id: 147977
accession number: 1974.73
share license status: CC0
url: https://clevelandart.org/art/1974.73
updated: 2023-08-23 22:29:34.631000
Food Container (Gui), 600–500 BCE. China, Eastern Zhou dynasty (770-256 BC), Spring and Autumn period (770-476 BC). Bronze; overall: 34.3 x 44.5 cm (13 1/2 x 17 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1974.73
title: Food Container (Gui)
title in original language: 龍耳簋
series:
series in original language:
creation date: 600–500 BCE
creation date earliest: -600
creation date latest: -500
current location: 241A Arts of Ancient China
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: China, Eastern Zhou dynasty (770-256 BC), Spring and Autumn period (770-476 BC)
technique: bronze
department: Chinese Art
collection: China - Zhou Dynasty
type: Metalwork
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 34.3 x 44.5 cm (13 1/2 x 17 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review: 1974
opening date: 1975-03-11T04:00:00
Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975).
title: Asian Journeys: Collecting Art in Post-war America
opening date: 2009-02-10T00:00:00
Asian Journeys: Collecting Art in Post-war America. The Asia Society Museum, New York, NY (organizer) (February 10-August 9, 2009).
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LEGACY EXHIBITIONS
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PROVENANCE
Hans Jüergen von Lochow [1902–1989]
date:
footnotes:
citations:
Frederick M. Mayer [1899–1974], New York, NY
date: ?–1974
footnotes:
citations:
(Christie, Manson & Woods, London, England, June 25, 1974 sale, lot 219, sold to the Cleveland Museum of Art)
date: June 25, 1974
footnotes:
*
One of pair, the other purchased by John D. Rockefeller.
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1974–
footnotes:
citations:
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fun fact:
digital description:
wall description:
Openwork and sculptural designs elaborately transform the silhouette of this gui, a ritual food vessel with a square pedestal. The design exudes motion, exuberance, and baroque characters to a stately vessel form. Lotus-petal openwork encircles the cover, reinforcing the linear rhythms of the undulating wave patterns on the body. Two lively dragons, with eyes and mouth wide open and tongue straight out, are accompanied by two felines to form the arched handles.
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RELATED WORKS
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CITATIONS
Christie, Manson & Woods. The Frederick M. Mayer Collection of Chinese Art. 25 June 1974 sale.
page number: Lot 219
url:
Lee, Sherman E. “The Year in Review for 1974.” The Bulletin of the Cleveland Museum of Art 62, no. 3 (1975): 62–103.
page number: Mentioned: p. 103, cat. no. 176; Reproduced: p. 104 (back cover)
url: http://www.jstor.org/stable/25152580
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 325
url: https://archive.org/details/CMAHandbook1978/page/n345
Wang, Haiwen 王海文. "The Dragon-eared [-handled] Kuei 龍耳簋." Gugong bowuyuan yuankan [故宮博物院院刊 = Palace Museum Journal], 1979, no. 4.
page number: Mentioned: pp. 25 and 32
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991.
page number: Reproduced: p. 7
url: https://archive.org/details/CMAHandbook1991/page/n22
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1974.73/1974.73_web.jpg
print: https://openaccess-cdn.clevelandart.org/1974.73/1974.73_print.jpg
full: https://openaccess-cdn.clevelandart.org/1974.73/1974.73_full.tif