{
"data": {
"id": 149384,
"accession_number": "1978.41",
"share_license_status": "CC0",
"tombstone": "Plaque: The Crucifixion with Angels and Saints, c. 1400\u20131425. Northern Italy, Padua?, 15th century. Verre \u00e9glomis\u00e9 (reverse gilded glass, engraved and painted); overall: 19.4 x 9.4 x 0.4 cm (7 5/8 x 3 11/16 x 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1978.41",
"current_location": "117A Italian Renaissance",
"title": "Plaque: The Crucifixion with Angels and Saints",
"creation_date": "c. 1400\u20131425",
"creation_date_earliest": 1395,
"creation_date_latest": 1430,
"artists_tags": [],
"culture": [
"Northern Italy, Padua?, 15th century"
],
"technique": "verre \u00e9glomis\u00e9 (reverse gilded glass, engraved and painted)",
"support_materials": [],
"department": "Medieval Art",
"collection": "MED - Gothic",
"type": "Glass",
"measurements": "Overall: 19.4 x 9.4 x 0.4 cm (7 5/8 x 3 11/16 x 3/16 in.)",
"dimensions": {
"overall": {
"height": 0.194,
"width": 0.094,
"depth": 0.004
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "the letters on the banderoles may be described as a composite script called Gothic majuscule, which intermingles Roman capitals and uncial alphabets. This script was especially favored by Italian artists for inscriptions in architecture, sculpture, panel painting, and manuscript illustrations during the 14th and 15th centuries. The banderole on the left reads: \"POSVIT. ME. DESOLAT.[UM]\" (God has forsaken me); the other banderole reads: \"CRUS. DOMINI. MECUM\" (the cross of the Lord is with me). A third inscription with the abbreviations for the words of Pilate--\"I. N. R. I.\" (IESUS, NASARENUS RES IUDAEORUM), or Jesus of Nazareth, the King of the Jews\" appears on the plaque (tabula ansata) at the top of the cross.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 304286,
"title": "Year in Review: 1978",
"description": "Year in Review: 1978. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 13-March 18, 1979).",
"opening_date": "1979-02-13T05:00:00"
},
{
"id": 309787,
"title": "The Book of Beasts: The Bestiary in the Medieval World",
"description": "The Book of Beasts: The Bestiary in the Medieval World. J. Paul Getty Museum, Los Angeles, CA (organizer) (May 14-August 18, 2019).",
"opening_date": "2019-05-14T04:00:00"
}
],
"legacy": []
},
"provenance": [],
"find_spot": null,
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"former_accession_numbers": [],
"did_you_know": null,
"description": "Small glass plaques like this were often combined with plaques of painted wood and framed within elaborate architectural reliquaries or small altarpieces. The decorative technique, called verre \u00e9glomis\u00e9, is a process in which the reverse side of a glass is gilded and then engraved with designs. The pelican, shown above the cross piercing its breast to feed its young, became a common symbol of Christ's sacrifice on the cross.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60755813"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1978.41-plaque-the-crucifixi"
]
},
"citations": [
{
"citation": "Cleveland Museum of Art, \u201cThe Cleveland Museum of Art Acquires Six Works from Von Hirsch Collection,\u201d August 1, 1978, Cleveland Museum of Art Archives.",
"page_number": null,
"url": "https://archive.org/details/cmapr2569"
},
{
"citation": "Lee, Sherman E. \u201cThe Year in Review for 1978.\u201d The Bulletin of the Cleveland Museum of Art 66, no. 1 (January 1979): 3\u201348.",
"page_number": "Reproduced: p. 12; Mentioned: p. 42, no. 19",
"url": "http://www.jstor.org/stable/25159613"
},
{
"citation": "Wixom, William D. \u201cEleven Additions to the Medieval Collection.\u201d The Bulletin of the Cleveland Museum of Art 66, no. 3 (Mar/Apr 1979): 87\u2013151.",
"page_number": "Mentioned and reproduced: p. 139-143, fig. 100",
"url": "http://www.jstor.org/stable/25159622"
},
{
"citation": "Cohen, Meredith. \"The Bestiary beyond the Book.\" In Book of Beasts: The Bestiary in the Medieval World. Elizabeth Morrison and Larisa Grollemond, eds. pp. 177 - 225. Los Angeles: The J. Paul Getty Museum, 2019.",
"page_number": "Mentioned and reproduced: p. 202, cat. 52",
"url": null
}
],
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"creditline": "John L. Severance Fund",
"image_credit": null,
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"gallery_donor_text": null,
"athena_id": 149384,
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"legal_status": "accessioned",
"accession_date": "1978-08-10T00:00:00",
"sortable_date": 1395,
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"date_text": "c. 1400\u20131425",
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"updated_at": "2026-03-27 00:09:44.133000"
}
}