id: 147653 accession number: 1974.104 share license status: CC0 url: https://clevelandart.org/art/1974.104 updated: 2022-01-04 16:47:39.181000 The Sea near Staberhuk, 1908. Ernst Ludwig Kirchner (German, 1880-1938). Lithograph; The Cleveland Museum of Art, Gift of Louise S. Richards in honor of William Mathewson Milliken on his 85th year 1974.104 title: The Sea near Staberhuk title in original language: series: series in original language: creation date: 1908 creation date earliest: 1908 creation date latest: 1908 current location: creditline: Gift of Louise S. Richards in honor of William Mathewson Milliken on his 85th year copyright: --- culture: Germany, 20th century technique: lithograph department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Dube 53 --- CREATORS * Ernst Ludwig Kirchner (German, 1880-1938) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review: 1974 opening date: 1975-03-11T04:00:00 Year in Review: 1974. The Cleveland Museum of Art (organizer) (March 11-April 6, 1975). title: German Expressionist Graphics opening date: 1980-05-07T04:00:00 German Expressionist Graphics. The Cleveland Museum of Art (organizer) (May 7-October 5, 1980). title: Generous Donors: A Tribute to The Print Club of Cleveland opening date: 1991-04-02T04:00:00 Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991). title: Graphic Discontent: German Expressionism on Paper opening date: 2018-01-14T05:00:00 Graphic Discontent: German Expressionism on Paper. The Cleveland Museum of Art (organizer) (January 14-May 27, 2018). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: Ernst Ludwig Kirchner made this print during the first year that he learned the lithographic process. In contrast to convention, he wished to make it immediately apparent that a lithograph was not a drawing. To do so, he used lithographic wash to draw right to the edges of the stone, abruptly cutting off the composition and emphasizing the stone’s irregular contour with inked edges. The spontaneity of the quickly drawn marks that mimic the weather and wind of the sea, coupled with the emphasis on the materiality of the stone, matched Kirchner’s quest for truth in his art. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1974.104/1974.104_web.jpg print: https://openaccess-cdn.clevelandart.org/1974.104/1974.104_print.jpg full: https://openaccess-cdn.clevelandart.org/1974.104/1974.104_full.tif