id: 149782 accession number: 1979.93 share license status: CC0 url: https://clevelandart.org/art/1979.93 updated: 2024-03-26 01:59:44.621000 Sibyl Reading with a Child Holding a Torch, 1518–27. Ugo da Carpi (Italian, c. 1479–c. 1532), Raphael (Italian, 1483–1520). Chiaroscuro woodcut; platemark: 26.8 x 21.8 cm (10 9/16 x 8 9/16 in.); sheet: 27.5 x 22.6 cm (10 13/16 x 8 7/8 in.). The Cleveland Museum of Art, Delia E. Holden Fund 1979.93 title: Sibyl Reading with a Child Holding a Torch title in original language: series: series in original language: creation date: 1518–27 creation date earliest: 1518 creation date latest: 1527 current location: creditline: Delia E. Holden Fund copyright: --- culture: Italy, 16th century technique: chiaroscuro woodcut department: Prints collection: PR - Chiaroscuro type: Print find spot: catalogue raisonne: Bartsch 6 --- CREATORS * Ugo da Carpi (Italian, c. 1479–c. 1532) - artist Born in Carpi (modern-day province of Modena) in ca. 1468/70, Ugo da Carpi was the first Italian chiaroscuro woodcut designer. Active in Venice from around 1509, he produced several woodcuts from small book illustrations to monumental multi-block prints. Concerned with issues relating to authenticity, Ugo usually signed his works, an uncommon practice at that time. In 1516, he petitioned the Venetian Senate for the privilege of having invented the technique of chiaroscuro woodcut. however, it is likely that Ugo developed his method upon seeing earlier German examples. In his prints, Ugo abandoned the traditional cross-hatching manner in favor of the use of tone blocks. In 1516-18, Ugo moved to Rome and executed the majority of his chiaroscuro woodcuts after designs by Raphael and through the intermediary of engravings by Marcantonio Raimondi and Agostino Veneziano. After the sack of Rome in 1527, Ugo settled in Bologna where he collaborated with Parmigianino, before dying in 1532. * Raphael (Italian, 1483–1520) - after a model by Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists. --- measurements: Platemark: 26.8 x 21.8 cm (10 9/16 x 8 9/16 in.); Sheet: 27.5 x 22.6 cm (10 13/16 x 8 7/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: On the window upper left, in tone block: "R" translation: remark: --- CURRENT EXHIBITIONS title: Year in Review: 1979 opening date: 1980-02-13T05:00:00 Year in Review: 1979. The Cleveland Museum of Art (organizer) (February 13-March 9, 1980). title: Printing in Color opening date: 1985-09-10T04:00:00 Printing in Color. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-November 17, 1985). title: Against the Grain: Woodcuts from the Collection opening date: 2003-08-17T00:00:00 Against the Grain: Woodcuts from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003). --- LEGACY EXHIBITIONS --- PROVENANCE (William H. Schab Gallery, New York, NY) date: ?-1979 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: November 14, 1979 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Lee, Sherman E. "The Year in Review for 1979." The Bulletin of the Cleveland Museum of Art 67, no. 3 (1980): 58-99. page number: Reproduced: cat. no. 6, p. 67 url: https://www.jstor.org/stable/25159667 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1979.93/1979.93_web.jpg print: https://openaccess-cdn.clevelandart.org/1979.93/1979.93_print.jpg full: https://openaccess-cdn.clevelandart.org/1979.93/1979.93_full.tif