{
"data": {
"id": 149390,
"accession_number": "1978.47.1",
"share_license_status": "CC0",
"tombstone": "White-Robed Guanyin (\u767d\u8863\u89c0\u97f3\u83e9\u85a9\u50cf), late 1200s\u2013early 1300s. Jueji Yongzhong (Chinese, active around 1300), inscribed by Zhongfeng Mingben (Chinese, 1263\u20131323). Hanging scroll; ink on paper; painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1978.47.1",
"current_location": null,
"title": "White-Robed Guanyin",
"title_in_original_language": "\u767d\u8863\u89c0\u97f3\u83e9\u85a9\u50cf",
"creation_date": "late 1200s\u2013early 1300s",
"creation_date_earliest": 1250,
"creation_date_latest": 1349,
"artists_tags": [
"male"
],
"culture": [
"China, Yuan dynasty (1271-1368)"
],
"technique": "hanging scroll; ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.)",
"dimensions": {
"painting": {
"height": 0.787,
"height_inch": 31,
"height_inch_fraction": 0.0,
"width": 0.317,
"width_inch": 12,
"width_inch_fraction": 0.5
},
"overall": {
"height": 1.64,
"height_inch": 64,
"height_inch_fraction": 0.5625,
"width": 0.335,
"width_inch": 13,
"width_inch_fraction": 0.1875
},
"overall with knobs": {
"height": 1.64,
"height_inch": 64,
"height_inch_fraction": 0.5625,
"width": 0.38,
"width_inch": 14,
"width_inch_fraction": 0.9375
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's signature: Huanzhu Yongzhong.\n\nInscription by Zhongfeng Mingben:\n\nThe right thinking [Samkalpa] is embodied within \nHis deep meditation on the Buddha [naga-samadhi]. \nRetaining not even one single object of thought, \nA perfect harmony was wonderfully achieved. \nIn the endless time and space, \nHis all-embracing compassion prevails.\n\n[signed] Mingben of Huanzhu paying his respects.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 211775,
"title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
"description": "Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
"opening_date": "1998-02-21T00:00:00"
},
{
"id": 318433,
"title": "Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019).",
"opening_date": "2019-02-08T05:00:00"
}
],
"legacy": [
{
"description": "Kannon no kaiga: sono bi to rekishi [\u89c0\u97f3\u306e\u7e6a\u756b]. Yamato Bunkakan, Kyoto, Japan (April 25-May 26, 1974).",
"opening_date": "1974-04-25T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).",
"opening_date": "2003-10-29T00:00:00"
}
]
},
"provenance": [
{
"description": "(Yamanaka and Company, Ltd., Kyoto, Japan, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131978",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1978\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The CMA collection includes a drawing by a Japanese priest, CMA 1978.47.2, inspired by this composition.",
"description": "Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province, China.
Here, the figure was swiftly drawn in only a few ink lines. The inscription above is by Zhongfeng Mingben, perhaps the most widely respected and influential Chan (Zen in Japanese) master in the Yuan dynasty. The artist\u2019s signature is a single line below on the left: Huanzhu Yongzhong.",
"external_resources": {
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],
"internet_archive": [
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},
"citations": [
{
"citation": "Toshir\u014d Ebine \u6d77\u8001\u6839\u8070\u90ce. \"'Avalokite\u015bvara in White' by Huan-chu Yung-chung \u5e7b\u4f4f\u6c38\u4e2d \u767d\u8863\u89c0\u97f3\u56f3.\" Kobijutsu \u53e4\u7f8e\u8853 no. 34, August 1971, pp. 86\u201396.",
"page_number": "Reproduced: color plate p. 89 and plates p. 90",
"url": ""
},
{
"citation": "Kannon no kaiga: sono bi to rekishi. Nara, Japan: Yamato Bunkakan, 1974.",
"page_number": "p. 14",
"url": null
},
{
"citation": "To\u0304kyo\u0304 Kokuritsu Hakubutsukan. Gendai doshaku jinbutsuga, tokubetsu tenkan. Tokyo: [publisher not identified], 1975.",
"page_number": "cat. no. 4",
"url": null
},
{
"citation": "Kawakami, Kei \u5ddd\u4e0a\u6d87, Teisuke Toda \u6236\u7530\u798e\u4f51, and Toshio Ebine \u6d77\u8001\u6839\u8070\u90ce. Ryo\u0304 Kai, Indara [\u7cb1\u6977\u30fb\u56e0\u9640\u7f85 = Liang Kai, Yintuoluo]. To\u0304kyo\u0304: Ko\u0304dansha, Sho\u0304wa 50 [1975].",
"page_number": "Reproduced: p. 117, pl. 90",
"url": null
},
{
"citation": "Lee, Sherman E. \"The Year in Review for 1978.\" The Bulletin of the Cleveland Museum of Art 66, no. 1 (Jan. 1979): 3\u201347.",
"page_number": "Reproduced: pp. 5, 46, no. 140",
"url": "www.jstor.org/stable/25159613"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 97, pp. 122\u2013123",
"url": null
},
{
"citation": "Cahill, James. So\u0304Gen-Ga: 12th-14th Century Chinese Painting as Collected and Appreciated in Japan: March 31, 1982--June 27, 1982, University Art Museum, University of California, Berkeley. Berkeley: The Museum, 1982.",
"page_number": "Comparative Material. Mentioned and Reproduced: p. 7, cat. no. 3",
"url": ""
},
{
"citation": "Little, Stephen. \u201cChinese Calligraphy.\u201d The Bulletin of the Cleveland Museum of Art 74, no. 9 (November 1987): 372\u2013403.",
"page_number": "Mentioned and Reproduced: p. 387, fig. 20a",
"url": "http://www.jstor.org/stable/25160005"
},
{
"citation": "T\u014dy\u014d kaiga no seika : tokubetsuten : Kur\u012bvurando Bijutsukan no korekushon kara [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef : \u7279\u522b\u5c55 : \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089 = Highlights of Asian painting from the Cleveland Museum of Art]. Japan: Nara National Museum, 1998.",
"page_number": "Reproduced: p. 49, cat. no. 26",
"url": null
},
{
"citation": "Arnold, Lauren. Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art of the West, 1250-1350. San Francisco: Desiderata Press, 1999.",
"page_number": "Reproduced: p. 27, Fig. 1-14",
"url": null
},
{
"citation": "May, Elsie D. Our Guardian Angels. Lewes: Book Guild, 2001.",
"page_number": "p. 5",
"url": null
},
{
"citation": "Watt, James C. Y., and Maxwell K. Hearn. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York: Metropolitan Museum of Art, 2010.",
"page_number": "p. 95, fig. 125",
"url": null
},
{
"citation": "Watt, James C. Y., and Maxwell K. Hearn. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York: Metropolitan Museum of Art, 2010.",
"page_number": "Reproduced: p. 95, fig. 125",
"url": null
},
{
"citation": "Leidy, Denise Patry. \"Buddhism and Other 'Foreign' Practices in Yuan China.\" In The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. James C. Y. Watt and Maxwell K. Hearn. Ex. Cat. New York: Metropolitan Museum of Art, 2010.",
"page_number": "Reproduced: p. 95, fig. 125",
"url": null
},
{
"citation": "Little, Stephen. \"Chinese Calligraphy.\" The Bulletin of the Cleveland Museum of Art 74, no. 9 (1987): 372\u2013403.",
"page_number": "Reproduced: pp. 386\u2013388; fig. 20a & 20b",
"url": "http://www.jstor.org/stable/25160005"
},
{
"citation": "Itakura, Masaaki. \u201cJiangnan\u2019s Beauty: Song and Yuan Paintings Prized in Medieval and Early Modern Japan.\u201d In China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta, edited by Clarissa Von Spee, 64\u201371. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: p. 68, fig. 36",
"url": ""
}
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