{
"data": {
"id": 149109,
"accession_number": "1977.4",
"share_license_status": "CC0",
"tombstone": "Flowers of Four Seasons, with Poems (\u56db\u6642\u82b1\u5349), 1531. Wang Guxiang (Chinese, 1501\u20131568). Handscroll; ink and light color on silk; painting only: 24 x 545 cm (9 7/16 x 214 9/16 in.); overall: 24 x 547.5 cm (9 7/16 x 215 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1977.4",
"current_location": null,
"title": "Flowers of Four Seasons, with Poems",
"title_in_original_language": "\u56db\u6642\u82b1\u5349",
"creation_date": "1531",
"creation_date_earliest": 1531,
"creation_date_latest": 1531,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "handscroll; ink and light color on silk",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Painting only: 24 x 545 cm (9 7/16 x 214 9/16 in.); Overall: 24 x 547.5 cm (9 7/16 x 215 9/16 in.)",
"dimensions": {
"painting only": {
"height": 0.24,
"width": 5.45
},
"overall": {
"height": 0.24,
"width": 5.475
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"roll": {
"height": 0.045
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},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
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"inscription": "Artist's inscription, signature, and 15 seals.\n\nInk Orchids. Sewn as pendants for the man of worth, swaying quiety, fragrance in the valley. [seal] Hsiao-chu ts'un\nPeony. Wiping his face, the young gentleman Ho [Ho Yen of Wei, Three Kingdoms] appears to have been powdered. His previous life was the perfume-stealing Han Shou [of Chin, 265\u2013419 CE], the fragrance still lingers. [seal] Ts'un-wu chai.\nFlowering Crab Apple, New Bamboo. Shao-lin [Du Fu, 712\u2013770] had to put down his brush. [Flowering Crab Apple]. Y\u00fc-k'o [Wen T'ung, d. 1079) in vain wrote poems about [Bamboo]. [seal] Yu-shih.\nLotus Flowers. When she turns her head, half-hidden by a fan, and casts a glance, all the beautiful women become colorless. [seal] K'ang y\u00fceh huai.\nLoquat. Ripeness in summer. [seal] Lu-chih.\nPomegranate Flower. Whenever I remember you I will send my thoughts, but where have you gone--the [skirt] of pomegranate red? [seal] Wu-ho Sheng.\nDay Lily. Plant the day lily to forget sorrow. [seal] Yu-shih.\nChrysanthemum. The untrammelled joy at the eastern fence. [seal] Lu-chih.\nBegonia. Comparing it to the beauties of Spring, and spreading them out as trimming for the stone steps. [seal] Yu-shih.\nHibiscus. In recent years I have always enjoyed looking at flowers; instead of dark red I preferred pink ones. [seal] Jen-sheng i-lou.\nNarcissus, Camellia. The jade girdle left behind at Lo River. [Narcissus].\nThe precious pearls glitter before Spring. [Camellia]. [seal] Lu-chih.\nHeavenly Bamboo (Nandina domestica). A single branch in the wintry season. [seal] K'ang y\u00fceh huai.\nPlum. Fragrant snow in the Lo-fou Mountains. [seal] Ts'un-wu chai.\nIn the eleventh lunar month of the hsin-mao year of the Jiaqing era [1531], [I] imitated the boneless style of Y\u00fcan masters in sketching from life. Guxiang [seals] Yu-shih; Lu-chih. \nTranslated by Wai-kam Ho/Lingyun Shih Liu (1980)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "2 colophons and 23 additional seals: 1 colophon dated 1632, and 2 seals of Li Jih-hua [Li Rihua] \u674e\u65e5\u83ef (1565\u20131635); 1 colophon and 2 seals of Xiang Shengmo \u9805\u8056\u8b28 (1597\u20131658); 3 seals of Liang Qingbiao \u6881\u6e05\u6a19 (1620\u20131691); 6 seals of the Jiaqing \u5609\u6176 emperor (r. 1796\u20131820); 9 seals of Ch'eng Ch'i [Cheng Qi] \u7a0b\u7426 (1911\u20131988)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 2
}
],
"exhibitions": {
"current": [
{
"id": 302666,
"title": "Year in Review: 1977",
"description": "Year in Review: 1977. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1977-January 22, 1978).",
"opening_date": "1977-12-28T05:00:00"
},
{
"id": 312307,
"title": "Power and Possession: Chinese Calligraphy and Inscribed Objects \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Power and Possession: Chinese Calligraphy and Inscribed Objects \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 13, 2018-February 3, 2019).",
"opening_date": "2018-08-13T04:00:00"
}
],
"legacy": [
{
"description": "Urban Council and the Min Chiu Society, Ming and Ch'ing. City Museum and Art Gallery, Hong Kong, (June 12-July 12, 1970).",
"opening_date": "1970-06-12T00:00:00"
},
{
"description": "Main Asian Gallery Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 10-April 7, 2004).",
"opening_date": "2004-03-10T00:00:00"
}
]
},
"provenance": [
{
"description": "(Cheng Qi [Ch'eng Ch'i] \u7a0b\u7426 [1911\u20131988], sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131977",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1977\u2013",
"sortorder": 2
}
],
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"description": "In this painting, flowers are loosely arranged by the seasons: narcissus and peony represent early spring; yellow loquat and lotus, summer; chrysanthemum, autumn; and the plum and evergreen bamboo, winter. The artist added to each flower a poetic line of calligraphy associating each plant with a historic or legendary figure. For example, the chrysanthemum, along with the line \u201cThe untrammeled joy at the eastern fence,\u201d refers to the poet Tao Yuanming (died AD 427) who enjoyed chrysanthemums at the eastern fence in his garden. The scroll illustrates Wang Guxiang\u2019s mastery of free brushwork, combining light monochrome ink with transparent colors. In his inscription, Wang says he used the \u201cboneless\u201d style without outlines as developed during the Yuan dynasty (1279\u20131368). Wang was a native of Changzhou, a city in southeast China known for its rich flora and fauna, and flower-and-bird painting tradition.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60473379"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1977.4-flowers-of-four-seas"
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"citations": [
{
"citation": "Mi dian zhu lin shi qu bao ji. San bian \u79d8\u6bbf\u73e0\u6797\u77f3\u6e20\u5bf6\u7b08. \u4e09\u7de8. Taipei: National Palace Museum \u570b\u7acb\u6545\u5bae\u535a\u7269\u9662, 1969. Facsimile reprint of original manuscript dated 1816.",
"page_number": "pp. 1976, 1977",
"url": ""
},
{
"citation": "Ferguson, John C \u798f\u958b\u68ee. Li dai zhu lu hua mu \u6b77\u4ee3\u8457\u9304\u7575\u76ee. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo \u91d1\u9675\u5927\u5b78\u4e2d\u570b\u6587\u5316\u784f\u7a76\u6240, 1934.",
"page_number": "vol. I, 63(a)",
"url": ""
},
{
"citation": "Chen, Rentao \u9673\u4ec1\u6fe4. An annotated list of lost calligraphy and painting from the (Qing) Palace Collection = \u6545\u5bae\u5df2\u4f5a\u66f8\u756b\u76ee\u6821\u6ce8. Hong Kong: \u7d71\u71df\u516c\u53f8: \u6771\u5357\u66f8\u5c40, 1956.",
"page_number": "p. 22(a)",
"url": ""
},
{
"citation": "Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1960.",
"page_number": "Mentioned: p. 145, no. 251",
"url": null
},
{
"citation": "Min qiu jing she \u654f\u6c42\u7cbe\u820d and Hong Kong Museum of Art \u535a\u7269\u7f8e\u8853\u9928. Ming Qing hui hua zhan lan [\u660e\u6e05\u7e6a\u756b\u5c55\u89bd = Exhibition of paintings of the Ming & Ching periods, jointly presented by the Urban Council & the Min Chiu society]. Hong Kong: Bo wu mei shu guan, 1970.",
"page_number": "cat. no. 16",
"url": null
},
{
"citation": "Cheng, Qi \u7a0b\u7426. Catalogue of calligraphy and painting in the author's collection = \u8431\u6689\u5802\u66f8\u756b\u9304. Hong Kong: Xuanhuitang \u8431\u6689\u5802, 1972.",
"page_number": "pp. 77(b)\u201378(a)",
"url": ""
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned and Reproduced: cat no. 180, pp. 229\u2013230",
"url": null
}
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