{
"data": {
"id": 149791,
"accession_number": "1980.10",
"share_license_status": "CC0",
"tombstone": "Mt. Qingbian (\u9752\u5f01\u5716), 1617. Dong Qichang (Chinese, 1555\u20131636). Hanging scroll, ink on paper; painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1980.10",
"current_location": null,
"title": "Mt. Qingbian",
"title_in_original_language": "\u9752\u5f01\u5716",
"creation_date": "1617",
"creation_date_earliest": 1617,
"creation_date_latest": 1617,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "hanging scroll, ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); Overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in.)",
"dimensions": {
"painting": {
"height": 2.25,
"width": 0.676
},
"overall": {
"height": 3.55,
"width": 0.927
},
"overall with knobs": {
"height": 3.585,
"width": 1.045
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's first inscription, signature, and 2 seals:\n\nA painting of the Qingbian Mountains in the manner of Beiyuan [Dong Yuan].\n\nIn the summer of the dingsi year [1617], on the last day of the fifth month, [I] send this to my senior, Zhang Shenqi. Dong Xuanzai \n[seals] Zhi zhi hao ri jiang guan \u77e5\u5236\u8aa5\u65e5\u8b1b\u5b98; Dong Qichang yin \u8463\u5176\u660c\u5370.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "Artist's second inscription and signature:\n\nPiling irons for ten thousand feet guard the purple sky;/ \nWhere puppies are seen on top of clouds, villages and marketplaces lie./ \nIn the splendor of autumn, where is the most worthy spot to spend the day?/ \nAmid the rustling sounds of mountain streams, with a volume in hand, meditating on the Way [Dao]. \n\nInscribed by Qichang. \n\n(trans. WKH/LYSL)",
"inscription_translation": null,
"inscription_remark": "The puppies in the second line of Dong's poem are a reference to the legend of Prince Liu An of the Han dynasty, who rose to be an immortal and brought with him is whole household, including chickens and dogs.",
"sortorder": null
},
{
"inscription": "4 additional seals: 3 of Li Enqing \u674e\u6069\u6176 (jinshi of 1833); 1 of Weng Wan-go \u7fc1\u842c\u6208 (b. 1918).",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 377849,
"title": "1000 Jahre Chinesische Malerei",
"description": "1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, M\u00f9nich, Germany (organizer) (October 16-December 13, 1959).",
"opening_date": "1959-10-16T04:00:00"
},
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 304521,
"title": "Year in Review: 1980",
"description": "Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
"opening_date": "1981-06-24T04:00:00"
},
{
"id": 310041,
"title": "Mountains, Rocks, and Water: Landscape Painting in Asia",
"description": "Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987).",
"opening_date": "1987-10-02T04:00:00"
},
{
"id": 211775,
"title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
"description": "Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
"opening_date": "1998-02-21T00:00:00"
},
{
"id": 196054,
"title": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art",
"description": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).",
"opening_date": "2009-06-27T04:00:00"
},
{
"id": 202963,
"title": "Chinese Landscape Duets of Arnold Chang and Michael Cherney",
"description": "Chinese Landscape Duets of Arnold Chang and Michael Cherney. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 12, 2015-February 7, 2016).",
"opening_date": "2015-07-12T00:00:00"
},
{
"id": 307348,
"title": "The Arts of Dong Qichang",
"description": "The Arts of Dong Qichang. Shanghai Museum, Shanghai, China (organizer) (December 7, 2018-March 10, 2019).",
"opening_date": "2018-12-07T05:00:00"
}
],
"legacy": [
{
"description": "Fantastics and Eccentrics. Asia House Gallery, New York, NY (March 23-May 28, 1967).",
"opening_date": "1967-03-23T00:00:00"
},
{
"description": "The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Fogg Art Museum, Cambridge, Massachusetts (1979).",
"opening_date": "1979-01-01T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 12, 2003-July 16, 2003).",
"opening_date": "2003-03-12T00:00:00"
}
]
},
"provenance": [
{
"description": "Li Enqing \u674e\u6069\u6176 [19th century]",
"citations": [],
"footnotes": null,
"date": "1800s",
"sortorder": 1
},
{
"description": "(Wan-go H. C. Weng \u7fc1\u842c\u6208 [1918\u20132020], Lyme, NH, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131980",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1980\u2013",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Dong Qichang had visited the Bian Mountains, which are part of a low range located not far from Wuxing and Lake Tai in the southern province of Zhejiang.",
"description": "Dong Qichang radically transforms the landscape composition into a purely abstract design. He organizes the mountain forms to achieve an overall sense of structure, activating the flow of energy (qi) and the momentum of force (shi) throughout the pictorial design. In his art, brush and ink assume life independent of the depicted forms, so that the painting can be appreciated for \u201cthe sheer marvels of brush and ink.\u201d",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60474317"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1980.10-mt-qingbian"
]
},
"citations": [
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: VII, Lists, 247",
"url": null
},
{
"citation": "Qin, Zuyong, and Roger Goepper. Im Schatten Des Wu-T'ung-Baumes: [Gedanken Zur Malerei Von Ch'in Tsu-Yung]. Munchen: Hirmer, 1959.",
"page_number": "Reproduced: pl. 17",
"url": null
},
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.",
"page_number": "no. 67",
"url": null
},
{
"citation": "Wu, Nelson Ikon. Tung Ch\u02bbi-Ch\u02bbang, 1555-1636: Apathy in Government and Fervor in Art. Stanford, CA: Board of Trustees of the Stanford University, 1962.",
"page_number": "Reproduced: pl. 4",
"url": null
},
{
"citation": "Goepper, Roger. The Essence of Chinese Painting. London: Lund Humphries, 1963.",
"page_number": "Reproduced: pls. 61\u201363",
"url": null
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: p. 439, fig. 581",
"url": null
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1973.",
"page_number": "Reproduced: p. 439, fig. 581",
"url": null
},
{
"citation": "Cahill, James. \"Ch\u016bgoku kaiga niokeru kis\u014d to gens\u014d\" [Fantastics and eccentrics in Chinese painting]. Kokka (1975): no. 978, pp. 9\u201329 (pt.1).",
"page_number": "Reproduced: color pl. 2",
"url": null
},
{
"citation": "Hironobu Kohara \u53e4\u539f\u5b8f\u4f38. Jo I, To\u0304 Kisho\u0304 [\u5f90\u6e2d \u8463\u5176\u660c = Xu Wei, Dong Qichang]. To\u0304kyo\u0304: Chu\u0304o\u0304 Ko\u0304ronsha, 1978.",
"page_number": "Reproduced: p. 170, pl. 38, pl. 39, p. 157",
"url": null
},
{
"citation": "Sullivan, Michael. Symbols of Eternity: The Art of Landscape Painting in China. Stanford, CA: Stanford University Press, 1979.",
"page_number": "Reproduced: p. 134, pl. 80",
"url": null
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: pp. 246\u2013247, cat. no. 192",
"url": null
},
{
"citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163\u2013219.",
"page_number": "Reproduced: p. 206; Mentioned: p. 218, no. 282",
"url": "http://www.jstor.org/stable/25159730"
},
{
"citation": "Li, Chu-tsing. \"The Great Tradition in Chinese Painting.\" Asia Vol. 4, No. 4 (November/December 1981): pp. 32\u201337 and 42\u201343.",
"page_number": "Reproduced: p. 34",
"url": null
},
{
"citation": "Cahill, James. The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Cambridge, MA: Harvard University Press, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chu\u0304goku kaiga so\u0304go\u0304 zuroku [\u4e2d\u570b\u7e6a\u756b\u7e3d\u5408\u5716\u9304= Comprehensive Illustrated Catalog of Chinese Paintings], \u7b2c1\u5377. \u30a2\u30e1\u30ea\u30ab\u00b7\u30ab\u30ca\u30c0\u7bc7[= vol. 1 American and Canadian collections]. To\u0304kyo\u0304: To\u0304kyo\u0304 Daigaku Shuppankai, 1982.",
"page_number": "p. 252, no 277",
"url": null
},
{
"citation": "Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. Three Thousand Years of Chinese Painting. New Haven, CT: Yale University Press; Beijing: Foreign Languages Press, 1997.",
"page_number": "Reproduced: p. 234, no. 218",
"url": null
},
{
"citation": "Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland, OH: The Cleveland Museum of Art, 1998.",
"page_number": "Reproduced: pp. 94\u201395",
"url": null
},
{
"citation": "T\u014dy\u014d kaiga no seika: tokubetsuten: Kur\u012bvurando Bijutsukan no korekushon kara [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef: \u7279\u522b\u5c55: \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089= Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998.",
"page_number": "Reproduced: p.62, cat. no. 37",
"url": null
},
{
"citation": "Nishioka, Yasuhiro \u897f\u5ca1\u5eb7\u5b8f and Noriko Miyazaki \u5bae\u5d0e\u6cd5\u5b50. Min \u660e. To\u0304kyo\u0304: Sho\u0304gakukan, 1999.",
"page_number": "Reproduced: pp. 82\u201383 no. 89, 90",
"url": null
},
{
"citation": "Han, Cho\u0306ng-hu\u0306i. Han'guk kwa Chungguk u\u0306i hoehwa: kwan'gyeso\u0306ng kwa pigyoron. So\u0306ul-si: Hakkojae, 1999.",
"page_number": "Reproduced: p. 91, no. 42",
"url": null
},
{
"citation": "Hearn, Maxwell K., and Wen Fong. Along the Riverbank: Chinese Paintings from the C.C. Wang Family Collection. New York: Metropolitan Museum of Art, 1999.",
"page_number": "Reproduced: fig. 35, p. 41",
"url": null
},
{
"citation": "Thorp, Robert L., and Richard Ellis Vinograd. Chinese Art & Culture. New York: Abrams, 2001.",
"page_number": "Reproduced: p. 323, 9-6",
"url": null
},
{
"citation": "Lauer, Uta \"Man and the Mountain - Wen Boren's Creation of Tianmushan.\" Oriental Art Magazine XLVIII:2 (2002): 11.",
"page_number": null,
"url": null
},
{
"citation": "Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.",
"page_number": "Reproduced: pl. 33",
"url": null
},
{
"citation": "Mair, Victor H., Nancy Shatzman Steinhardt, and Paul Rakita Goldin. Hawai'i reader in traditional Chinese culture. Honolulu: University of Hawai\u02bbi Press, 2005.",
"page_number": "Reproduced: pl. 101",
"url": null
},
{
"citation": "Stokstad, Marilyn, David Cateforis, and Stephen Addiss. Art History. Upper Saddle River, NJ: Pearson/Prentice Hall, 2005.",
"page_number": "Reproduced: fig. 21-11",
"url": null
},
{
"citation": "Schirokauer, Conrad. A Brief History of Chinese and Japanese Civilizations. Australia: Thomson/Wadsworth, 2006.",
"page_number": "Reproduced: p. 212, fig. 8.4",
"url": null
},
{
"citation": "Schirokauer, Conrad. A Brief History of Chinese and Japanese Civilizations. Australia: Thomson/Wadsworth, 2006.",
"page_number": "Reproduced: p. 280, fig. 10.4",
"url": null
},
{
"citation": "Chang, Joseph. \u201cFrom the Clear and Distant Landscape of Wuxing to the Humble Hermit of Clouds and Woods.\u201d Ars Orientalis, vol. 37, 2009, pp. 32\u201347.",
"page_number": "Reproduced: p. 43, fig. 15",
"url": "www.jstor.org/stable/29550007"
},
{
"citation": "Brooke, Sandy. Drawing As Expression: Techniques and Concepts. Upper Saddle River, NJ: Pearson Education, 2007.",
"page_number": "Reproduced: p. 6, fig. 1.7",
"url": null
},
{
"citation": "Ware, Robert, Raymond Jonson, and MaLin Wilson-Powell. To Form from Air: Music and the Art of Raymond Jonson. Santa Fe, NM: Museum of New Mexico Press, 2010.",
"page_number": "Reproduced: Fig 10, pp. 23, 106",
"url": null
},
{
"citation": "Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2012.",
"page_number": "Reproduced: pp. 38\u201339",
"url": null
},
{
"citation": "Franklin, David. The Cleveland Museum of Art. London: Scala Arts & Heritage Publishers Ltd., 2012.",
"page_number": "Reproduced: pp. 38\u201339",
"url": ""
},
{
"citation": "Burnett, Katharine Persis. Dimensions of Originality: Essays on Seventeenth-Century Chinese Art Theory and Criticism. Hong Kong: The Chinese University Press, 2013.",
"page_number": "Reproduced: Fig. 3-1, p. 67",
"url": null
},
{
"citation": "Stokstad, Marilyn, and Michael Watt Cothren. Art History. Boston: Pearson, 2014.",
"page_number": "Reproduced: Fig. 25-12, p. 805",
"url": null
},
{
"citation": "Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.",
"page_number": "Mentioned and Reproduced: p. 107",
"url": ""
},
{
"citation": "Museu de Arte de Macau. Nan zong bei dou: Dong Qichang shu hua xue shu yan tao hui lun wen ji = \u5357\u5b97\u5317\u6597: \u8463\u5176\u660c\u4e66\u753b\u5b66\u672f\u7814\u8ba8\u4f1a\u8bba\u6587\u96c6. Beijing: Gu gong chu ban she, 2015.",
"page_number": "Mentioned: p. 398",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 308\u2013313",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Musuem of Art, 2015.",
"page_number": "Reproduced: pp. 308\u2013313",
"url": null
},
{
"citation": "Shanghai Museum. Dan qing bao fa: Dong Qichang shu hua yi shu te ji [\u4e39\u9752\u5bf6\u7b4f: \u8463\u5176\u660c\u66f8\u756b\u85dd\u8853\u7279\u96c6 = Freeyman of the ink world: Dong Qichang's calligraphy and painting art]. Shanghai: Shanghai shu hua chu ban she, 2018.",
"page_number": "Mentioned and reproduced: vol. 2, pp. 138\u2013139",
"url": null
},
{
"citation": "Sullivan, Michael, and S. J. Vainker. The Arts of China. Oakland, CA: University of California Press, 2018.",
"page_number": "Mentioned and reproduced: pp. 241\u2013242",
"url": null
},
{
"citation": "Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018.",
"page_number": "Reproduced: p. 171, fig. 98",
"url": null
}
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