id: 149791
accession number: 1980.10
share license status: CC0
url: https://clevelandart.org/art/1980.10
updated: 2020-10-27 09:00:51.765000
Mt. Qingbian, 1617. Dong Qichang (Chinese, 1555-1636). Hanging scroll, ink on paper; painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1980.10
title: Mt. Qingbian
title in original language: 青弁圖
series:
series in original language:
creation date: 1617
creation date earliest: 1617
creation date latest: 1617
current location:
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: China, Ming dynasty (1368-1644)
technique: hanging scroll, ink on paper
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Dong Qichang (Chinese, 1555-1636) - artist
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measurements: Painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); Overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Artist's first inscription, signature, and 2 seals:
A painting of the Qingbian Mountains in the manner of Beiyuan [Dong Yuan].
In the summer of the dingsi year [1617], on the last day of the fifth month, [I] send this to my senior, Zhang Shenqi. Dong Xuanzai
[seals] Zhi zhi hao ri jiang guan 知制誥日講官; Dong Qichang yin 董其昌印.
translation:
remark:
inscription: Artist's second inscription and signature:
Piling irons for ten thousand feet guard the purple sky;
Where puppies are seen on top of clouds, villages and marketplaces lie.
In the splendor of autumn, where is the most worthy spot to spend the day?
Amid the rustling sounds of mountain streams, with a volume in hand, meditating on the Way [Dao].
Inscribed by Qichang.
(trans. WKH/LYSL)
translation:
remark:
inscription: 4 additional seals: 3 of Li Enqing 李恩慶 (jinshi of 1833); 1 of Weng Wan-go 翁萬戈 (b. 1918).
translation:
remark:
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CURRENT EXHIBITIONS
title: 1000 Jahre Chinesische Malerei
opening date: 1959-10-16T04:00:00
1000 Jahre Chinesische Malerei. Haus der Kunst, Mùnich, Germany (organizer) (October 16-December 13, 1959).
title: Eight Dynasties of Chinese Painting
opening date: 1981-02-10T05:00:00
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).
title: Year in Review: 1980
opening date: 1981-06-23T04:00:00
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 23-July 19, 1981).
title: Mountains, Rocks, and Water: Landscape Painting in Asia
opening date: 1987-10-02T04:00:00
Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987).
title: Highlights of Asian Paintings from The Cleveland Museum of Art
opening date: 1998-02-21T00:00:00
Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).
title: Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art
opening date: 2009-06-27T04:00:00
Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).
title: Rhythms of Abstraction: The Landscape Duets of Arnold Chang and Michael Cherney
opening date: 2015-07-12T00:00:00
Rhythms of Abstraction: The Landscape Duets of Arnold Chang and Michael Cherney. The Cleveland Museum of Art (organizer) (July 12, 2015-February 7, 2016).
title: The Arts of Dong Qichang
opening date: 2018-12-07T05:00:00
The Arts of Dong Qichang. Shanghai Museum, Shanghai, China (organizer) (December 7, 2018-March 10, 2019).
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LEGACY EXHIBITIONS
* Fantastics and Eccentrics. Asia House Gallery, New York, NY (March 23-May 28, 1967).
* The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Fogg Art Museum, Cambridge, Massachusetts (1979).
* Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 12, 2003-July 16, 2003).
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PROVENANCE
Li Enqing 李恩慶 [19th century]
date: 1800s
footnotes:
citations:
(Wan-go H. C. Weng 翁萬戈 [b. 1918], Lyme, NH, sold to the Cleveland Museum of Art)
date: ?-1980
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1980-
footnotes:
citations:
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fun fact:
digital description:
wall description:
Dong Qichang radically transforms the landscape composition into a purely abstract design. He organizes the mountain forms to achieve an overall sense of structure, activating the flow of energy (qi) and the momentum of force (shi) throughout the pictorial design. In his art, brush and ink assume life independent of the depicted forms, so that the painting can be appreciated for “the sheer marvels of brush and ink.”
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RELATED WORKS
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CITATIONS
page number:
url:
Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.
page number: Mentioned: VII, Lists, 247
url:
Qin, Zuyong, and Roger Goepper. Im Schatten Des Wu-T'ung-Baumes: [Gedanken Zur Malerei Von Ch'in Tsu-Yung]. Munchen: Hirmer, 1959.
page number: Reproduced: pl. 17
url:
Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.
page number: no. 67
url:
Wu, Nelson Ikon. Tung Chʻi-Chʻang, 1555-1636: Apathy in Government and Fervor in Art. Stanford, CA: Board of Trustees of the Stanford University, 1962.
page number: Reproduced: pl. 4
url:
Goepper, Roger. The Essence of Chinese Painting. London: Lund Humphries, 1963.
page number: Reproduced: pls. 61-63
url:
Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.
page number: Reproduced: p. 439, fig. 581
url:
Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1973.
page number: Reproduced: p. 439, fig. 581
url:
Cahill, James. "Chūgoku kaiga niokeru kisō to gensō" [Fantastics and eccentrics in Chinese painting]. Kokka (1975): no. 978, pp. 9-29 (pt.1).
page number: Reproduced: color pl. 2
url:
Hironobu Kohara 古原宏伸. Jo I, Tō Kishō [徐渭 董其昌 = Xu Wei, Dong Qichang]. Tōkyō: Chūō Kōronsha, 1978.
page number: Reproduced: p. 170, pl. 38, pl. 39, p. 157
url:
Sullivan, Michael. Symbols of Eternity: The Art of Landscape Painting in China. Stanford, CA: Stanford University Press, 1979.
page number: Reproduced: p. 134, pl. 80
url:
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: pp. 246-247, cat. no. 192
url:
Li, Chu-tsing. "The Great Tradition in Chinese Painting." Asia Vol. 4, No. 4 (November/December 1981): pp. 32-37 and 42-43.
page number: Reproduced: p. 34
url:
Cahill, James. The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Cambridge, MA: Harvard University Press, 1982.
page number:
url:
Suzuki, Kei 鈴木敬. Chūgoku kaiga sōgō zuroku [中國繪畫總合圖錄= Comprehensive Illustrated Catalog of Chinese Paintings], 第1卷. アメリカ·カナダ篇[= vol. 1 American and Canadian collections]. Tōkyō: Tōkyō Daigaku Shuppankai, 1982.
page number: p. 252, no 277
url:
Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. Three Thousand Years of Chinese Painting. New Haven, CT: Yale University Press; Beijing: Foreign Languages Press, 1997.
page number: Reproduced: p. 234, no. 218
url:
Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland, OH: The Cleveland Museum of Art, 1998.
page number: Reproduced: pp. 94-95
url:
Tōyō kaiga no seika: tokubetsuten: Kurīvurando Bijutsukan no korekushon kara [東洋絵画の精華: 特别展: クリーヴラント美術館のコレクションから= Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998.
page number: Reproduced: p.62, cat. no. 37
url:
Nishioka, Yasuhiro 西岡康宏 and Noriko Miyazaki 宮崎法子. Min 明. Tōkyō: Shōgakukan, 1999.
page number: Reproduced: pp. 82-83 no. 89, 90
url:
Han, Chŏng-hŭi. Han'guk kwa Chungguk ŭi hoehwa: kwan'gyesŏng kwa pigyoron. Sŏul-si: Hakkojae, 1999.
page number: Reproduced: p. 91, no. 42
url:
Hearn, Maxwell K., and Wen Fong. Along the Riverbank: Chinese Paintings from the C.C. Wang Family Collection. New York: Metropolitan Museum of Art, 1999.
page number: Reproduced: fig. 35, p. 41
url:
Thorp, Robert L., and Richard Ellis Vinograd. Chinese Art & Culture. New York: Abrams, 2001.
page number: Reproduced: p. 323, 9-6
url:
Lauer, Uta "Man and the Mountain - Wen Boren's Creation of Tianmushan." Oriental Art Magazine XLVIII:2 (2002): 11
page number:
url:
Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.
page number: Reproduced: pl. 33
url:
Mair, Victor H., Nancy Shatzman Steinhardt, and Paul Rakita Goldin. Hawai'i reader in traditional Chinese culture. Honolulu: University of Hawaiʻi Press, 2005.
page number: Reproduced: pl. 101
url:
Stokstad, Marilyn, David Cateforis, and Stephen Addiss. Art History. Upper Saddle River, NJ: Pearson/Prentice Hall, 2005.
page number: Reproduced: fig. 21-11
url:
Schirokauer, Conrad. A Brief History of Chinese and Japanese Civilizations. Australia: Thomson/Wadsworth, 2006.
page number: Reproduced: p. 212, fig. 8.4
url:
Schirokauer, Conrad. A Brief History of Chinese and Japanese Civilizations. Australia: Thomson/Wadsworth, 2006.
page number: Reproduced: p. 280, fig. 10.4
url:
Chang, Joseph. “From the Clear and Distant Landscape of Wuxing to the Humble Hermit of Clouds and Woods.” Ars Orientalis, vol. 37, 2009, pp. 32–47.
page number: Reproduced: p. 43, fig. 15
url: www.jstor.org/stable/29550007
Brooke, Sandy. Drawing As Expression: Techniques and Concepts. Upper Saddle River, NJ: Pearson Education, 2007.
page number: Reproduced: p. 6, fig. 1.7
url:
Ware, Robert, Raymond Jonson, and MaLin Wilson-Powell. To Form from Air: Music and the Art of Raymond Jonson. Santa Fe, NM: Museum of New Mexico Press, 2010.
page number: Reproduced: Fig 10, pp. 23, 106
url:
Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2012.
page number: Reproduced: pp. 38-39
url:
Burnett, Katharine Persis. Dimensions of Originality: Essays on Seventeenth-Century Chinese Art Theory and Criticism. Hong Kong: The Chinese University Press, 2013.
page number: Reproduced: Fig. 3-1, p. 67
url:
Stokstad, Marilyn, and Michael Watt Cothren. Art History. Boston: Pearson, 2014.
page number: Reproduced: Fig. 25-12, p. 805
url:
Museu de Arte de Macau. Nan zong bei dou: Dong Qichang shu hua xue shu yan tao hui lun wen ji = 南宗北斗: 董其昌书画学术研讨会论文集. Beijing: Gu gong chu ban she, 2015.
page number: Mentioned: p. 398
url:
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 308-313
url:
Shanghai Museum. Dan qing bao fa: Dong Qichang shu hua yi shu te ji [丹青寶筏: 董其昌書畫藝術特集 = Freeyman of the ink world: Dong Qichang's calligraphy and painting art]. Shanghai: Shanghai shu hua chu ban she, 2018.
page number: Mentioned and reproduced: vol. 2, pp. 138-139
url:
Sullivan, Michael, and S. J. Vainker. The Arts of China. Oakland, CA: University of California Press, 2018.
page number: Mentioned and reproduced: pp. 241-242
url:
Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018.
page number: Reproduced: p. 171, fig. 98
url:
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