id:			149803
accession number:	1980.101
share license status:	CC0
url:			https://clevelandart.org/art/1980.101
updated:		2023-09-15 11:23:03.690000

Virgin and Child with a Goldfinch, c. 1490. Neroccio de' Landi (Italian, 1447–1500). Tempera on wood; framed: 65 x 45 x 7.5 cm (25 9/16 x 17 11/16 x 2 15/16 in.); unframed: 38.8 x 30.5 cm (15 1/4 x 12 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1980.101

title:				Virgin and Child with a Goldfinch
title in original language:	
series:				
series in original language:	
creation date:			c. 1490
creation date earliest:		1485
creation date latest:		1495
current location:		117B Italian Renaissance
creditline:			Leonard C. Hanna, Jr. Fund
copyright:			

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culture:	Italy, Siena, 15th century
technique:	tempera on wood
department:	Medieval Art
collection:	MED - Medieval Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Neroccio de' Landi (Italian, 1447–1500)  - artist

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measurements: Framed: 65 x 45 x 7.5 cm (25 9/16 x 17 11/16 x 2 15/16 in.); Unframed: 38.8 x 30.5 cm (15 1/4 x 12 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Year in Review: 1980
	opening date:   1981-06-24T04:00:00
	<i>Year in Review: 1980</i>. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).

	title:		Renaissance Siena: Art for a City
	opening date:   2007-10-24T00:00:00
	<i>Renaissance Siena: Art for a City</i>. National Gallery, London, London WC2N 5DN (organizer) (October 24, 2007-January 13, 2008).

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LEGACY EXHIBITIONS

* National Gallery, London (10/24/2007 - 1/13/2008): "Renaissance Siena: Art for a City"

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PROVENANCE

	Duke of Roxburghe, Floors Castle (1965, London sale 1979); (Agnews, London)
	date: 
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:
Neroccio di Bartolomeo de’ Landi was both a painter and sculptor. He was a student of Vecchietta, and then he shared a workshop with Francesco di Giorgio from 1468. Neroccio is considered by many to be a Madonna painter par excellence. His aristocratic images were much appreciated in his time, and he is perhaps among Siena’s last great painters of the 1500s.
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RELATED WORKS

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CITATIONS

	Fahy, Everett. Dipinti, disegni, miniature, stampe: L'Archivio storico fotografico di Stefano Bardini. Firenze: A. Bruschi, 2000.
	page number: 	236
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1980.101/1980.101_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1980.101/1980.101_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1980.101/1980.101_full.tif