id:			147412
accession number:	1973.156.2
share license status:	CC0
url:			https://clevelandart.org/art/1973.156.2
updated:		2023-08-23 22:26:22.372000

Winter Day, 1784. Maruyama Ōkyo (Japanese, 1733–1795). Six-panel folding screen, ink, gold, and silver on paper; image: 154 x 362 cm (60 5/8 x 142 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1973.156.2

title:				Winter Day
title in original language:	
series:				
series in original language:	
creation date:			1784
creation date earliest:		1784
creation date latest:		1784
current location:		
creditline:			Leonard C. Hanna, Jr. Fund
copyright:			

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culture:	Japan, Edo period (1615-1868)
technique:	Six-panel folding screen, ink, gold, and silver on paper
department:	Japanese Art
collection:	ASIAN - Folding screen
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Maruyama Ōkyo (Japanese, 1733–1795)  - artist

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measurements: Image: 154 x 362 cm (60 5/8 x 142 1/2 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Unfolding Beauty:  Japanese Screens from the Cleveland Museum of Art
	opening date:   2001-07-15T00:00:00
	<i>Unfolding Beauty:  Japanese Screens from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001).

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LEGACY EXHIBITIONS

* <em>Main Asian Rotation (Gallery 121)</em>. The Cleveland Museum of Art, Cleveland, OH (July 18-October 26, 2003).

* <em>Main Asian Rotation (Gallery 236)</em>. The Cleveland Museum of Art, Cleveland, OH (December 24, 2013-July 21, 2014).

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PROVENANCE

	(Shogoro Yabumoto, Amagasaki, Hyōgo Prefecture, Japan, sold to the Cleveland Museum of Art)
	date: ?–1973
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1973–
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:
Ōkyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world.
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RELATED WORKS

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CITATIONS

	Cunningham, Michael R. <em>Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2001.
	page number: 	Reproduced: pp. 52-53
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1973.156.2/1973.156.2_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1973.156.2/1973.156.2_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1973.156.2/1973.156.2_full.tif