p. 114",
"url": "http://www.jstor.org/stable/876893."
},
{
"citation": "Held, Julius S. \u201cCaravaggio and His Followers.\u201d Art in America 60 (March 1972): 40\u201347.",
"page_number": "Mentioned: p. 44",
"url": null
},
{
"citation": "Edoardo Almagi\u00e0, invoice, June 15, 1972, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Brejon de Lavergne\u0301e, Arnauld, and Jean Pierre Cuzin. I Caravaggeschi Francesi. Roma: De Luca, 1973.",
"page_number": "Mentioned: pp. 88, 123, 126, 168",
"url": null
},
{
"citation": "Enggass, Robert. \"Review of Spear's Caravaggio and His Followers.\" The Art Bulletin 55, no. 3 (September 1973): 460\u20132.",
"page_number": "Mentioned: p. 462",
"url": "https://www.jstor.org/stable/3049145"
},
{
"citation": "Thuillier, Jacques. L'Opera Completa di Poussin. Milano: Rizzoli, 1974.",
"page_number": "Mentioned and Reproduced: p. 119, no. R21",
"url": null
},
{
"citation": "Lavin, Marilyn Aronberg. Seventeenth-Century Barberini Documents and Inventories of Art. New York. NY: New York University Press, 1975.",
"page_number": "Mentioned: pp. 43, 98, 114, 242, 530, 695",
"url": null
},
{
"citation": "Biblioteca apostolica vaticana, and Marilyn Aronberg Lavin. Seventeenth-Century Barberini Documents and Inventories of Art. New York: New York University Press, 1975.",
"page_number": null,
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 171",
"url": "https://archive.org/details/CMAHandbook1978/page/n191"
},
{
"citation": "Nicolson, Benedict. The International Caravaggesque Movement: Lists of Pictures by Caravaggio and His Followers Throughout Europe from 1590 to 1650. Oxford, United Kingdom: Phaidon, 1979.",
"page_number": "Reproduced: p. 104",
"url": null
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
"page_number": "Mentioned: pp. 147\u201350; Reproduced: p. 148",
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Rosenberg, Pierre. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York: Metropolitan Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Rosenberg, Pierre. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York: Metropolitan Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Wine, Humphrey. The Seventeenth Century French Paintings. London, United Kingdom: National Gallery: Distributed by Yale University Press, 2001.",
"page_number": "Reproduced: p. 395, fig. 5",
"url": null
},
{
"citation": "Rosenberg, Pierre, and Jean-Pierre Caillet. La peinture franc\u0327aise. Paris, France: Menge\u0300s, 2001.",
"page_number": "Reproduced: p. 245",
"url": null
},
{
"citation": "Iacono, Margaret. Masterpieces of European Painting from the Cleveland Museum of Art. New York, NY: The Frick Collection, 2006.",
"page_number": "Mentioned: pp. 40\u201343, Reproduced: no. 7",
"url": null
},
{
"citation": "Fried, Michael. The Moment of Caravaggio. Princeton, NJ: Princeton University Press, 2010.",
"page_number": "Reproduced: p. 175",
"url": null
},
{
"citation": "Franklin, David, and Sebastian Schu\u0308tze. Caravaggio & His Followers in Rome. New Haven, CT: Yale University Press, 2011.",
"page_number": "Reproduced: p. 120, fig. 46",
"url": null
},
{
"citation": "Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.",
"page_number": "Mentioned and Reproduced: p. 182",
"url": ""
},
{
"citation": "Keith Christiansen, email to Victoria Sears Goldman, Oct. 27, 2015, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Theiler, Esther. \"Valentin de Boulogne's Portraits of Raffaello Menicucci -- The Buffoon Count of Monte San Savino.\" Studiolo: Revue d'histoire de l'art de l'Acade\u0301mie de France a\u0300 Rome. 13 (2016): 130\u2013145.",
"page_number": "Mentioned and Reproduced: p. 136, fig. 5",
"url": null
},
{
"citation": "Sman, Gert Jan van der. Carravaggio and the Painters of the North. [Madrid]: Museo Thyssen-Bornemisza, 2016.",
"page_number": "Reproduced: p. 44, fig. 24",
"url": null
},
{
"citation": "Lemoine, Annick, Keith Christiansen, Patrizia Cavazzini, Jean-Pierre Cuzin, and Gianni Papi. Valentin De Boulogne: Beyond Caravaggio. New York, NY: The Metropolitan Museum of Art, New Haven, CT : Distributed by Yale University Press, 2016.",
"page_number": "Mentioned and Reproduced: pp. 220\u201323; cover",
"url": null
},
{
"citation": "Cavazzini, P. \"La Cattive Compagnie di Valentin 'L'Amador'.\" Il giornale dell'arte 34, no.368 (October 2016): Vernissage suppl. 16\u201317.",
"page_number": "Reproduced: Vernissage suppl. p. 16",
"url": null
},
{
"citation": "Spear, Richard E. \"An Invisible Web: Art Historians Behind the Collecting of Italian Baroque Art.\" In Buying Baroque: Italian Seventeenth-Century Paintings Come to America. Edited by Edgar Peters Bowron, 54\u201365. University Park, Pennsylvania: The Frick Collection, The Pennsylvania State University Press, 2017.",
"page_number": "Mentioned and Reproduced: pp. 54\u20135",
"url": null
},
{
"citation": "Massari, Anna Maria Ambrosini, ed. Il Mestiere del Conoscitore, Roberto Longhi. Bologna: Fondazione Federico Zeri, Universit\u00e0 di Bologna, 2017.",
"page_number": "Mentioned: p. 353; Reproduced: p. 361; cat. 8",
"url": null
},
{
"citation": "Cicconi, Maurizia, Flaminia Gennari Santori, and Sebastian Schu\u0308tze. L'immagine sovrana: Urbano VIII e i Barberini. Roma : Officina libraria, 2023.",
"page_number": "Mentioned and Reproduced: pp. 230\u201331, cat. 25",
"url": ""
},
{
"citation": "Rosenberg, Pierre. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. New York: Metropolitan Museum of Art, 1982.",
"page_number": null,
"url": null
}
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"id": 1973,
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}