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"tombstone": "Evening Snow Blending River and Sky, from Eight Views of Xiao-Xiang (\u701f\u6e58\u516b\u666f\u306e\u5185\u3000\u6c5f\u5929\u66ae\u96ea\u56f3), 1788. Tani Bunch\u014d (Japanese, 1763\u20131841). Album leaf remounted as a hanging scroll; ink and color on paper; image: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); overall: 129 x 67 cm (50 13/16 x 26 3/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1980.188.2",
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"title": "Evening Snow Blending River and Sky, from Eight Views of Xiao-Xiang",
"title_in_original_language": "\u701f\u6e58\u516b\u666f\u306e\u5185\u3000\u6c5f\u5929\u66ae\u96ea\u56f3",
"creation_date": "1788",
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"technique": "album leaf remounted as a hanging scroll; ink and color on paper",
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"department": "Japanese Art",
"collection": "ASIAN - Hanging scroll",
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"measurements": "Image: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); Overall: 129 x 67 cm (50 13/16 x 26 3/8 in.)",
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"id": 304521,
"title": "Year in Review: 1980",
"description": "Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
"opening_date": "1981-06-24T04:00:00"
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{
"id": 197104,
"title": "The Lure of Painted Poetry: Japanese and Korean Art",
"description": "The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).",
"opening_date": "2011-03-27T00:00:00"
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{
"id": 450266,
"title": "To the River's South in Japanese Painting",
"description": "To the River's South in Japanese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 2023-June 2, 2024).",
"opening_date": "2023-12-15T05:00:00"
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"description": "(Katsuhiro Kobayashi, Tokyo, Japan, sold to the Cleveland Museum of Art)",
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"date": "?-1980",
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"description": "The Cleveland Museum of Art, Cleveland, OH",
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"description": "This painting was part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China\u2019s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.",
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"citations": [
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"citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163\u2013219.",
"page_number": "Mentioned and reproduced: p. 210, no. 267",
"url": "http://www.jstor.org/stable/25159730"
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{
"citation": "Chance, Frank L. \u201cTani Bunch\u014d\u2019s Eight Views of Xiao and Xiang: Origins, Ideas, Implications.\u201d The Bulletin of the Cleveland Museum of Art 76, no. 8 (October 1989): 266\u2013279.",
"page_number": "Mentioned: p. 266-279; reproduced: p. 273, fig. 5",
"url": "http://www.jstor.org/stable/25160086"
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{
"citation": "So\u0306n, Su\u0306ng-hye. The Lure of Painted Poetry: Japanese and Korean Art. Cleveland, OH: Cleveland Museum of Art, 2011.",
"page_number": "Mentioned and Reproduced: cat. no. 17b",
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