id: 147392
accession number: 1973.14
share license status: CC0
url: https://clevelandart.org/art/1973.14
updated: 2023-09-13 11:02:58.203000
Potter Seated with Double Gourd Vase, 1300s. China, Yuan dynasty (1271-1368) - Ming dynasty (1368-1644). Porcelain with underglaze decoration, qingbai ("blue-white") ware; overall: 13.5 cm (5 5/16 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1973.14
title: Potter Seated with Double Gourd Vase
title in original language:
series:
series in original language:
creation date: 1300s
creation date earliest: 1300
creation date latest: 1399
current location:
creditline: The Severance and Greta Millikin Purchase Fund
copyright:
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culture: China, Yuan dynasty (1271-1368) - Ming dynasty (1368-1644)
technique: Porcelain with underglaze decoration, qingbai ("blue-white") ware
department: Chinese Art
collection: China - Yuan Dynasty
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 13.5 cm (5 5/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Colors of Ink
opening date: 1974-01-10T04:00:00
The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).
title: China through the Magnifying Glass: Masterpieces in Miniature and Detail
opening date: 2022-12-11T05:00:00
China through the Magnifying Glass: Masterpieces in Miniature and Detail. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 11, 2022-February 26, 2023).
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LEGACY EXHIBITIONS
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PROVENANCE
(Hugh Moss, Ltd., London, England, sold to the Cleveland Museum of Art)
date: ?–1973
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1973–
footnotes:
citations:
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fun fact:
The double gourd is traditionally regarded as a talisman that protected children against diseases.
digital description:
wall description:
Made in South China, this figurine of a potter holding a double-gourd vase was probably once used as a toy. The coarse white porcelain form is covered with thin light greenish-blue, qingbai, glaze. The potter's cap and the coils on his shoulders are painted with blackish-brown ferruginous slip. The glaze stops short of the slightly recessed base, which is burnt a very light pinkish-buff color.
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RELATED WORKS
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CITATIONS
Lee, Sherman E. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. [New York]: Asia Society; distributed by New York Graphic Society, 1974.
page number: Reproduced: cat. no. 64
url:
“The Year in Review for 1973.” The Bulletin of the Cleveland Museum of Art, vol. 61, no. 2, 1974, pp. 31–78.
page number: Reproduced: cat. no 192, p. 67; Mentioned: p. 79
url: https://www.jstor.org/stable/25152513
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1973.14/1973.14_web.jpg
print: https://openaccess-cdn.clevelandart.org/1973.14/1973.14_print.jpg
full: https://openaccess-cdn.clevelandart.org/1973.14/1973.14_full.tif