{
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        "id": 147961,
        "accession_number": "1974.59",
        "share_license_status": "CC0",
        "tombstone": "Rapier, c. 1580\u20131610. Blade: Spain, Toledo   Hilt: Italt, Belluno?, late 16th-early 17th Century. Steel, ribbed guard and pommel; wood and wire; overall: 135.9 cm (53 1/2 in.); blade: 111.1 cm (43 3/4 in.); quillions: 25.5 cm (10 1/16 in.); grip: 16.5 cm (6 1/2 in.). The Cleveland Museum of Art, Gift from the Bascom Little Estate, 1974.59",
        "current_location": "210A Armor Court",
        "title": "Rapier",
        "creation_date": "c. 1580\u20131610",
        "creation_date_earliest": 1575,
        "creation_date_latest": 1615,
        "artists_tags": [],
        "culture": [
            "Blade: Spain, Toledo   Hilt: Italt, Belluno?, late 16th-early 17th Century"
        ],
        "technique": "steel, ribbed guard and pommel; wood and wire",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Arms & Armor",
        "type": "Arms and Armor",
        "measurements": "Overall: 135.9 cm (53 1/2 in.); Blade: 111.1 cm (43 3/4 in.); Quillions: 25.5 cm (10 1/16 in.); Grip: 16.5 cm (6 1/2 in.)",
        "dimensions": {
            "overall": {
                "length": 1.359
            },
            "blade": {
                "length": 1.111
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            "quillions": {
                "width": 0.255
            },
            "grip": {
                "length": 0.165
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        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "PIETRO HERNAN[DJEZ",
                "inscription_translation": null,
                "inscription_remark": "Inscribed on blade within fuller",
                "sortorder": null
            },
            {
                "inscription": "three (Toledo and half-moon)",
                "inscription_translation": null,
                "inscription_remark": "On ricasso",
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 302084,
                    "title": "Year in Review: 1974",
                    "description": "<i>Year in Review: 1974</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975).",
                    "opening_date": "1975-03-11T04:00:00"
                },
                {
                    "id": 401015,
                    "title": "European Arms and Armor from the Cleveland Museum of Art (Long-term Loan)",
                    "description": "<i>European Arms and Armor from the Cleveland Museum of Art (Long-term Loan)</i>. Birmingham Museum of Art (organizer) (July 1, 1993-July 1, 1995).",
                    "opening_date": "1993-07-01T04:00:00"
                },
                {
                    "id": 190103,
                    "title": "Armor Court Reinstallation",
                    "description": "<i>Armor Court Reinstallation</i>. The Cleveland Museum of Art (organizer).",
                    "opening_date": "1998-09-10T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Bascom Little Estate, Cleveland, OH, gifted to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "?-1974",
                "sortorder": 1
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        "did_you_know": "During this time fencing academies were already in existence in Milan, Venice, Verona, and Madrid, and the rules of fencing evolved with two styles dominating, the Spanish and the Italian.",
        "description": "The rapier was a sword worn with civilian dress and used in duels. The term rapier derives from the 16th-century French word <em>rapi\u00e8re</em>, which in turn derived from the Spanish <em>espada ropera</em>, or \u201cdress sword.\u201d The rapier was a light weapon with a straight double-edged and pointed blade that, with the development of the art of fencing in the 1500s and 1600s, gradually became narrower and lighter, and thus suitable for thrusts only. With the new technique of swordplay emphasizing the point of the blade, sword guards became more complex to protect the duelist\u2019s unarmored hand. These elaborate guards were frequently decorated by various techniques\u2014chiseling, bluing, russeting, and damascening.",
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                "https://www.wikidata.org/wiki/Q60740399"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1974.59-rapier"
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        },
        "citations": [
            {
                "citation": "Fliegel, Stephen N.<em> Arms and Armor: The Cleveland Museum of Art.</em> [Cleveland, Ohio]: The Museum, 1998.",
                "page_number": "p. 113, 173, cat. no. 201",
                "url": null
            },
            {
                "citation": "Fliegel, Stephen N. <em>Arms &amp; Armor: The Cleveland Museum of Art.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2007.",
                "page_number": "cat. no. 172, p. 191",
                "url": null
            }
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