id: 149390 accession number: 1978.47.1 share license status: CC0 url: https://clevelandart.org/art/1978.47.1 updated: 2024-03-26 01:59:42.672000 White-Robed Guanyin, late 1200s–early 1300s. Jueji Yongzhong (Chinese, active around 1300), inscribed by Zhongfeng Mingben (Chinese, 1263–1323). Hanging scroll; ink on paper; painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1978.47.1 title: White-Robed Guanyin title in original language: 白衣觀音菩薩像 series: series in original language: creation date: late 1200s–early 1300s creation date earliest: 1250 creation date latest: 1349 current location: creditline: Purchase from the J. H. Wade Fund copyright: --- culture: China, Yuan dynasty (1271-1368) technique: hanging scroll; ink on paper department: Chinese Art collection: ASIAN - Hanging scroll type: Painting find spot: catalogue raisonne: --- CREATORS * Jueji Yongzhong (Chinese, active around 1300) - artist * Zhongfeng Mingben (Chinese, 1263–1323) - inscription by --- measurements: Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Artist's signature: Huanzhu Yongzhong. Inscription by Zhongfeng Mingben: The right thinking [Samkalpa] is embodied within His deep meditation on the Buddha [naga-samadhi]. Retaining not even one single object of thought, A perfect harmony was wonderfully achieved. In the endless time and space, His all-embracing compassion prevails. [signed] Mingben of Huanzhu paying his respects. translation: remark: --- CURRENT EXHIBITIONS title: Eight Dynasties of Chinese Painting opening date: 1981-02-11T05:00:00 Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). title: Highlights of Asian Paintings from The Cleveland Museum of Art opening date: 1998-02-21T00:00:00 Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). title: Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c opening date: 2019-02-08T05:00:00 Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019). --- LEGACY EXHIBITIONS * {'description': 'Kannon no kaiga: sono bi to rekishi [觀音の繪畫]. Yamato Bunkakan, Kyoto, Japan (April 25-May 26, 1974).', 'opening_date': '1974-04-25T00:00:00'} * {'description': 'Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).', 'opening_date': '2003-10-29T00:00:00'} --- PROVENANCE (Yamanaka and Company, Ltd., Kyoto, Japan, sold to the Cleveland Museum of Art) date: ?–1978 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1978– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Toshirō Ebine 海老根聰郎. "'Avalokiteśvara in White' by Huan-chu Yung-chung 幻住永中 白衣觀音図." Kobijutsu 古美術 no. 34, August 1971, pp. 86–96. page number: Reproduced: color plate p. 89 and plates p. 90 url: Kannon no kaiga: sono bi to rekishi. Nara, Japan: Yamato Bunkakan, 1974. page number: p. 14 url: Tōkyō Kokuritsu Hakubutsukan. Gendai doshaku jinbutsuga, tokubetsu tenkan. Tokyo: [publisher not identified], 1975. page number: cat. no. 4 url: Kawakami, Kei 川上涇, Teisuke Toda 戶田禎佑, and Toshio Ebine 海老根聰郎. Ryō Kai, Indara [粱楷・因陀羅 = Liang Kai, Yintuoluo]. Tōkyō: Kōdansha, Shōwa 50 [1975]. page number: Reproduced: p. 117, pl. 90 url: Lee, Sherman E. "The Year in Review for 1978." The Bulletin of the Cleveland Museum of Art 66, no. 1 (Jan. 1979): 3-47. page number: Reproduced: p. 5, 46, no. 140 url: www.jstor.org/stable/25159613 Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. page number: Reproduced: cat. no. 97, pp. 122-123 url: Tōyō kaiga no seika : tokubetsuten : Kurīvurando Bijutsukan no korekushon kara [東洋絵画の精華 : 特别展 : クリーヴラント美術館のコレクションから = Highlights of Asian painting from the Cleveland Museum of Art]. Japan: Nara National Museum, 1998. page number: Reproduced: p. 49, cat. no. 26 url: Arnold, Lauren. Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art of the West, 1250-1350. San Francisco: Desiderata Press, 1999. page number: Reproduced: p. 27, Fig. 1-14 url: May, Elsie D. Our Guardian Angels. Lewes: Book Guild, 2001. page number: P. 5 url: Watt, James C. Y., and Maxwell K. Hearn. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York: Metropolitan Museum of Art, 2010. page number: p. 95, fig. 125 url: Watt, James C. Y., and Maxwell K. Hearn. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York: Metropolitan Museum of Art, 2010. page number: Reproduced: p. 95, fig. 125 url: Leidy, Denise Patry. "Buddhism and Other 'Foreign' Practices in Yuan China." In The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. James C. Y. Watt and Maxwell K. Hearn. Ex. Cat. New York: Metropolitan Museum of Art, 2010. page number: Reproduced: p. 95, fig. 125 url: Little, Stephen. "Chinese Calligraphy." The Bulletin of the Cleveland Museum of Art 74, no. 9 (1987): 372-403. page number: Reproduced: pp. 386-388; fig. 20a & 20b url: http://www.jstor.org/stable/25160005 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1978.47.1/1978.47.1_web.jpg print: https://openaccess-cdn.clevelandart.org/1978.47.1/1978.47.1_print.jpg full: https://openaccess-cdn.clevelandart.org/1978.47.1/1978.47.1_full.tif