id: 149957 accession number: 1980.188 share license status: CC0 url: https://clevelandart.org/art/1980.188 updated: 2024-04-17 11:08:32.600000 Four Motifs from the Eight Views of Xiao-Xiang, 1788. Tani Bunchō (Japanese, 1763–1841). Four album leaves from a set of eight remounted as hanging scrolls; ink and color on paper; each painting: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); each mounted: 129 x 67 cm (50 13/16 x 26 3/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1980.188 title: Four Motifs from the Eight Views of Xiao-Xiang title in original language: 瀟湘八景図 series: series in original language: creation date: 1788 creation date earliest: 1788 creation date latest: 1788 current location: 235A Japanese creditline: Andrew R. and Martha Holden Jennings Fund copyright: --- culture: Japan, Edo period (1615-1868) technique: Four album leaves from a set of eight remounted as hanging scrolls; ink and color on paper department: Japanese Art collection: ASIAN - Hanging scroll type: Painting find spot: catalogue raisonne: --- CREATORS * Tani Bunchō (Japanese, 1763–1841) - artist --- measurements: Each painting: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); Each mounted: 129 x 67 cm (50 13/16 x 26 3/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review: 1980 opening date: 1981-06-24T04:00:00 Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). title: The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art opening date: 2011-03-27T00:00:00 The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011). title: To the River's South in Japanese Painting (Japanese art rotation) opening date: 2023-12-15T05:00:00 To the River's South in Japanese Painting (Japanese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 2023-June 2, 2024). --- LEGACY EXHIBITIONS --- PROVENANCE (Katsuhiro Kobayashi, Tokyo, Japan, sold to the Cleveland Museum of Art) date: ?–1980 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1980– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Lee, Sherman E. “The Year in Review for 1980.” The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163–219. page number: Mentioned: p. 210, no. 267 url: http://www.jstor.org/stable/25159730 Chance, Frank L. “Tani Bunchō’s Eight Views of Xiao and Xiang: Origins, Ideas, Implications.” The Bulletin of the Cleveland Museum of Art 76, no. 8 (October 1989): 266–279. page number: Mentioned and reproduced: p. 266-279 url: http://www.jstor.org/stable/25160086 Sŏn, Sŭng-hye. The Lure of Painted Poetry: Japanese and Korean Art. Cleveland, OH: Cleveland Museum of Art, 2011. page number: Mentioned and Reproduced: cat. no. 17 url: Dwinger, Jim. "Vermillion Designs: Seals as Textual Motifs in Ukiyo-e Prints by Utagawa Hiroshige." Andon: Bulletin of the Society for Japanese Arts and Crafts 115, 1 (2023): 44-67.
Only Wild Geese Descend on Level Sands page number: Reproduced: P. 44; mentioned: P. 46 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1980.188/1980.188_web.jpg print: https://openaccess-cdn.clevelandart.org/1980.188/1980.188_print.jpg full: https://openaccess-cdn.clevelandart.org/1980.188/1980.188_full.tif