id: 148365 accession number: 1975.78 share license status: CC0 url: https://clevelandart.org/art/1975.78 updated: 2024-03-26 01:59:38.538000 Landscape Near Paris, c. 1840. Attributed to Georges Michel (French, 1763–1843). Oil on fabric; framed: 105.6 x 146.4 x 9.6 cm (41 9/16 x 57 5/8 x 3 3/4 in.); unframed: 88.8 x 129.5 cm (34 15/16 x 51 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin 1975.78 title: Landscape Near Paris title in original language: series: series in original language: creation date: c. 1840 creation date earliest: 1835 creation date latest: 1845 current location: creditline: Gift of Mr. and Mrs. Noah L. Butkin copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Georges Michel (French, 1763–1843) - artist Born in Paris in 1763, Georges Michel was a child of romanticism (Jean-Jacques Rousseau died in 1778). Even before Paul Huet (1803-1869), Decamps (q.v.), Daumier (q.v.), and all the other painters who formed the first generation of the School of Barbizon, Michel was the first to tackle the representation of nature free of aesthetic prejudices and unencumbered by pre-established rules learned in the workshop of some prestigious teacher. Of humble origin, Michel was very precocious not only in the apprenticeship of his craft but in his private life as well. Twelve years old when he entered the workshop of a professor of the Academy of Saint Luke, Michel often played truant to go and draw after nature in the Saint Denis plain. Married when he was sixteen, he was already the father of five children by the time he was twenty. After spending some time traveling in Switzerland and in Germany, he returned to Paris, where he met the Baron d'Ivry, an art lover who provided him with financial support, as he later did for Decamps. Around 1790 Michel met painter Lazare Bruandet (1755-1804), who was already working in the open air in the forest of Fontainebleau and who became a close friend. Their meeting would have important consequences for Michel's artistic evolution. Around 1800, the painter and art dealer Jean-Baptiste-Pierre Le Brun (1748-1813) commissioned him to reproduce landscapes by Jacob van Ruisdael (1628/29-1689), Meindert Hobbema (1638-1709), Rembrandt (1606-1669), as well as by several other Dutch painters. Vivant Denon, then director of the Louvre, called upon him to participate in the restoration of the Dutch and Flemish paintings in the Louvre's collection. Michel's work was greatly influenced by this close contact with the Old Masters at a time when the majority of the painters of his generation, artists like Xavier Bidauld (1758-1846), Bertin (q.v.), Nicolas Antoine Taunay (1755-1830), etc., were drawn to Italy. Michel never ventured further than the immediate surroundings of Paris. He once said that "the person who is incapable of painting all his life within four leagues of space has no imagination, and in his search for a mandrake, will only find emptiness."1 1. Sensier 1873, 21. --- measurements: Framed: 105.6 x 146.4 x 9.6 cm (41 9/16 x 57 5/8 x 3 3/4 in.); Unframed: 88.8 x 129.5 cm (34 15/16 x 51 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Formerly signed and dated lower left (according to Minneapolis Institute of Arts, see note 2) translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * {'description': 'New York, Padawer Galleries. XIX Century Landscape Masters (5-30 January 1960), no. 8, Rolling landscape with figures, as oil on paper backed by canvas, 35 x 51 in. (repr.).', 'opening_date': '1960-01-05T00:00:00'} * {'description': 'Memphis, Dixon Gallery and Gardens; Oberlin, Ohio, Allen Memorial Art Museum; Louisville, Ky., J. B. Speed Art Museum. From Arcadia to Barbizon: A Journey in French Landscape Painting (1987-88), no. 47 (repr.).', 'opening_date': '1987-01-01T00:00:00'} * {'description': 'St. Paul, James J. Hill House. Homecoming: The Art Collection of James J. Hill (1991), no. 27 (repr.).', 'opening_date': '1991-01-01T00:00:00'} * {'description': 'Noon, Patrick, Contable to Delacroix: British Art and the French Romantics (London: Tate Publishing ©2003), fig. 56, p. 202.', 'opening_date': '2003-01-01T00:00:00'} --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 437-439, Vol. II, no. 151 url: Tapie, Alain. "La Maniere de Georges Michel et la Dimension du Sublime." In Georges Michel, 1763-1843: Le Paysage Sublime. Magali Briat-Philippe, and Ger Luijten, eds., 59-63. Bourg-en-Bresse: Monastère Royal de Brou; Paris: Fondation Custodia, Collection Frits Lugt, 2017. page number: Reproduced: P. 60, fig. 49 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1975.78/1975.78_web.jpg print: https://openaccess-cdn.clevelandart.org/1975.78/1975.78_print.jpg full: https://openaccess-cdn.clevelandart.org/1975.78/1975.78_full.tif