id:			149961
accession number:	1980.188.4
share license status:	CC0
url:			https://clevelandart.org/art/1980.188.4
updated:		2025-02-14 13:29:55.128000

Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang, 1788. Tani Bunchō (Japanese, 1763–1841). Album leaf remounted as a hanging scroll; ink and color on paper; image: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); overall: 129 x 67 cm (50 13/16 x 26 3/8 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1980.188.4

title:				Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang
title in original language:	瀟湘八景の内　平沙落雁図
series:				
series in original language:	
creation date:			1788
creation date earliest:		1788
creation date latest:		1788
current location:		
creditline:			Andrew R. and Martha Holden Jennings Fund
copyright:			

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culture:	Japan, Edo period (1615–1868)
technique:	album leaf remounted as a hanging scroll; ink and color on paper
department:	Japanese Art
collection:	ASIAN - Hanging scroll
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Tani Bunchō (Japanese, 1763–1841)  - artist

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measurements: Image: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); Overall: 129 x 67 cm (50 13/16 x 26 3/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Year in Review: 1980
	opening date:   1981-06-24T04:00:00
	<i>Year in Review: 1980</i>. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).

	title:		The Lure of Painted Poetry: Japanese and Korean Art
	opening date:   2011-03-27T00:00:00
	<i>The Lure of Painted Poetry: Japanese and Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

	title:		To the River's South in Japanese Painting
	opening date:   2023-12-15T05:00:00
	<i>To the River's South in Japanese Painting</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 2023-June 2, 2024).

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LEGACY EXHIBITIONS

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PROVENANCE

	(Katsuhiro Kobayashi, Tokyo, Japan, sold to the Cleveland Museum of Art)
	date: ?-1980
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1980-
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

	Lee, Sherman E. “The Year in Review for 1980.” <em>The Bulletin of the Cleveland Museum of Art</em> 68, no. 6 (June 1981): 163–219.
	page number: 	Mentioned: p. 218, no. 267
	url:		http://www.jstor.org/stable/25159730

	Chance, Frank L. “Tani Bunchō’s Eight Views of Xiao and Xiang: Origins, Ideas, Implications.” <em>The Bulletin of the Cleveland Museum of Art</em> 76, no. 8 (October 1989): 266–279.
	page number: 	Mentioned: p. 266-279; reproduced: p. 270, fig. 2
	url:		http://www.jstor.org/stable/25160086

	Sŏn, Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland, OH: Cleveland Museum of Art, 2011.
	page number: 	Mentioned and Reproduced: cat. no. 17d
	url:		

	Dwinger, Jim. "Vermillion Designs: Seals as Textual Motifs in Ukiyo-e Prints by Utagawa Hiroshige." Andon: Bulletin of the Society for Japanese Arts and Crafts 115, 1 (2023): 44-67.
	page number: 	Reproduced: P. 44; mentioned: P. 46
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1980.188.4/1980.188.4_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1980.188.4/1980.188.4_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1980.188.4/1980.188.4_full.tif