{
    "data": {
        "id": 147934,
        "accession_number": "1974.35",
        "share_license_status": "CC0",
        "tombstone": "Buddha Amit\u0101bha with Two Attending Bodhisattvas, 1200s. China, Southern Song dynasty (1127-1279). Hanging scroll; ink and color on silk; painting: 134 x 79.7 cm (52 3/4 x 31 3/8 in.); overall with knobs: 224.5 x 101.5 cm (88 3/8 x 39 15/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1974.35",
        "current_location": null,
        "title": "Buddha Amit\u0101bha with Two Attending Bodhisattvas",
        "creation_date": "1200s",
        "creation_date_earliest": 1200,
        "creation_date_latest": 1299,
        "artists_tags": [],
        "culture": [
            "China, Southern Song dynasty (1127-1279)"
        ],
        "technique": "Hanging scroll; ink and color on silk",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Painting: 134 x 79.7 cm (52 3/4 x 31 3/8 in.); Overall with knobs: 224.5 x 101.5 cm (88 3/8 x 39 15/16 in.)",
        "dimensions": {
            "painting": {
                "height": 1.34,
                "height_inch": 52,
                "height_inch_fraction": 0.75,
                "width": 0.797,
                "width_inch": 31,
                "width_inch_fraction": 0.375
            },
            "overall": {
                "height": 2.23,
                "height_inch": 87,
                "height_inch_fraction": 0.8125,
                "width": 0.957,
                "width_inch": 37,
                "width_inch_fraction": 0.6875
            },
            "overall with knobs": {
                "height": 2.245,
                "height_inch": 88,
                "height_inch_fraction": 0.375,
                "width": 1.015,
                "width_inch": 39,
                "width_inch_fraction": 0.9375
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        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u5357\u7121\u963f\u5f4c\u9640\u4f5b",
                "inscription_translation": "Namo amituofo or \"Homage to the Buddha Amit\u0101bha\"",
                "inscription_remark": "The sacred phrase, which practitioners repeat to secure entry into paradise, is repeated 10 times above the painting.",
                "sortorder": 1
            },
            {
                "inscription": "\u6c99\u9580\u5584\u5c0e",
                "inscription_translation": "Inscription and seal purportedly of Shandao (613\u2013681), Tang dynasty patriarch of the Pure Land school, on the lower left side of the painting.",
                "inscription_remark": null,
                "sortorder": 2
            },
            {
                "inscription": "\u89c0\u4e16\u97f3\u83e9\u85a9",
                "inscription_translation": "Bodhisattva Guanyin (Avalokite\u015bvara)",
                "inscription_remark": "Figure on the right",
                "sortorder": 3
            },
            {
                "inscription": "\u5927\u52e2\u81f3\u83e9\u85a9",
                "inscription_translation": "Dashizhi Bodhisattva (Mah\u0101sth\u0101mapr\u0101pta)",
                "inscription_remark": "Figure on the left",
                "sortorder": 4
            },
            {
                "inscription": "\u6c38\u9686\u5143\u5e74\u5341\u6708\u5341\u4e94\u65e5",
                "inscription_translation": "Inscription on the lower right side of the painting: the fifteenth day of the first month of the first year of the Tang Emperor Taizong's Yonglong reign period [680/681].",
                "inscription_remark": "The date on the inscription coincides with the death date of the Tang patriarch, Shandao. Such signing and dating was a fairly common practice to reinforce the authority of a work as an icon painting. No dishonest intention is to be suspected with these additions. [WKH]",
                "sortorder": 5
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 302084,
                    "title": "Year in Review: 1974",
                    "description": "<i>Year in Review: 1974</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975).",
                    "opening_date": "1975-03-11T04:00:00"
                },
                {
                    "id": 304517,
                    "title": "Eight Dynasties of Chinese Painting",
                    "description": "<i>Eight Dynasties of Chinese Painting</i>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
                    "opening_date": "1981-02-11T05:00:00"
                },
                {
                    "id": 309000,
                    "title": "Korean Gallery 236 Rotation",
                    "description": "<i>Korean Gallery 236 Rotation</i>. The Cleveland Museum of Art (organizer) (July 16, 2018-January 20, 2019).",
                    "opening_date": "2018-07-16T04:00:00"
                },
                {
                    "id": 540063,
                    "title": "Like a Lotus Unstained by Mud",
                    "description": "<i>Like a Lotus Unstained by Mud</i>. Hoam Museum of Art, Kyunggi-do, Korea (Republic of) (March 19-June 23, 2024) https://www.leeumhoam.org/hoam/exhibition/77.",
                    "opening_date": "2024-03-19T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).",
                    "opening_date": "2003-10-29T05:00:00Z"
                }
            ]
        },
        "provenance": [
            {
                "description": "(Nakanishi Bunzo, Kyoto, Japan, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131974",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1974\u2013",
                "sortorder": 2
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        ],
        "find_spot": null,
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        "did_you_know": "Each line of calligraphy, which invokes the Buddha's name, emerges from a lotus blossom.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The supreme deities that rule over the Western Paradise\u2014Amit\u0101bha (\u963f\u5f4c\u9640 in Chinese), Avalokite\u015bvara (Guanyin \u89c0\u97f3), and Mah\u0101sth\u0101mapr\u0101pta (Dashizhi \u5927\u52e2\u81f3)\u2014are here enclosed within a circle of light. To secure entry into that paradise for Buddhist followers of the Pure Land sect, one must recite the phrase <em>namo amituofo</em> (\u5357\u7121\u963f\u5f4c\u9640\u4f5b, Homage to the Buddha Amit\u0101bha). Here the phrase is repeated 10 times in calligraphy above the figures, reinforcing the need for continual recitation.",
        "external_resources": {
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                "https://www.wikidata.org/wiki/Q60472650"
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            "internet_archive": [
                "https://archive.org/details/clevelandart-1974.35-buddha-amitabha-with"
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        "citations": [
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 48, pp. 63-65",
                "url": null
            },
            {
                "citation": "Shin, Junhyoung Michael. \u201cThe Face-to-Face Advent of the Amit\u0101bha Triad: A Fifteenth-Century Welcoming Descent.\u201d <em>Cleveland Studies in the History of Art</em>, vol. 6, 2001, pp. 28\u201347.",
                "page_number": "Reproduced: fig. 8, p. 40",
                "url": "https://www.jstor.org/stable/20079712"
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