id: 148758
accession number: 1976.2
share license status: CC0
url: https://clevelandart.org/art/1976.2
updated: 2024-03-26 01:59:39.727000
The Crucifixion of Saint Andrew, 1606–7. Caravaggio (Italian, 1571–1610). Oil on canvas; framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1976.2
title: The Crucifixion of Saint Andrew
title in original language:
series:
series in original language:
creation date: 1606–7
creation date earliest: 1606
creation date latest: 1607
current location: 217 Italian Baroque
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: Italy, Naples
technique: oil on canvas
department: European Painting and Sculpture
collection: P - Italian 16th & 17th Century
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Caravaggio (Italian, 1571–1610) - artist
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measurements: Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review, 1976
opening date: 1977-02-01T05:00:00
Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977).
title: Painting in Naples from Caravaggio to Giordano
opening date: 1982-10-02T04:00:00
Painting in Naples from Caravaggio to Giordano. Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (organizer) (October 2-December 12, 1982).
title: Caravaggio: The Last Years
opening date: 2004-10-23T00:00:00
Caravaggio: The Last Years. Museo di Capodimonte, Naples, Italy (October 23, 2004-January 23, 2005); National Gallery, London, London, United Kingdom of Great Britain and Northern Ireland (organizer) (February 23-May 22, 2005).
title: Rembrandt - Caravaggio
opening date: 2006-02-25T00:00:00
Rembrandt - Caravaggio. Van Gogh Museum, 1070 AJ Amsterdam, Netherlands (February 25-June 16, 2006).
title: Masterpieces of European Painting from The Cleveland Museum of Art
opening date: 2006-11-08T00:00:00
Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007).
title: Masterpieces of European Painting from the Cleveland Museum of Art
opening date: 2007-03-29T00:00:00
Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).
title: Conservation in Focus: Caravaggio's Crucifixion of Saint Andrew
opening date: 2014-06-03T00:00:00
Conservation in Focus: Caravaggio's Crucifixion of Saint Andrew. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 3-September 14, 2014).
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LEGACY EXHIBITIONS
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PROVENANCE
Don Juan Alonso Pimentel y Herrera, Eighth Conde de Benavente, Spanish viceroy in Naples from 1603 until July 1610
date:
footnotes:
citations:
Don Juan Francisco Alonso Pimentel y Ponce de Léon (grandson of above, inherited) Tenth Conde de Benavente, Valladolid
date:
footnotes:
citations:
An unidentified convent in Castilla, Spain
date:
footnotes:
citations:
A. Tors, Madrid
date:
footnotes:
citations:
José Manuel Arnaiz, Madrid, 1973.
date:
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
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url:
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url:
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Friedlaender, Walter. 1955. "Réflexions sur les Problèmes Posés à l'Exposition". Cahiers De Bordeaux/Journées Internationales D'Etudes D'Art II (1955): 27-30.
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Merisi da, Michelangelo and Costantino Baroni. Tutta la pittura del Caravaggio. A cura di Costantino Baroni. Milano, Italy: Rizzoli, 1956.
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Guinard, Paul. Zurbarán et les peintres espagnols de la vie monastique. Paris, France: Éditions du Temps, 1960.
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Longhi, Roberto. "Un Originale del Caravaggio a Rouen e il Problema Delle Copie Caravaggesche." Paragone XI, no. 121 (January 1960): 23-36.
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Jullian, René. Caravage. Paris, Lyon: Editions IAC, 1961.
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Delogu, Giuseppe. Caravaggio. Milano, Italy: "Silvana" Editoriale d'Arte, 1962.
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Venturi, Lionello. Il Caravaggio. Novara: Istituto geografico de Agostini, 1963.
page number: Mentioned: P. 33
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Kitson, Michael. The Complete Paintings of Caravaggio. New York. NY: Harry N. Abrams, Inc, 1967.
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Moir, Alfred. The Italian Followers of Caravaggio. Cambridge, MA: Harvard University Press, 1967.
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Bodart, Didier. Louis Finson / Bruges, avant 1580-Amsterdam, 1617. Brussels, Belgium: Palais des Academies, 1970.
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url:
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url:
Causa, Raffaello. La Pittura del Seicento a Napoli dal Naturalismo al Barocco; La Natura Morta a Napoli nel Sei e nel Settecento. [Napoli]: Società Editrice Storia di Napoli, 1972.
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url:
Marini, Maurizio. Io Michelangelo da Caravaggio. Roma: Studio B di Bestetti e Bozzi, 1973.
page number: p. 235, 433-435; Reproduced: p. 235, no. 72
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Cinotti, Mia. Immagine del Caravaggio. Mostra didattica itinerante. Catalogo. Cinisello Balsamo: Pizzi, 1973.
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Mariani, Valerio. Caravaggio. Roma, Italy: Istituto poligrafico dello Stato, Libreria, 1973.
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Sanchez, Alfonso E. Pérez. Caravaggio y el naturalismo español: exposición realizada con motivo del XXIII Congreso Internacional de Historia del Arte, Sevilla, Sala de Armas de los Reales Aleazares, septiembre-octubre 1973. Madrid, Spain: Comisaría General de Exposiciones, Dirección General de Bellas Artes, Ministerio de Educación y Ciencia, 1973.
page number: Mentioned in unpaginated introduction.
url:
Borea, Evelina. "Caravaggio e la Spagna: osservazioni su una mostra a Siviglia." Bollettino D'Arte LIX, n. 1-2, ser. V (1974): 43-52.
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url:
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page number:
url: https://archive.org/details/cmapr2350
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url:
Lurie, Ann Tzeutschler in collaboration with Dennis Mahon. "Caravaggio's Crucifixion of Saint Andrew from Valladolid." The Bulletin of The Cleveland Museum of Art LXIV, no. 1 (January, 1977):3-24.
page number: Reproduced: cover, p. 4, fig. 1; Detail; pp. 6-24
url:
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url:
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url:
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page number: Mentioned: pp. 23, 169, 266
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Weller, Dennis P., Leonard J. Slatkes, and Roger B. Ward. Sinners & Saints: Darkness and Light : Caravaggio and His Dutch and Flemish Followers. Raleigh, NC: North Carolina Museum of Art, 1998.
page number: Reproduced: p. 206, no. 5
url:
Mormando, Franco. Saints & Sinners: Caravaggio & the Baroque Image. Chestnut Hill, MA: McMullen Museum of Art, Boston College, 1999.
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url: http://www.jstor.org/stable/24432795
Marini, Maurizio. "Caravaggio y España: Momentos de Historia y de Pintura entre la Naturaleza y la Fe." In Caravaggio: Museo Nacional del Prado, 21 septiembre-21 noviembre, 1999: Museo de Bellas Artes de Bilbao, 29 noviembre, 1999-23 enero, 2000. Claudio M. Strinati, and Rossella Vodret Adamo, eds., 29-48. Madrid: Sociedad Electa de España, 1999.
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Hall & Knight Ltd, and Nicholas H. J. Hall. MMI. Exh. cat. Hall & Knight Ltd., London, New York. London: Hall & Knight Ltd, 2001.
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url:
May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001.
page number: Reproduced: p. 37, no. 33
url:
Hall, Nicholas H. J. MMI: [Exhibition]. New York: London: Hall & Knight Ltd, 2001.
page number: Reproduced: P. 21, fig. 16
url:
Pacelli, Vincenzo, and Michelangelo Merisi da Caravaggio. L'ultimo Caravaggio, 1606-1610: il giallo della morte: omicidio di Stato? Todi Perugia, Iitaly: Ediart, 2002.
page number: Reproduced: pl. V, VI
url:
Gash, John. Caravaggio. London: Chaucer, 2003.
page number: Reproduced: p. 109, no. 61
url:
Cassani, Silvia and Maria Sapio. Caravaggio: l'ultimo tempo, 1606-1610. Napoli, Italy: Electa Napoli, 2004.
page number: Reproduced: p. 31, fig. 6 and p. 173, fig. 9
url:
Harris, Ann Sutherland. Seventeenth-Century Art & Architecture. London: Laurence King Publishing Ltd., 2005.
page number: p. 134-135; Reproduced: p. 135, no. 1.134.
url:
Pagano, Denise Maria. Caravaggio a Napoli: dalle Opere di Misericordia alla Sant'Orsola trafitta tecnica e restauri. Naples, Italy: Electa Napoli, 2005.
page number: Reproduced: p. 173, no. 9
url:
López, Mercedes Simal. "Don Juan Alfonso Pimentel, VIII Conde-Duque de Benavente, y el Coleccionismo de Antigüedades: Inquietudes de un Virrey de Nápoles (1603-1610)." Reales Sitios XLII, no. 164 (2005): 30-49.
page number: Mentioned and reproduced: P. 37
url:
Cassani, Silvia, Maria Sapio, Paolo Altieri, Enrica D'Aguanno, Gianni Manna, Mark Weir, and Ferdinando Bologna. Caravaggio: the final years. Naples: Electra Napoli, 2005.
page number: Reproduced: p. 173, no. 9
url:
Morel, Guillaume. "La Sublime Violence du Caravage." L'Œil (May 2005): 70-75.
page number: Mentioned and reproduced: P. 72-73
url:
Varriano, John L. Caravaggio: The Art of Realism. University Park, Pa: Pennsylvania State University Press, 2006.
page number: p. 57, 112, 240; Reproduced: p. 240, fig. 49
url:
Miyashita, Kikuro. Karavajjo. Tokyo: Shogakukan, 2006.
page number: Reproduced: p. 110
url:
Harten, Jürgen, Jean Hubert Martin, and Denis Mahon. Caravaggio: Originale und Kopien im Spiegel der Forschung. Ostfildern: Hatje Cantz, 2006.
page number: Reproduced: P. 173-174
url:
Dibbits, Taco. "Prologue: Caravaggio, the Utrecht Caravaggisti and the Young Rembrandt." In Rembrandt, Caravaggio. Duncan Bull, ed., 30-51. Zwolle: Waanders, 2006.
page number: Reproduced: P. 30, 33
url:
Donley, Gregory M., "World Travelers", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 46 no. 01, January 2006
page number: Mentioned & reproduced: p. 6
url: https://archive.org/details/CMAMM2006-01/page/6
Iacono, Margaret, ed. Masterpieces of European Painting from the Cleveland Museum of Art. New York: The Frick Collection, 2006.
page number: p. 36-39; Reproduced: p. 36, no. 6
url:
Gabriel, Theodore, and Ron Geaves. ...isms: Understanding Religion. New York: Universe, 2007.
page number: Reproduced: p. 38
url:
Sgarbi, Vittorio. Caravaggio. Milano: Skira; London: Thames & Hudson, 2007.
page number: p. 158-159
url:
Jover, Manuel. Caravaggio. Paris: Terrail, 2007.
page number: p. 220-221; Reproduced: p. 221
url:
Pichler, Wolfram. "Il dubbio e il doppio: le evidenze in Caravaggio." In Caravaggio e il suo ambiente: ricerche e interpretazioni, edited by S. Ebert-Schifferer and Veronika Birbaumer. Cinisello Balsamo, Milano: Silvana, 2007.
page number: p. 9, 11; Reproduced: p. 11, no. 3
url:
Ferriss, J. Barry. The Many Reasons Why Goiter Is Seen in Old Paintings: Commentary. New York: Mary Ann Liebert, Inc, 2008.
page number: p. 389, 391; Reproduced: p. 391, fig. 10
url:
Muñoz González, María Jesús. El mercado español de pinturas en el siglo XVII. Madrid: Fundación Caja Madrid, 2008.
page number: Reproduced: p. 183, no. 112
url:
Harris, Ann Sutherland. Seventeenth-Century Art & Architecture. London: Laurence King Pub, 2008.
page number: Reproduced: p. 134, no. 1.137
url:
Venier, Pierpaolo, and Fernando Noris. Caravaggio Drammaturgo: Lettura teatrale dell'opera pittorica. Azzano San Paolo (Bergamo): Bolis, 2009.
page number: p. 132-133; Reproduced: p. 133
url:
Zuccari, Alessandro. Caravaggio Controluce: Ideali e Capolavori. Milano: Skira, 2011.
page number: Reproduced: p. xviii, fig. 22
url:
Vodret Adamo, Rossella. Caravaggio. Cinisello Balsamo (Milano): Silvana, 2009.
page number: p. 200-201; Reproduced: p. 201, no. 119
url:
Schutze, Sebastian. Caravaggio: The Complete Works. Cologne: Taschen, 2009.
page number: p. 203, 277-278
url:
Damià Bautista, Joan. L'herència formal de Caravaggio. Artana: Joan Damià Bautista i Garcia, 2009.
page number: Reproduced: p. 99, fig. 245.
url:
Spinosa, Nicola. Pittura del Seicento a Napoli: da Caravaggio a Massimo Stanzione. Napoli: Arte'm Srl., 2010.
page number: Reproduced: p. 351, no. 330
url:
Papa, Rodolfo. Caravaggio: le origini, i modelli. Firenze: Giunti, 2010.
page number: p. 23
url:
Milesi, Silvana. Caravaggio incomparabile, 1610-2010. Bergamo: Corponove, 2010.
page number: Reproduced: p. 143
url:
Graham-Dixon, Andrew. Caravaggio: A Life Sacred and Profane. London; New York, Allen Lane, 2010.
page number: Reproduced: p. xvii, no. 73; p. 347-349, 350, 358, 379, 398
url:
Fried, Michael. The Moment of Caravaggio. Princeton, N.J.: Princeton University Press, 2010.
page number: Reproduced: p. 158, fig. 5.10
url:
Clark, Carol Zeller, and Orlo H. Clark. The Remarkables: Endocrine Abnormalities in Art. Berkeley: UC Medical Humanities Consortium, 2011.
page number: p. 84-85; Reproduced: p. 85, fig. 2-14.
url:
Franklin, David. Director's Choice: The Cleveland Museum of Art. London: Scala Publisherts Ltd, 2012.
page number: p. 34-35
url:
Franklin, David, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art; London: Scala Publishers Ltd, 2012.
page number: p.184-185
url:
Pacelli, Vincenzo, and Gianluca Forgione. Caravaggio tra arte e scienza. Pozzuoli, Italy: Paparo, 2012.
page number: p. 40-43: fig. 4, 5; p. 282: fig. 62; p. 395-396: fig. A46
url:
Cappelletti, Francesca. Zurbaran. Florence: Giunti, 2013.
page number: Reproduced: P. 9
url:
Denunzio, Antonio Ernesto. "La Giuditta, Louis Finson e un probabile committente." In Giuditta decapita Oloferne: Louis Finson interprete di Caravaggio. Louis Finson, and Giovanna Capitelli., eds., 44-52. Napoli: Arte'm, 2013.
page number: Mentioned and reproduced: P. 44-45
url:
Rivero, Ignacio Cano, and Gabriele Finaldi. Francisco de Zurbarán (1598-1664). Antwerpen: Mercatorfonds, 2014.
page number: Reproduced: p.44, fig.19
url:
Pacelli, Vincenzo, and Gianluca Forgione. Caravaggio: le Sette opere di Misericordia. Napoli: Artstudiopaparo, 2014.
page number: Mentioned and reproduced: pp. 112-116
url:
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.
page number: Mentioned and reproduced: P. 181
url:
"Real Time Restoration Forms New Exhibition." The Art Newspaper 23, no. 258 (June 2014): 47.
page number: Reproduced: p. 45, detail p. 47
url:
Wismer, Beat, Odile Delenda and María del Mar Borobia Guerrero. Zurbarán. Dusseldorf and Munchen: Museum Kunstpalais, 2015.
page number: Reproduced: p. 234, fig. 1
url:
Papi, Gianni. Caravaggio: La Crocifissione di sant'Andrea Back-Vega = The Back-Vega Crucifixion of St Andrew.Milano: Skira, 2016.
page number: Mentioned: p. 6, 10, 34, 56, 80; Reproduced: p. [12], fig. 3; p. 30, fig, 17 (detail); p. 33, fig. 20 (detail); p. 38, fig, 24 (detail); p. 41, fig, 30 (detail); p. 43, fig. 32 (detail); p. 44, fig. 34 (detail); p. 47, fig. 36 (detail); p. 48, (fig. 38 (detail); p. 49, fig. 40 (detail)
url:
Martínez, Javier Gómez. Museografía al filo del milenio: tendencias y recurrencias. Somonte-Cenero, Gijón (Asturias): Ediciones Trea, 2016.
page number: Mentioned: p. 331
url:
Ebert-Schifferer, Sybille. "Caravaggio in Neapel: Kurze Zeit, grosse Wirkung." In Forster, Peter, et. al. Caravaggios Erben: Barock in Neapel. München: Hirmer, 2016, 48-65.
page number: Reproduced: p. 57, fig. 7
url:
Zuffi, Stefano. Caravaggio in Detail. New York: Abrams, 2016.
page number: Reproduced: p. 25, no. 44; detail p. 76-77
url:
Spinosa, Nicola, and James M. Bradburne. Attorno a Caravaggio: una questione di attribuzione. Ginevr ; Milano: Skira, 2016.
page number: Reproduced: p. 27-28, fig. 1
url:
Duffy-Zeballos, Lisa and Sharon Flescher. "A Long-Lost Caravaggio? Not so Fast Doubters Say But France embargoes Export Just in Case." IFAR Journal, 17 no. 1 (2016): 2-5.
page number: Reproduced and mentioned; p. 4, fig 4.
url:
Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016.
page number: Mentioned and reproduced: P. 48-50
url:
Bowron, Edgar Peters. "Introduction: The Critical Fortunes of Italian Baroque Painting in America." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America. Edited by Edgar Peters Bowron, 2-15. University Park, Pennsylvania: The Frick Collection, The Pennsylvania State University Press, 2017.
page number: Mentioned: p. 11
url:
Benay, Erin E. Exporting Caravaggio: The Crucifixion of Saint Andrew. Cleveland, Ohio: Cleveland Museum of Art; London: Giles, 2017.
page number:
url:
Scaletti, Fabio. Caravaggio: catalogo ragionato delle opere autografe, attribuite e controverse: con un regesto completo delle repliche e delle copie. 2 vols. [Naples] :Artstudiopaparo, 2017.
page number: Mentioned and Reproduced: p. 25, 198-201, no. OR61
url:
García Cueto, David. Las copias de obras maestras de la pintura en las colecciones de los Austrias y el Museo del Prado: actas del Congreso internacional = proceedings of the international Symposium. 2021, 93.
page number: Mentioned and reproduced: pp. 92-93, fig. 1.
url:
Caravaggio a Montserrat (Conference), Michelangelo Merisi da Caravaggio, Artur Ramon, and Clara Beltrán Catalán. Cent anys del Sant Jeroni de Caravaggio a Montserrat. 2019, 92.
page number: Mentioned and reproduced: pp. 91-92, fig. 1.
url:
Zuffi, Stefano, and Philippe Daverio. Discovering Caravaggio: the Art Lover's Guide to Understanding Symbols in his Paintings. New York: Rizzoli International, 2010.
page number: p. 210-213
url:
"The Cleveland Caravaggio." New Lugano Review 8.9 (1976).
page number: p. 36-37, 65
url:
Bray, Xavier. "Ribera: The Shock of the Real." In Ribera: Art of Violence. Edward Payne, and Xavier Bray, 35-54. Lewes, UK : Giles : Imprint of D. Giles Limited, 2018. London : Dulwich Picture Gallery : in association with D. Giles Limited, 2018.
page number: Mentioned and Reproduced: P. 36-37, fig. 3.1
url:
Spear, Richard E. "Caravaggio's 'Crucifixion of St Andrew' and the Problem of Autograph Replicas." The Burlington Magazine 160, no.1383 (June 2018): 454-461.
page number: Reproduced: p. 456, fig. 3
url:
Osnabrugge, Marije. The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655). Amsterdam: Amsterdam University Press, 2019.
page number: Mentioned: p. 80; Reproduced: p. 81
url:
Hall, Marcia B. The Power of Color: Five Centuries of European Painting. New Haven: Yale University Press, 2019.
page number: Mentioned: p. 99; Reproduced: p. 100. fig. 2.38
url:
Terzaghi, Maria Cristina , et. al. Caravaggio, Napoli. Milano: Electa, 2019.
page number: Reproduced; p. 38, fig. 4
url:
Sallandrouze, Aurélie, and Michelangelo Merisi da Caravaggio. Caravaggio: Judith et Holopherne : vente aux enchères, Toulouse, 27 juin 2019. 2019, 63.
page number: Mentioned and reproduced: p. 63, fig. 39.
url:
Pacelli, Vincenzo, and Michelangelo Merisi da Caravaggio. Caravaggio a Napoli: studi e ricerche. Roma : Editori Paparo, 2019.
page number: Reproduced: p. 22, fig, 13; mentioned: p. 26
url:
Porzio, Giuseppe. Antichi maestri a Napoli: dipinti del Sei e Settecento.
Napoli, Italia : Porcini, 2019.
page number: Mentioned: p. 8; reproduced: p. 10, no.2
url:
Dinelli, Pier Paolo, and Michelangelo Merisi da Caravaggio. Caravaggio dall'ombra al dettaglio. 2020, 145
page number: Reproduced: p. 145.
url:
Nuovi dati e nuove idee (Conference), and Maria Cristina Terzaghi. Caravaggio a Napoli: nuovi dati nuove idee : atti del convegno di Capodimonte : 13-14 gennaio 2020. Todi (Perugia) : Ediart, luglio, 2021.
page number: Mentioned: p. 83; Reproduced: p. 80, fig. 14
url:
Gengler, Matthew. “You Ask, We Answer.” Cleveland Art: Cleveland Museum of Art Members Magazine 60, no. 1 (January/February 2020): 22.
page number: Reproduced and Mentioned: P. 22.
url:
Dal Bello, Mario, and Nicola Ciola. La Trinità nell'arte. Roma : Dei Merangoli, 2021, 160.
page number: Mentioned and reproduced: p. 160
url:
Saraceno, Francesca, and Michelangelo Merisi da Caravaggio. Caravaggio: emozioni e impressioni. Lesmo (MB) : Etabeta, 2022.
page number: Reproduced: p. 409
url:
Zirpolo, Lilian H., and Michelangelo Merisi da Caravaggio. Caravaggio: A Reference Guide to His Life and Works. 2023.
page number: Mentioned and Reproduced: p. 95-96
url:
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