id: 149408 accession number: 1978.61 share license status: Copyrighted url: https://clevelandart.org/art/1978.61 updated: 2023-08-23 22:36:59.185000 Nocturne, 1935. Joan Miró (Spanish, 1893–1983). Oil on copper; framed: 62.2 x 48.8 x 5.1 cm (24 1/2 x 19 3/16 x 2 in.); unframed: 42 x 29.2 cm (16 9/16 x 11 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1978.61 © 2006 Successió Miró/Artists Rights Society (ARS), New York. title: Nocturne title in original language: series: series in original language: creation date: 1935 creation date earliest: 1935 creation date latest: 1935 current location: 225 German Expressionism & Surrealism creditline: Mr. and Mrs. William H. Marlatt Fund copyright: © 2006 Successió Miró/Artists Rights Society (ARS), New York. --- culture: Spain (Catalonia), 20th century technique: oil on copper department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Joan Miró (Spanish, 1893–1983) - artist --- measurements: Framed: 62.2 x 48.8 x 5.1 cm (24 1/2 x 19 3/16 x 2 in.); Unframed: 42 x 29.2 cm (16 9/16 x 11 1/2 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed on back: "Joan Miró / "Nocturne" / 9/11-16/11/35" translation: remark: --- CURRENT EXHIBITIONS title: Year in Review: 1978 opening date: 1979-02-13T05:00:00 Year in Review: 1978. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 13-March 18, 1979). title: Creativity in Art and Science, 1860-1960 opening date: 1987-09-16T04:00:00 Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987). title: Joan Miró opening date: 1993-10-17T04:00:00 Joan Miró. Museum of Modern Art, NY (organizer) (October 17, 1993-January 11, 1994). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008). title: Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939) opening date: 2006-10-15T00:00:00 Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15, 2006-January 7, 2007); The Metropolitan Museum of Art, New York, NY (co-organizer) (March 4-June 3, 2007). title: Joan Miró: The Ladder of Escape opening date: 2011-04-14T00:00:00 Joan Miró: The Ladder of Escape. Tate Modern, London, United Kingdom of Great Britain and Northern Ireland (organizer) (April 14-September 11, 2011); Fundació Joan Miró, Barcelona, Spain (October 15, 2011-March 18, 2012); National Gallery of Art, Landover, MD (May 6-August 12, 2012). --- LEGACY EXHIBITIONS * "Barcelona & Modernity: Picasso, Gaudí. Miró, Dalí," Cleveland Museum of Art, Metropolitan Museum of Art, New York, 10/15/2006 - 6/3/2007, cat. no. 7:53, p. 374, repr. fig. 3, 374. * "Joan Miró: Painting and Anti-Painting, 1927-1937," New York: Museum of Modern Art, 11/2/2008 - 1/12/2009. * Tate Modern, London (4/14/2011 - 9/11/2011), Fundació Joan Miró, Barcelona (10/13/2011 - 3/25/2012), National Gallery of Art, Washington, DC (5/6/2012 - 8/12/2012): "Joan Miró: The Ladder of Escape", ex. cat. no. 49, p. 81. --- PROVENANCE Roland Penrose, London (1956); (E.V. Thaw) date: footnotes: citations: --- fun fact: The Spanish artist Miró was part of the Surrealist movement. He created paintings with the ambiguity of dreams whose meaning is just beyond one's grasp. What do you imagine is the meaning behind this painting? digital description: wall description: On the eve of the Spanish Civil War (1936-39) Miró painted a series of images showing monstrous figures screaming or running through bizarre landscapes. This painting, an early work in the series, depicts a woman with raised arms fleeing toward the man at the far right. The cylindrical shape looming on the horizon suggests the barrel of a cannon; the sinuous, curving form may represent rising smoke. Miró heightened the intensity of the stark, garish colors through the unusual technique of applying oil over copper, rather than canvas. --- RELATED WORKS --- CITATIONS Henning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987. page number: Mentioned and reproduced: P. 128, no. 37 url: Robinson, William H., Jordi Falgàs, Carmen Belen Lord, and Josefina Alix Trueba. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006. page number: Mentioned and reproduced: P. 374, fig. 5, no. 7:53 url: Henning, Edward B. The Spirit of Surrealism. Cleveland: The Cleveland Museum of Art, 1979. page number: Mentioned: p. 77-78, 174; Reproduced: p. 77, no.29 url: --- IMAGES