{
"data": {
"id": 149101,
"accession_number": "1977.34",
"share_license_status": "CC0",
"tombstone": "Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians, 100s CE. India, Mathura, Kushan period. Red sandstone; overall: 80 x 22.9 x 24 cm (31 1/2 x 9 x 9 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.34",
"current_location": "242A Ancient India",
"title": "Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians",
"creation_date": "100s CE",
"creation_date_earliest": 100,
"creation_date_latest": 199,
"artists_tags": [],
"culture": [
"India, Mathura, Kushan period"
],
"technique": "red sandstone",
"support_materials": [],
"department": "Indian and Southeast Asian Art",
"collection": "Indian Art - Kushan, Mathura",
"type": "Sculpture",
"measurements": "Overall: 80 x 22.9 x 24 cm (31 1/2 x 9 x 9 7/16 in.)",
"dimensions": {
"overall": {
"height": 0.8,
"width": 0.229,
"depth": 0.24
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 302666,
"title": "Year in Review: 1977",
"description": "Year in Review: 1977. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1977-January 22, 1978).",
"opening_date": "1977-12-28T05:00:00"
},
{
"id": 309887,
"title": "The Twain Shall Meet",
"description": "The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986).",
"opening_date": "1985-10-30T05:00:00"
},
{
"id": 309889,
"title": "Kushan Sculpture: Images from Early India",
"description": "Kushan Sculpture: Images from Early India. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 13, 1985-January 5, 1986); The Asia Society Museum, New York, NY (February 13-April 6, 1986); Seattle Art Museum, Seattle, WA (May 13-July 13, 1986).",
"opening_date": "1985-11-13T05:00:00"
},
{
"id": 412350,
"title": "Buddha in India",
"description": "Buddha in India. Kunsthistorisches Museum Wien (organizer) (April 2-July 16, 1995).",
"opening_date": "1995-04-02T05:00:00"
},
{
"id": 196054,
"title": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art",
"description": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).",
"opening_date": "2009-06-27T04:00:00"
},
{
"id": 441481,
"title": "Gallery One 2012",
"description": "Gallery One 2012. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).",
"opening_date": "2012-12-12T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(Wiener Gallery, New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131977",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1977\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The celestial musicians, who play a lyre, castanets, and a triangular harp, evoke bacchanalian connotations.",
"description": "This pillar reflects the influence of Greco-Roman culture on Indian art and the influence of Gandharan styles and bacchanalian themes on the art of Mathura. The pillar depicts female figures who, seemingly intoxicated, play instruments and dance. Two additional scenes are carved on the base. First, a hunchbacked woman pours wine for an obese male fertility figure (yaksha). The second scene probably illustrates the story of the horse-headed yakshi who ate her victims.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79929951"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1977.34-corner-railing-pilla"
]
},
"citations": [
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 289",
"url": "https://archive.org/details/CMAHandbook1978/page/n309"
},
{
"citation": "Lee, Sherman E. \u201cThe Year in Review for 1977.\u201d The Bulletin of the Cleveland Museum of Art, vol. 65, no. 1, 1978, pp. 2\u201343.",
"page_number": "Mentioned: no. 151, p. 43; Reproduced: no. 151, p. 30",
"url": "https://www.jstor.org/stable/25159560"
},
{
"citation": "Buren, Genevie\u0300ve de. La chronique des arts: principales acquisitions des muse\u0301es en 1977. Lausanne: Gazette des beaux-arts, 1978.",
"page_number": "Mentioned and Reproduced: cat. no. 178, p. 38",
"url": ""
},
{
"citation": "\"Annual Report for 1977.\" The Bulletin of the Cleveland Museum of Art 65, no. 6 (1978): 177-215.",
"page_number": "Mentioned: p. 191",
"url": "http://www.jstor.org/stable/25159587"
},
{
"citation": "Carter, Martha L. \u201cThe Bacchants of Mathura: New Evidence of Dionysiac Yaksha Imagery from Kushan Mathura.\u201d The Bulletin of the Cleveland Museum of Art, vol. 69, no. 8, 1982, pp. 247\u2013257.",
"page_number": "Mentioned and Reproduced: pp. 247\u2013250",
"url": "www.jstor.org/stable/25159785"
},
{
"citation": "Neils, Jenifer. \u201cThe Twain Shall Meet.\u201d The Bulletin of the Cleveland Museum of Art, vol. 72, no. 6, 1985, pp. 326\u2013359.",
"page_number": "Reproduced: p. 337, fig. 17",
"url": "https://www.jstor.org/stable/25159914"
},
{
"citation": "Czuma, Stanislaw J., and Rekha Morris. Kushan Sculpture: Images from Early India. Cleveland, OH: Cleveland Museum of Art in cooperation with Indiana University Press, 1985.",
"page_number": "Mentioned and Reproduced: cat. no. 42, p. 111",
"url": null
},
{
"citation": "Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland: Cleveland Museum of Art, 1998.",
"page_number": "Reproduced: pp. 118-119",
"url": null
},
{
"citation": "Czuma, Stanislaw J. \"A Quest for the Best: The Enduring Legacy of Sherman E. Lee,\" Orientations vol. 40, no. 5 (June 2009), pp. 35-40.",
"page_number": "Reproduced: p. 35, fig. 1",
"url": null
},
{
"citation": "Peterson, Sara. An Account of the Dionysiac Presence in Indian Art and Culture. [unpublished manuscript] London, SOAS, 2011-2012.",
"page_number": "Reproduced: fig. V, p. 17",
"url": null
},
{
"citation": "Hofstadter, Dan. \"Big Baby.\" Art & Antiques. February 2011, Vol. 34, Issue 2, pp. 64-73.",
"page_number": "Reproduced: p. 73",
"url": ""
},
{
"citation": "Kim, Seungjung, \"The Beginnings of the East-West Dialogue: An Examination of Dionysiac Representations in Gandharan and Kushan-Mathuran Art.\" In Beyond Boundaries: East and West Cross-Cultural Encounters, pp. 16-34. Michelle Ying Ling Huang, editor. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012.",
"page_number": "Reproduced: fig. 1-1, p. 32",
"url": null
},
{
"citation": "Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2012.",
"page_number": "Reproduced: pp. 44-45",
"url": null
},
{
"citation": "Carter, Martha L., Prudence Oliver Harper, and Pieter Meyers. Arts of the Hellenized East: Precious Metalwork and Gems of the Pre-Islamic Era. London : Thames & Hudson Ltd, 2015.",
"page_number": "Reproduced: fig. 1.8, p. 30",
"url": null
},
{
"citation": "Bracey, Robert. \"Is It Appropriate To Ask a Celestial Lady's Age?\" In Problems of Chronology in Gandha\u0304ran Art. International Workshop of the Gandha\u0304ra Connections Project, Proceedings of the First International Workshop of the Gandha\u0304ra Connections Project, University of Oxford, 23rd-24th March, 2017. Wannaporn Rienjang, and Peter Stewart, eds., 135-147. Oxford: Archaeopress Publishing Ltd., 2018.",
"page_number": "Mentioned: pp. 135-147; Reproduced: p. 135",
"url": null
},
{
"citation": "Sengupta, Arputha Rani. Buddhist Jewels in Mortuary Cult: Magic Symbols. Delhi: Agam Kala Prakashan, 2019.",
"page_number": "Reproduced: Vol. 1, p. 152, fig. 3.54, P. 164, fig. 3.70a Mentioned: Vol. 1, pp. 154-155, 163",
"url": null
}
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