{
    "data": {
        "id": 147927,
        "accession_number": "1974.29",
        "share_license_status": "CC0",
        "tombstone": "Portrait of Priest Dazhi (1048\u20131116), Master of Law (\u5927\u667a\u5f8b\u5e2b\u5143\u7167\u50cf), 1100s. Inscribed by Liu Tao (Chinese, late 1000s\u2013early  1100s). Hanging scroll; ink and light color on silk; image: 92.4 x 40.5 cm (36 3/8 x 15 15/16 in.); overall: 171.9 x 55.1 cm (67 11/16 x 21 11/16 in.); with knobs: 171.9 x 60.5 cm (67 11/16 x 23 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1974.29",
        "current_location": null,
        "title": "Portrait of Priest Dazhi (1048\u20131116), Master of Law",
        "title_in_original_language": "\u5927\u667a\u5f8b\u5e2b\u5143\u7167\u50cf",
        "creation_date": "1100s",
        "creation_date_earliest": 1100,
        "creation_date_latest": 1125,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Southern Song dynasty (1127-1279)"
        ],
        "technique": "Hanging scroll; ink and light color on silk",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Image: 92.4 x 40.5 cm (36 3/8 x 15 15/16 in.); Overall: 171.9 x 55.1 cm (67 11/16 x 21 11/16 in.); with knobs: 171.9 x 60.5 cm (67 11/16 x 23 13/16 in.)",
        "dimensions": {
            "image": {
                "height": 0.924,
                "height_inch": 36,
                "height_inch_fraction": 0.375,
                "width": 0.405,
                "width_inch": 15,
                "width_inch_fraction": 0.9375
            },
            "overall": {
                "height": 1.719,
                "height_inch": 67,
                "height_inch_fraction": 0.6875,
                "width": 0.551,
                "width_inch": 21,
                "width_inch_fraction": 0.6875
            },
            "with knobs": {
                "height": 1.719,
                "height_inch": 67,
                "height_inch_fraction": 0.6875,
                "width": 0.605,
                "width_inch": 23,
                "width_inch_fraction": 0.8125
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        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Inscription by Liu Tao (late 1000s\u2013early 1100s):\n\nDignified with the perfection of the upasampada, \nHis appearance is like his mind; \nUncompromising and loftily aloof, \nHis mind is like his appearance. \nTo say he is square, he proves to be round; \nHe looks timid, yet his spirit is unbound. \nHaving no attachment, and holding no reins, \nMan and deities alike take refuge in him.\n\n(Translation by WKH, 1980)",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": 1
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        ],
        "exhibitions": {
            "current": [
                {
                    "id": 302084,
                    "title": "Year in Review: 1974",
                    "description": "<i>Year in Review: 1974</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975).",
                    "opening_date": "1975-03-11T04:00:00"
                },
                {
                    "id": 443204,
                    "title": "Sources of Japanese Buddhist Art",
                    "description": "<i>Sources of Japanese Buddhist Art</i>. Nara National Museum, Nara 630, Japan (organizer) (April 29-June 10, 1978).",
                    "opening_date": "1978-04-29T05:00:00"
                },
                {
                    "id": 304517,
                    "title": "Eight Dynasties of Chinese Painting",
                    "description": "<i>Eight Dynasties of Chinese Painting</i>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
                    "opening_date": "1981-02-11T05:00:00"
                },
                {
                    "id": 311446,
                    "title": "Asian Autumn: Masterpieces from the Collection",
                    "description": "<i>Asian Autumn: Masterpieces from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
                    "opening_date": "1991-09-17T04:00:00"
                },
                {
                    "id": 202129,
                    "title": "Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art",
                    "description": "<i>Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art</i>. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014).",
                    "opening_date": "2014-01-15T00:00:00"
                },
                {
                    "id": 336424,
                    "title": "Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c",
                    "description": "<i>Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c</i>. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).",
                    "opening_date": "2019-08-12T04:00:00"
                },
                {
                    "id": 395234,
                    "title": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta",
                    "description": "<i>China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).",
                    "opening_date": "2023-09-10T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Nihon bukkyo bijutsu no genryu\u0304 </em>[Sources of Japanese Buddhist art = \u65e5\u672c\u4ecf\u654e\u7f8e\u8853\u306e\u6e90\u6d41]. Nara National Museum, Nara, Japan (April 29-June 11,1978).",
                    "opening_date": "1978-04-29T05:00:00Z"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).",
                    "opening_date": "2003-10-29T05:00:00Z"
                }
            ]
        },
        "provenance": [
            {
                "description": "Muto Collection",
                "citations": [],
                "footnotes": null,
                "date": "before 1974",
                "sortorder": 1
            },
            {
                "description": "(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131974",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1974\u2013",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "A native of Hangzhou, the priest Dazhi was known for his eloquent exposition of Buddhist doctrines and for his success in winning many converts.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Monk Yuanzhao, with the honorific title Dazhi L\u00fcshi, Great Wisdom Master of Vinaya, is depicted here as an itinerant monk, holding his alms bowl in the left and staff in the right. In 1142, Emperor Gaozong had bestowed Yuanzhao with a posthumous title, mentioned in the inscription, which suggests that the portrait was made after the master\u2019s death. A master of the L\u00fc sect of Buddhism, with a calm benevolent smile on his face, Yuanzhao was active on Mount Tiantai and in Hangzhou. Later, Liu Tao, a southerner from Changxing, added the inscription. <br><br>The eulogy reads: <br><em>Dignified he is, perfect in his upasampada [ordination of a monk]. His appearance is like his mind. Uncompromising and aloof. His mind is like his appearance. To say he is square, he proves to be round. He looks timid, yet his spirit is unbound. Having no attachment, and holding no reins, men and deities alike take refuge in him</em>. \u2014translated by Wai-Kam Ho",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60472622"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1974.29-portrait-of-priest-d"
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        },
        "citations": [
            {
                "citation": "Lee, Sherman E. \u201cThe Year in Review for 1974.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 62, no. 3 (March 1975): 62\u2013102.",
                "page_number": "Mentioned: p. 103, no. 182; reproduced: p. 89",
                "url": "http://www.jstor.org/stable/25152580"
            },
            {
                "citation": "Lee, Sherman E. \u201cVarieties of Portraiture in Chinese and Japanese Art.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 64, no. 4 (April 1977): 118\u2013136.",
                "page_number": "Mentioned and reproduced: p. 127. figs. 10\u201311",
                "url": "http://www.jstor.org/stable/25159523"
            },
            {
                "citation": "Nara Kokuritsu Hakubutsukan \u5948\u826f\u56fd\u7acb\u535a\u7269\u9928. <em>Nihon Bukkyo\u0304 bijutsu no genryu\u0304</em> [Sources of Japanese Buddhist art: special exhibitions = \u65e5\u672c\u4ecf\u654e\u7f8e\u8853\u306e\u6e90\u6d41]. Nara: Nara Kokuritsu Hakubutsukan, Sh\u014dwa 53 [1978]",
                "page_number": "cat. no. 63",
                "url": null
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 17, p. 29",
                "url": null
            },
            {
                "citation": "<em>Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art</em> [\u30af\u30ea\u30fc\u30d6\u30e9\u30f3\u30c9\u7f8e\u8853\u9928\u5c55 : \u540d\u753b\u3067\u305f\u3069\u308b\u65e5\u672c\u306e\u7f8e Kur\u012bburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: T\u014dky\u014d Kokuritsu Hakubutsukan, 2014.",
                "page_number": "Reproduced: fig. 2, p. 55",
                "url": null
            },
            {
                "citation": "Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. <em>China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta</em>. Edited by Clarissa Von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.",
                "page_number": "Mentioned and Reproduced: p. 189, no. 72",
                "url": ""
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