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"tombstone": "Solitary Colors of the Autumn Woods, first half 1600s. Wang Jianzhang (Chinese, active 1621\u20131662). Hanging scroll; ink and color on satin; image: 117.8 x 51.2 cm (46 3/8 x 20 3/16 in.); overall: 227 x 81.3 cm (89 3/8 x 32 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1972.68",
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"title": "Solitary Colors of the Autumn Woods",
"creation_date": "first half 1600s",
"creation_date_earliest": 1628,
"creation_date_latest": 1644,
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"male"
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"culture": [
"China, Ming dynasty (1368\u20131644)"
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"technique": "hanging scroll; ink and color on satin",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Image: 117.8 x 51.2 cm (46 3/8 x 20 3/16 in.); Overall: 227 x 81.3 cm (89 3/8 x 32 in.)",
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"inscription": "Artist's inscription, signature, and 2 seals:\n\nCold frost falls on the fences,/\nSolitary colors scatter the maples./\nReciting the chapter of \"The Autumn Water,\"/\nI cannot still the emotion in my old heart.\n\nAfter the style of Fan Hua-y\u00fcan [Fan Kuan], Wang Chien-chang .\n\n[seals] Wang shih chih yin; Chien-chang. \ntrans. LYSL/HK/WKH",
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"id": 301752,
"title": "Year in Review: 1972",
"description": "Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973).",
"opening_date": "1973-02-27T05:00:00"
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{
"id": 211775,
"title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
"description": "Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
"opening_date": "1998-02-21T00:00:00"
},
{
"id": 286274,
"title": "Chinese Gallery 240a Rotation \u2013 August 2016",
"description": "Chinese Gallery 240a Rotation \u2013 August 2016. The Cleveland Museum of Art (organizer) (August 1, 2016-February 6, 2017).",
"opening_date": "2016-08-01T04:00:00"
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"legacy": [
{
"description": "Cleveland Museum of Art, 1981: Eight Dynasties of Chinese Painting, cat. no. 201, p. 258.",
"opening_date": "1981-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "(Shogoro Yabumoto, Hyogo, Japan, sold to the Cleveland Museum of Art)",
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"footnotes": null,
"date": "?\u20131972",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1972\u2013",
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"description": "Two gentlemen stand outside a thatched hut in a dense forest; some trees have bare branches indicating that the season is early autumn. Wang Jianzhang\u2019s inscribed poem refers to a chapter called \u201cAutumn Water\u201d from Zhuangzi, a famous Daoist text written in the 3rd century BC: \"Cold frost falls on the fences, / Solitary colors scatter the maples. / Reciting the chapter of \u201cThe Autumn Water,\u201d / I cannot still the emotion in my old heart.\" Wang Jianzhang lived through the collapse of the Ming dynasty (1368\u20131644) and the rise of the Qing dynasty (1644\u20131911), when China was governed by the Manchus, an ethnic people from Manchuria who were traditionally viewed as \u201cbarbarians\u201d by the Chinese. The poetic reference to Zhuangzi\u2019s \u201cAutumn Water\u201d seems to discreetly convey Wang\u2019s feelings about his country being taken over. \u201cAutumn Water\u201d was about learning to take steps in the foreign way, but not acquiring a foreign tongue. Perhaps Wang was lamenting his conflicted situation. For survival he had to adapt to the new political and social climate, while still trying to maintain his own identity and Chinese traditions.",
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"citations": [
{
"citation": "Vanderstappen, Harrie A. \" The Style of Some Seventeenth-Century Chinese Paintings.\" In Artists and Traditions: Uses of the Past in Chinese Culture. Edited by Christian F. Murck, pp. 149\u2013168. Princeton, NJ: The Art Museum, Princeton University, 1976.",
"page_number": "Reproduced: p. 155, figs. 4, 5",
"url": ""
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned: cat. no. 201, p. 258; Reproduced: cat. no. 201, p. 257",
"url": ""
},
{
"citation": "T\u014dy\u014d kaiga no seika: tokubetsuten: Kur\u012bvurando Bijutsukan no korekushon kara [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef: \u7279\u522b\u5c55: \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089= Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998.",
"page_number": "Mentioned and Reproduced: p. 64, cat. no. 39",
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}
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