{
"data": {
"id": 148571,
"accession_number": "1976.112",
"share_license_status": "CC0",
"tombstone": "Five Pine Trees (\u4e94\u677e\u5716), 1747. Li Shan (Chinese, c. 1686\u20131762). Hanging scroll; ink on paper; image: 199.9 x 94.3 cm (78 11/16 x 37 1/8 in.); overall: 260 x 98 cm (102 3/8 x 38 9/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1976.112",
"current_location": null,
"title": "Five Pine Trees",
"title_in_original_language": "\u4e94\u677e\u5716",
"creation_date": "1747",
"creation_date_earliest": 1747,
"creation_date_latest": 1747,
"artists_tags": [
"male"
],
"culture": [
"China, Qing dynasty (1644\u20131911), Qianlong reign (1736\u201395)"
],
"technique": "Hanging scroll; ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Image: 199.9 x 94.3 cm (78 11/16 x 37 1/8 in.); Overall: 260 x 98 cm (102 3/8 x 38 9/16 in.)",
"dimensions": {
"image": {
"height": 1.999,
"height_inch": 78,
"height_inch_fraction": 0.6875,
"width": 0.943,
"width_inch": 37,
"width_inch_fraction": 0.125
},
"mounted": {
"height": 2.602,
"height_inch": 102,
"height_inch_fraction": 0.4375,
"width": 1.06,
"width_inch": 41,
"width_inch_fraction": 0.75
},
"overall": {
"height": 2.6,
"height_inch": 102,
"height_inch_fraction": 0.375,
"width": 0.98,
"width_inch": 38,
"width_inch_fraction": 0.5625
},
"overall with knobs": {
"height": 2.6,
"height_inch": 102,
"height_inch_fraction": 0.375,
"width": 1.055,
"width_inch": 41,
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}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's 5 poems (not translated), inscription, signature, and 4 seals: [seal] Chung-yang. A friend asked me to paint the five pines. I associated the straight pine with a statesman, the bald one with a famous general, the one leaning to one side and the one reclining with dragons, the short round one with foliage like a grass-mat with either an immortal or Buddha. And I composed a long poem as inscription.\n\tIn autumn, the ninth month of the ting-mao year [1747], the twelfth year of the Ch'ien-lung era, I imitated the style of T'ien-ch'ih sheng [Hs\u00fc Wei, 1521-1593], at the Sheng-hsien fu-ou Studio in the southern part of the city. Fu-t'ang, Ao-tao jen, Li Shan. [2 seals] Shan-yin; Tsung-yang. [seal, lower left corner] Fu-t'ang, Li Shan.\n\ntrans. LYSL/WKH",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "2 additional seals of Cheng Qi \u7a0b\u7426 (1911\u20131988)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 302374,
"title": "Year in Review, 1976",
"description": "Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977).",
"opening_date": "1977-02-01T05:00:00"
},
{
"id": 304518,
"title": "Chinese Paintings: Themes and Techniques",
"description": "Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981).",
"opening_date": "1981-02-07T05:00:00"
},
{
"id": 310268,
"title": "Scholar's Studio",
"description": "Scholar's Studio. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989).",
"opening_date": "1989-09-19T04:00:00"
},
{
"id": 298005,
"title": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018).",
"opening_date": "2017-08-14T04:00:00"
},
{
"id": 521183,
"title": "When Salt was Gold: Yangzhou, City of Riches and Art",
"description": "When Salt was Gold: Yangzhou, City of Riches and Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023).",
"opening_date": "2023-05-12T04:00:00"
}
],
"legacy": [
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1980-11-06T05:00:00Z"
}
]
},
"provenance": [
{
"description": "(Cheng Qi \u7a0b\u7426 [1911\u20131988], sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131976",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1976\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The writing among the branches illustrates the kinship between painting and calligraphy.",
"early_education_description": null,
"artlens_description": null,
"description": "Li Shan was born into a family of scholars and officials in Yangzhou. The wealth and status of Li's family assured him an educational and cultural advantage, including his appointment at court. The subjects Li Shan chose to paint\u2014orchids, bamboo, pines, and flowers\u2014reflected his literati background. Five Pine Trees, painted late in his career, is an unconventional work. Rather than having focused on a realistic treatment of the subject, Li created the trees with an interplay of richly modulated strokes, while he utilized a semicursive script among the branches to illustrate the kinship between painting and calligraphy.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60473010"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1976.112-five-pine-trees"
]
},
"citations": [
{
"citation": "Cheng, Qi \u7a0b\u7426. Xuan hui tang shu hua lu \u8431\u6689\u5802\u66f8\u756b\u9304. Hong Kong: Xuan hui tang, 1972.",
"page_number": "pp. 203(b)\u2013204(a)",
"url": ""
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned and Reproduced: cat. no. 268, pp. 366\u2013367",
"url": ""
},
{
"citation": "Williams, Marjorie. Chinese Painting--an Escape from the \"Dusty\" World. Cleveland, OH: The Cleveland Museum of Art, 1981.",
"page_number": "Mentioned and Reproduced: fig. 34, p. 50",
"url": ""
}
],
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"creditline": "Purchase from the J. H. Wade Fund",
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"id": 31397,
"description": "Li Shan (Chinese, c. 1686\u20131762)",
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"updated_at": "2026-05-29 07:38:03.794000"
}
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