id: 147927
accession number: 1974.29
share license status: CC0
url: https://clevelandart.org/art/1974.29
updated: 2023-12-06 07:04:46.457000
Portrait of Priest Dazhi (1048–1116), Master of Law, 1100s. Inscribed by Liu Tao (Chinese, late 1000s–early 1100s). Hanging scroll; ink and light color on silk; image: 92.4 x 40.5 cm (36 3/8 x 15 15/16 in.); overall: 171.9 x 55.1 cm (67 11/16 x 21 11/16 in.); with knobs: 171.9 x 60.5 cm (67 11/16 x 23 13/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1974.29
title: Portrait of Priest Dazhi (1048–1116), Master of Law
title in original language: 大智律師元照像
series:
series in original language:
creation date: 1100s
creation date earliest: 1100
creation date latest: 1125
current location: 003 Special Exhibition Hall
creditline: Purchase from the J. H. Wade Fund
copyright:
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culture: China, Southern Song dynasty (1127-1279)
technique: Hanging scroll; ink and light color on silk
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Liu Tao (Chinese, late 1000s–early 1100s) - calligrapher
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measurements: Image: 92.4 x 40.5 cm (36 3/8 x 15 15/16 in.); Overall: 171.9 x 55.1 cm (67 11/16 x 21 11/16 in.); with knobs: 171.9 x 60.5 cm (67 11/16 x 23 13/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Inscription by Liu Tao (late 1000s–early 1100s):
Dignified with the perfection of the upasampada,/
His appearance is like his mind;/
Uncompromising and loftily aloof,/
His mind is like his appearance./
To say he is square, he proves to be round;/
He looks timid, yet his spirit is unbound./
Having no attachment, and holding no reins,/
Man and deities alike take refuge in him.
(Translation by WKH, 1980)
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1974
opening date: 1975-03-11T04:00:00
Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975).
title: Sources of Japanese Buddhist Art
opening date: 1978-04-29T05:00:00
Sources of Japanese Buddhist Art. Nara National Museum, Nara 630, Japan (organizer) (April 29-June 10, 1978).
title: Eight Dynasties of Chinese Painting
opening date: 1981-02-11T05:00:00
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
title: Asian Autumn: Masterpieces from the Collection
opening date: 1991-09-17T04:00:00
Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).
title: Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art
opening date: 2014-01-15T00:00:00
Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014).
title: Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c
opening date: 2019-08-12T04:00:00
Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).
title: China's Southern Paradise: Treasures from the Lower Yangzi Delta
opening date: 2023-09-10T04:00:00
China's Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).
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LEGACY EXHIBITIONS
* Nihon bukkyo bijutsu no genryū [Sources of Japanese Buddhist art = 日本仏敎美術の源流]. Nara National Museum, Nara, Japan (April 29-June 11,1978).
* Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).
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PROVENANCE
Muto Collection
date: before 1974
footnotes:
citations:
(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)
date: ?–1974
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1974–
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Lee, Sherman E. “The Year in Review for 1974.” The Bulletin of the Cleveland Museum of Art 62, no. 3 (March 1975): 62–102.
page number: Mentioned: p. 103, no. 182; reproduced: p. 89
url: http://www.jstor.org/stable/25152580
Lee, Sherman E. “Varieties of Portraiture in Chinese and Japanese Art.” The Bulletin of the Cleveland Museum of Art 64, no. 4 (April 1977): 118–36.
page number: Mentioned and reproduced: p. 127. figs. 10-11
url: http://www.jstor.org/stable/25159523
Nara Kokuritsu Hakubutsukan 奈良国立博物館. Nihon Bukkyō bijutsu no genryū [Sources of Japanese Buddhist art: special exhibitions = 日本仏敎美術の源流]. Nara: Nara Kokuritsu Hakubutsukan, Shōwa 53 [1978]
page number: cat. no. 63
url:
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: cat. no. 17, p. 29
url:
Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art [クリーブランド美術館展 : 名画でたどる日本の美 Kurīburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: Tōkyō Kokuritsu Hakubutsukan, 2014.
page number: Reproduced: fig. 2, p. 55
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1974.29/1974.29_web.jpg
print: https://openaccess-cdn.clevelandart.org/1974.29/1974.29_print.jpg
full: https://openaccess-cdn.clevelandart.org/1974.29/1974.29_full.tif