id: 149897 accession number: 1980.135 share license status: Copyrighted url: https://clevelandart.org/art/1980.135 updated: 2023-05-12 11:03:39.423000 Julia Hall McCune, c. 1897. Clarence H. White (American, 1871–1925). Platinum print with pencil; image: 20.6 x 14.6 cm (8 1/8 x 5 3/4 in.); matted: 45.7 x 35.6 cm (18 x 14 in.); framed: 30.5 x 35.6 cm (12 x 14 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory 1980.135 title: Julia Hall McCune title in original language: series: series in original language: creation date: c. 1897 creation date earliest: 1892 creation date latest: 1902 current location: creditline: Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory copyright: --- culture: America, 19th century technique: platinum print with pencil department: Photography collection: PH - American 19th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * Clarence H. White (American, 1871–1925) - artist Clarence H. White American, 1871-1925 Born in Carlisle, Ohio, Clarence Hudson White moved to the town of Newark in 1887. He began to photograph as a hobby in 1893, quickly becoming quite skilled, and by 1896 his works were recognized by the Ohio Photographers Association. Entirely self-taught, his mastery of the medium was based on his ability to create balanced compositions and to render the subtle effects of natural light. He explored various materials for their aesthetic possibilities, including platinum and gum bichromate prints, and, after 1906, palladium prints. In 1898 White showed his work in Philadelphia, where it came to the attention of Alfred Stieglitz and Joseph Keiley. His images were included in the 1899 Photographic Salon in London, which had been organized by the Linked Ring. From 1900-10 White exhibited in every national and international photographic show in London, Paris, Glasgow, Berlin, and Vienna. Moving to New York City in 1906, he began a career as an educator, lecturing on photography at Columbia University Teachers College (1907-25) and the Brooklyn Institute of Arts and Sciences (1908-21). In 1910 White began teaching summer classes in Seguinland, Maine, which led him to open the Clarence H. White School of Photography in New York in 1914. During summer he continued to teach workshops in New York, Connecticut, and Maine. Among his accomplished students were Margaret Bourke-White, Dorothea Lange, Paul J. Outerbridge, Ralph Steiner, and Karl F. Struss. Named a member of the Linked Ring in 1900, White was nominated to the Photo-Secession in 1902. He was the first president of the Pictorial Photographers of America, helping to found it with Gertrude Käsebier and others in 1916. Influenced by Japanese art, the work of James Abbott McNeill Whistler, and other progressive sources, White's style is imaginative and gentle, often underscored by his use of platinum papers. He believed that the photograph was a work of fine art in its own right. Although deeply involved and influential in New York's competitive world of photography, White produced his best work from 1893-1906, photographing simple, open scenes of his family and friends in their domestic, midwestern environment. T.W.F. --- measurements: Image: 20.6 x 14.6 cm (8 1/8 x 5 3/4 in.); Matted: 45.7 x 35.6 cm (18 x 14 in.); Framed: 30.5 x 35.6 cm (12 x 14 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in pencil on verso: "44 [circled]"; "Portrait of Julia McCune / by / Clarence White / about 1897(?)" translation: remark: --- CURRENT EXHIBITIONS title: Year in Review: 1980 opening date: 1981-06-24T04:00:00 Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). title: Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art opening date: 2007-06-24T00:00:00 Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007); Frick Art and Historical Center, Pittsburgh, PA (October 3, 2009-January 3, 2010). title: Photographs in Ink opening date: 2022-11-20T05:00:00 Photographs in Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20, 2022-April 2, 2023). --- LEGACY EXHIBITIONS --- PROVENANCE Julia McCune Flory date: footnotes: citations: --- fun fact: digital description: wall description: Clarence H. White experimented with an array of artistic media that blurred the lines between photography, drawing, and printmaking. Here are two examples of that experimentation: a platinum print on the left and a photogravure on the right. White was likely drawn to both processes for their broad tonal range and interaction of image and paper. To create platinum prints, a light-sensitive liquid emulsion is applied to and absorbed by the paper. The image forms within the paper’s fibers, resulting in a matte appearance. Because photogravures are printed like an etching, the image is formed with ink impressed onto the paper’s surface. --- RELATED WORKS --- CITATIONS Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 379 url: --- IMAGES