id: 148540
accession number: 1976.11.2
share license status: CC0
url: https://clevelandart.org/art/1976.11.2
updated: 2020-11-14 10:01:53.787000
The Eight Immortals of the Wine Cup, later 1700s. Soga Shōhaku (Japanese, 1730-1781). Six-panel folding screen, ink and cut-gold foil on paper; painting only: 120 x 352.2 cm (47 1/4 x 138 11/16 in.); including mounting: 137.5 x 369.6 cm (54 1/8 x 145 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund 1976.11.2
title: The Eight Immortals of the Wine Cup
title in original language:
series:
series in original language:
creation date: later 1700s
creation date earliest: 1750
creation date latest: 1781
current location:
creditline: John L. Severance Fund
copyright:
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culture: Japan, Edo period (1615-1868)
technique: six-panel folding screen, ink and cut-gold foil on paper
department: Japanese Art
collection: ASIAN - Folding screen
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Soga Shōhaku (Japanese, 1730-1781) - artist
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measurements: Painting only: 120 x 352.2 cm (47 1/4 x 138 11/16 in.); Including mounting: 137.5 x 369.6 cm (54 1/8 x 145 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: signature upper left corner.
translation:
remark:
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CURRENT EXHIBITIONS
title: Soga Shohaku (1730-81)
opening date: 2005-04-12T00:00:00
Soga Shohaku (1730-81). Kyoto National Museum, Kyoto, Japan (organizer) (April 12-May 15, 2005).
title: The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art
opening date: 2011-03-27T00:00:00
The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art. The Cleveland Museum of Art (organizer) (April 15-August 21, 2011).
title: Japanese Gallery 235 Rotation
opening date: 2018-01-02T05:00:00
Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
Responding to the desires of the middle class (chonin), some Japanese painters of the late Edo period moved away from the seriousness associated with the Chinese theme of reclusion, focusing instead on the motif’s humorous aspects. The theme Eight Immortals of the Wine Cup is based on a poem by the renowned 8th-century Chinese poet Du Fu about his eight colleagues. These scholars eagerly sought release from their official governmental duties and then supposedly fled the capital for the countryside. There, they engaged in wildly eccentric behavior and adventurous creative work, all fueled by copious amounts of wine. Shohaku’s version of events exaggerates the scholars’ pleasure, as seen in their comical facial expressions.
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RELATED WORKS
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CITATIONS
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 386
url: https://archive.org/details/CMAHandbook1978/page/n406
Cleveland Museum of Art, and Michael R. Cunningham. Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2001.
page number: Reproduced: p. 50-51
url:
Soga, Shōhaku. Soga Shōhaku: burai to iu yuetsu : tokubetsu tenrankai = Shōhaku show. [Kyoto]: Kyōto Kokuritsu Hakubutsukan, 2005.
page number: Reproduced: p. 248, cat no. 74
url:
Sŏn, Sŭng-hye. The Lure of Painted Poetry: Japanese and Korean Art. Cleveland, OH: Cleveland Museum of Art, 2011.
page number: Reproduced: cat. no. 27b
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1976.11.2/1976.11.2_web.jpg
print: https://openaccess-cdn.clevelandart.org/1976.11.2/1976.11.2_print.jpg
full: https://openaccess-cdn.clevelandart.org/1976.11.2/1976.11.2_full.tif