id: 149382
accession number: 1978.39.c
share license status: CC0
url: https://clevelandart.org/art/1978.39.c
updated: 2023-01-11 04:44:33.954000
Panel from a Casket with Scenes from Courtly Romances, 1330. France, Lorraine?, Gothic period, 14th century. Ivory; overall: 9.7 x 25.9 x 0.8 cm (3 13/16 x 10 3/16 x 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1978.39.c
title: Panel from a Casket with Scenes from Courtly Romances
title in original language:
series:
series in original language:
creation date: 1330
creation date earliest: 1330
creation date latest: 1375
current location: 106C Medieval Treasury
creditline: John L. Severance Fund
copyright:
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culture: France, Lorraine?, Gothic period, 14th century
technique: ivory
department: Medieval Art
collection: MED - Gothic
type: Ivory
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 9.7 x 25.9 x 0.8 cm (3 13/16 x 10 3/16 x 5/16 in.)
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edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Textiles in Daily Life in the Middle Ages
opening date: 1985-01-22T05:00:00
Textiles in Daily Life in the Middle Ages. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 22-March 17, 1985).
title: Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art
opening date: 2007-05-10T00:00:00
Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).
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LEGACY EXHIBITIONS
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PROVENANCE
Trivulzio, Milan (before 1897); Robert von Hirsch, Frankfurt (until 1933) and Basel (sale, Sotheby Parke Bernet, London, 22 June 1978, no. 290).
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fun fact:
digital description:
wall description:
Among the most lavish and deluxe products of French ivory workshops of the 1300s were large caskets carved with elaborate scenes drawn from courtly romances. This panel shown here comes from such a casket. This side panel depicts scenes such as Sir Gawain and the Lion and Lancelot crossing the sword bridge. These images suggesting chivalry, fertility, virginity, youth, and an idealized courtly love likely derive from manuscripts including the Roman de la Rose and the poems of Chrétien de Troyes. Such texts were often found within the libraries of the aristocracy, so the casket’s symbolic images would have been readily understood. Such caskets may have originally been gifts between a man and a woman. The expense of the material, ivory, suggests they were produced for an elite clientele.
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RELATED WORKS
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CITATIONS
Martin Nagy, Rebecca. Textiles in Daily Life in the Middle Ages. Cleveland, Ohio: Cleveland Museum of Art in cooperation with Indiana University Press, 1985.
page number: p. 48, 60
url:
Wixom, William D. "Eleven Additions to the Medieval Collection." The Bulletin of the Cleveland Museum of Art 66, no. 3 (1979).
page number: p. 87-151
url: www.jstor.org/stable/25159622
Wixom, William. "A Glimpse at the Fountains of the Middle Ages." Cleveland Studies in the History of Art 8 (2003): 6-23.
page number: Mentioned and reproduced: P. 17
url: https://www.jstor.org/stable/20079727
Cleveland Museum of Art, and Holger A. Klein. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, 2007.
page number: Mentioned and reproduced: P. 188-189, no. 67
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1978.39.c/1978.39.c_web.jpg
print: https://openaccess-cdn.clevelandart.org/1978.39.c/1978.39.c_print.jpg
full: https://openaccess-cdn.clevelandart.org/1978.39.c/1978.39.c_full.tif