id: 148236
accession number: 1975.22.11
share license status: CC0
url: https://clevelandart.org/art/1975.22.11
updated: 2023-03-11 20:51:04.434000
Album of Miscellaneous Subjects, Colophon, early 1650s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall: 21 x 22 cm (8 1/4 x 8 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1975.22.11
title: Album of Miscellaneous Subjects, Colophon
title in original language: 山水花鳥圖冊
series:
series in original language:
creation date: early 1650s
creation date earliest: 1650
creation date latest: 1655
current location:
creditline: Purchase from the J. H. Wade Fund
copyright:
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culture: China, Qing dynasty (1644-1911)
technique: album leaf, ink and color on silk
department: Chinese Art
collection: ASIAN - Album leaf
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Fan Qi (Chinese, 1616-aft 1694) - artist
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measurements: Image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); Overall: 21 x 22 cm (8 1/4 x 8 11/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: 1 colophon and 1 seal of Tomioka Tessai 富岡鐵齋 (1836-1924)
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1975
opening date: 1976-02-03T05:00:00
Year in Review: 1975. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 3-March 7, 1976).
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LEGACY EXHIBITIONS
* Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
* Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).
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PROVENANCE
Tomioka Tessai 富岡鐵齋 [1836–1924]
date:
footnotes:
citations:
(Robert G. Sawers [b. c. 1934], London, sold to the Cleveland Museum of Art)
date: ?-1975
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1975-
footnotes:
citations:
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fun fact:
digital description:
wall description:
The Japanese artist Tomioka Tessai (1836-1924) adds a colophon on the last page, commenting on the rarity of Fan Qi's paintings among those of the Eight Masters of Nanjing. They were modeled after Tang and Song masters and captured the rhythms of life. "Whenever I open this album, my mind is pleased," he writes.
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RELATED WORKS
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CITATIONS
Lee, Sherman E. “The Year in Review for 1975.” The Bulletin of the Cleveland Museum of Art, vol. 63, no. 2, 1976, pp. 31–71.
page number: Reproduced: p. 70, cat. no. 155
url: https://www.jstor.org/stable/25152624
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: cat. no. 219, pp. 288-293
url:
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 379-385
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1975.22.11/1975.22.11_web.jpg
print: https://openaccess-cdn.clevelandart.org/1975.22.11/1975.22.11_print.jpg
full: https://openaccess-cdn.clevelandart.org/1975.22.11/1975.22.11_full.tif