id: 149904
accession number: 1980.141
share license status: Copyrighted
url: https://clevelandart.org/art/1980.141
updated: 2024-03-26 01:59:45.037000
Winter Landscape, c. 1900. Clarence H. White (American, 1871–1925). Platinum print; image: 21.2 x 16.3 cm (8 3/8 x 6 7/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory 1980.141
title: Winter Landscape
title in original language:
series:
series in original language:
creation date: c. 1900
creation date earliest: 1895
creation date latest: 1905
current location:
creditline: Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory
copyright:
---
culture: America, 20th century
technique: platinum print
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
---
CREATORS
* Clarence H. White (American, 1871–1925) - artist
Clarence H. White American, 1871-1925
Born in Carlisle, Ohio, Clarence Hudson White moved to the town of Newark in 1887. He began to photograph as a hobby in 1893, quickly becoming quite skilled, and by 1896 his works were recognized by the Ohio Photographers Association. Entirely self-taught, his mastery of the medium was based on his ability to create balanced compositions and to render the subtle effects of natural light. He explored various materials for their aesthetic possibilities, including platinum and gum bichromate prints, and, after 1906, palladium prints.
In 1898 White showed his work in Philadelphia, where it came to the attention of Alfred Stieglitz and Joseph Keiley. His images were included in the 1899 Photographic Salon in London, which had been organized by the Linked Ring. From 1900-10 White exhibited in every national and international photographic show in London, Paris, Glasgow, Berlin, and Vienna. Moving to New York City in 1906, he began a career as an educator, lecturing on photography at Columbia University Teachers College (1907-25) and the Brooklyn Institute of Arts and Sciences (1908-21).
In 1910 White began teaching summer classes in Seguinland, Maine, which led him to open the Clarence H. White School of Photography in New York in 1914. During summer he continued to teach workshops in New York, Connecticut, and Maine. Among his accomplished students were Margaret Bourke-White, Dorothea Lange, Paul J. Outerbridge, Ralph Steiner, and Karl F. Struss. Named a member of the Linked Ring in 1900, White was nominated to the Photo-Secession in 1902. He was the first president of the Pictorial Photographers of America, helping to found it with Gertrude Käsebier and others in 1916.
Influenced by Japanese art, the work of James Abbott McNeill Whistler, and other progressive sources, White's style is imaginative and gentle, often underscored by his use of platinum papers. He believed that the photograph was a work of fine art in its own right. Although deeply involved and influential in New York's competitive world of photography, White produced his best work from 1893-1906, photographing simple, open scenes of his family and friends in their domestic, midwestern environment. T.W.F.
---
measurements: Image: 21.2 x 16.3 cm (8 3/8 x 6 7/16 in.); Matted: 45.7 x 35.6 cm (18 x 14 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Written in pencil on verso: "35 [circled]"; "An old / Photograph by / Clarence H. White / 'Moul's Lane' Newark-Ohio / Given to Julia Flory by / Mr. Ralph Steiner- / 1933- / Photograph taken about 1900 ? [? circled]"
translation:
remark:
---
CURRENT EXHIBITIONS
title: Year in Review: 1980
opening date: 1981-06-24T04:00:00
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).
title: Shadows and Dreams: Pictorialist Photography in America
opening date: 2015-09-05T00:00:00
Shadows and Dreams: Pictorialist Photography in America. The Cleveland Museum of Art (organizer) (September 5, 2015-January 17, 2016).
title: No Mere Button-Pressers: Clarence H. White, Ema Spencer, and the Newark Camera Club
opening date: 2020-08-01T04:00:00
No Mere Button-Pressers: Clarence H. White, Ema Spencer, and the Newark Camera Club. Columbus Museum of Art, Columbus, OH (organizer) (August 1-December 13, 2020).
---
LEGACY EXHIBITIONS
* {'description': 'The Currier Gallery of Art: April 9, 1983, "The Photo-Secession: The Golden Age of Pictorial Photography in America." Traveling to Pennsylvania Academy of Fine Arts, Heckscher Museum, Worcester Art Museum, The Cleveland Museum of Art, an the Albright-Knox Art Gallery concluding July 8, 1984.', 'opening_date': '1983-04-09T00:00:00'}
---
PROVENANCE
Julia McCune Flory
date:
footnotes:
citations:
---
fun fact:
digital description:
wall description:
---
RELATED WORKS
---
CITATIONS
Lee, Sherman E. "The Year in Review for 1980." The Bulletin of the Cleveland Museum of Art 68, no. 6 (1981): 163-219.
page number: no. 133, p. 214
url: www.jstor.org/stable/25159730
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 383
url:
---
IMAGES