{
    "data": {
        "id": 147591,
        "accession_number": "1973.85.c",
        "share_license_status": "CC0",
        "tombstone": "Seated Buddha (lotus pedestal) (\u5982\u6765\u5750\u50cf\uff08\u53f0\u5ea7\uff09), 1100s. Japan, Heian period (794\u20131185). Gilded wood; overall: 145.4 cm (57 1/4 in.); figure: 88.2 cm (34 3/4 in.); pedestal: 57.2 cm (22 1/2 in.). The Cleveland Museum of Art, Gift of Takako Setsu and her husband, Iwao, in memory of her father-in-law, Inosuke Setsu, and his long friendship with Sherman E. Lee, 1973.85.c",
        "current_location": "235B Japanese",
        "title": "Seated Buddha (lotus pedestal)",
        "title_in_original_language": "\u5982\u6765\u5750\u50cf\uff08\u53f0\u5ea7\uff09",
        "creation_date": "1100s",
        "creation_date_earliest": 1100,
        "creation_date_latest": 1199,
        "artists_tags": [],
        "culture": [
            "Japan, Heian period (794\u20131185)"
        ],
        "technique": "gilded wood",
        "support_materials": [],
        "department": "Japanese Art",
        "collection": "Japanese Art",
        "type": "Sculpture",
        "measurements": "Overall: 145.4 cm (57 1/4 in.); Figure: 88.2 cm (34 3/4 in.); Pedestal: 57.2 cm (22 1/2 in.)",
        "dimensions": {
            "overall": {
                "height": 1.454,
                "height_inch": 57,
                "height_inch_fraction": 0.25
            },
            "figure": {
                "height": 0.882,
                "height_inch": 34,
                "height_inch_fraction": 0.75
            },
            "pedestal": {
                "height": 0.572,
                "height_inch": 22,
                "height_inch_fraction": 0.5
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 301878,
                    "title": "Year in Review: 1973",
                    "description": "<i>Year in Review: 1973</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-March 17, 1974).",
                    "opening_date": "1974-01-30T05:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Setsu Takako \u702c\u6d25 \u5b5d\u5b50, Tokyo, Japan, given to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "?\u20131973",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1973\u2013",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This figure is depicted with a mudra, or hand gesture, that means \"have no fear.\"",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Composed of a number of hollowed-out pieces of wood that were then covered with lacquer and gilding, this sculpture would have served as the principal image of worship in a Buddhist temple hall. The Buddha Yakushi resides in the Lapis Lazuli Paradise of the East, and heals all diseases, including the ailment of ignorance. His left hand once held a medicine jar, while his right hand gestures reassurance. Seated on a lotus pedestal and backed by a mandorla and halo, the Buddha may have once been flanked by the bodhisattvas of the Sun and Moon, Nikk\u014d and Gakk\u014d, and protected by the Twelve Divine Generals, or Junishinsh\u014d.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60759244"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "\u201cThe Year in Review for 1973.\u201d <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 61, no. 2, 1974, pp. 31\u201378.",
                "page_number": "Mentioned: p. 79, no. 196",
                "url": "www.jstor.org/stable/25152513"
            },
            {
                "citation": "Yamane, Yu\u0304zo\u0304 \u5c71\u6839\u6709\u4e09, Shu\u0304jiro\u0304 Shimada \u5cf6\u7530\u4fee\u4e8c\u90ce, and Terukazu Akiyama \u79cb\u5c71\u5149\u548c. <em>Zaigai Nihon no shiho\u0304</em> [\u5728\u5916\u65e5\u672c\u306e\u81f3\u5b9d = Japanese Art: Selections froM Western Collections, vol. 8 ]. To\u0304kyo\u0304: Mainichi Shinbunsha, 1979.",
                "page_number": "Mentioned and Reproduced: no. 8, p. 118, pl. 8",
                "url": null
            },
            {
                "citation": "Zenzo Shimizu, \"Japanese Sculptures in America and Canada,\" <em>Bukkyo\u0304 geijutsu </em>[\u4f5b\u6559\u85dd\u8853= Ars Buddhica] , no. 126 (September 1979), part I, pp. 67-88.",
                "page_number": "fig. 4",
                "url": null
            }
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        "sketchfab_id": "0283e12e21a54097bf88c4dcad235517",
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        "alternate_titles": [
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        "updated_at": "2026-09-16 21:48:28.252000"
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