id: 147390 accession number: 1973.137.4 share license status: Copyrighted url: https://clevelandart.org/art/1973.137.4 updated: 2023-03-11 20:50:59.916000 Dream and Lie of Franco: (January 9, 1937), 1937. Pablo Picasso (Spanish, 1881–1973). Etching and aquatint; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1973.137.4 © 2006 Estate of Pablo Picasso/Artists Rights Society (ARS), New York title: Dream and Lie of Franco: (January 9, 1937) title in original language: series: series in original language: creation date: 1937 creation date earliest: 1937 creation date latest: 1937 current location: creditline: Gift of The Print Club of Cleveland copyright: © 2006 Estate of Pablo Picasso/Artists Rights Society (ARS), New York --- culture: Spain, 20th century technique: etching and aquatint department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: Baer III.106.615 (Baer addendum p. 38) --- CREATORS * Pablo Picasso (Spanish, 1881–1973) - artist Pablo Ruiz Picasso (1881-1973), the most prolific and influential artist of the 20th century, shifted the emphasis of art from its traditional concern with beauty toward radical innovation. The son of an art teacher, Picasso demonstrated remarkable talents as a child and entered the royal art academy in Madrid at age sixteen. Less than a year later, he abandoned his studies and soon joined several avant-garde artist and anarchist groups in Barcelona and Paris. After passing through a succession of stylistic periods, most notably the Blue (1901-1904) and Rose (1904-1906) Periods, he collaborated with Georges Braque (1882-1963) in 1908 to invent Cubism, a revolutionary method of restructuring pictorial space. Picasso remained active until his death in 1973. Although his art still appears radical, many of his works are over one hundred years old. Cubism, perhaps the most important development in 20th-century art, was invented around 1908 by Pablo Picasso (1881-1973) and Georges Braque (1882-1963). The most revolutionary aspect of the style was not its obvious emphasis on geometric form; rather, it was the introduction of a radically new approach to configuring pictorial space. Since the Renaissance, artists had used various methods to create the illusion of distant space receding behind the canvas surface. The Cubists rejected that idea and collapsed space by compressing foreground, middle ground, and background into a continuous web of overlapping, intersecting planes. During the 1910s, other painters and sculptors embraced or adapted Cubism to their own ends. This revolutionary approach inspired a host of related movements and continues to influence the visual language of artists, architects, and designers throughout the world. --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939) opening date: 2006-10-15T00:00:00 Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15, 2006-January 7, 2007). --- LEGACY EXHIBITIONS * Cleveland Museum of Art (10/15/2006 - 06/03/2007); The Metropolitan Museum of Art (03/04/2007 - 06/03/2007); "Barcelona & Modernity: Picasso, Gaudí. Miró, Dalí"- EXHIBITED AT CMA VENUE ONLY --- PROVENANCE --- fun fact: digital description: wall description: Picasso began working on the plate for this etching on 9 January but left it unfinished. He completed the last four frames on 7 June using imagery related to his painting Guernica, including a weeping woman and a mother running from a burning building with a dead child in her arms. --- RELATED WORKS --- CITATIONS Robinson, William H., Jordi Falgàs, Carmen Belen Lord, and Josefina Alix Trueba. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006. page number: Mentioned and reproduced: P. 458-460, fig. 2, no. 9:29 url: --- IMAGES