id: 150024 accession number: 1980.238.2 share license status: CC0 url: https://clevelandart.org/art/1980.238.2 updated: 2024-03-26 01:59:45.680000 Bacchante on a Panther, 1855. William Adolphe Bouguereau (French, 1825–1905). Oil on fabric; framed: 87.3 x 127 x 5.4 cm (34 3/8 x 50 x 2 1/8 in.); unframed: 71.4 x 111.3 cm (28 1/8 x 43 13/16 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin 1980.238.2 title: Bacchante on a Panther title in original language: series: series in original language: creation date: 1855 creation date earliest: 1855 creation date latest: 1855 current location: 201 French Neoclassical Painting & Sculpture creditline: Bequest of Noah L. Butkin copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * William Adolphe Bouguereau (French, 1825–1905) - artist William Adolphe Bouguereau started drawing at an early age but did not take lessons until 1834, his first year in college in Pons, where his instructor was Louis Sage, who had been a pupil of Ingres (q.v.). In 1841 Bouguereau's father, a wine merchant, moved the family to Bordeaux. The following year he was allowed to attend the École Municipale de Dessin et de Peinture, where he studied under Jean-Paul Alaux. Bouguereau became a bookkeeper for another wine merchant in order to meet the cost of the school. By 1844 he had won the first prize for figure painting, which further encouraged him to pursue his art career. He lived with his uncle in Mortagne from 1845 until 1846, painted portraits of the local landowners, and saved enough money to move to Paris. In 1846 he entered the École des Beaux-Arts and studied under François-Édouard Picot (1786-1868). After several attempts, he finally won the Premier Grand Prix de Rome in 1850. He lived at the Villa Medici in Rome and studied Raphael, Andrea del Sarto, Giotto's Paduan frescos, and those at San Francesco in Assisi. The impact of these works appeared in Bouguereau's oeuvre in the form of classical poses, restraint, and a high degree of finish. After his return to France, Bouguereau exhibited regularly at the Salon, concentrating on classical, genre, and religious themes. In 1858 he was commissioned to decorate his first public building-the Chapel of St. Louis in St. Clotilde Church in Paris. Other public commissions followed, including the chapels of St. Pierre-Paul and St. Jean-Baptiste at St. Augustin Church in Paris, the cupola decorations in the cathedral in La Rochelle, and the ceiling of the Grand Theater of Bordeaux. Bouguereau remained in France during the Franco-Prussian War (1870-71), fighting in the National Guard. Afterward he taught at the Académie Julian in Paris. In 1876 he fulfilled a lifelong goal, being elected to the Académie des Beaux-Arts de l'Institut de France. He received the Legion of Honor in 1878 and was a professor at the École des Beaux-Arts in Paris in 1888. Bouguereau's support of the academy and his interest in classicism caused a fall in his popularity at the end of his life. Nevertheless, he died a successful, wealthy artist. --- measurements: Framed: 87.3 x 127 x 5.4 cm (34 3/8 x 50 x 2 1/8 in.); Unframed: 71.4 x 111.3 cm (28 1/8 x 43 13/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed in red-brown paint lower right: wb [in monogram] / 1855 translation: remark: --- CURRENT EXHIBITIONS title: Heroines opening date: 2011-03-08T00:00:00 Heroines. Museo Nacional Thyssen-Bornemisza, Madrid, Spain (organizer) (March 8-June 12, 2011). --- LEGACY EXHIBITIONS * {'description': 'Paris, Palais des Champs-Élysées. Salon (1857), no. 327, Arion sur un cheval marin, no. 328, Bacchante sur une panthère.', 'opening_date': None} * {'description': 'New York Cultural Center. William Adolphe Bouguereau (1974-75), 20.', 'opening_date': '1974-01-01T00:00:00'} * {'description': 'Museo Thyssen-Bornemisza, Madrid (3/8/2011 - 6/12/2011): "Heroines"', 'opening_date': '2011-03-08T00:00:00'} --- PROVENANCE Commissioned by Anatole Bartholoni, Paris. Paris sale, Drouot, 27 April 1933 (lot 32), Arion chevauchant un monstre marin (lot 33), Bacchante sur une panthère (repr.), Shepherd Gallery, New York, 1972. Christopher Gibbs Ltd., London, 1973. London sale, Sotheby's, 30 November 1977 (lot 208), Arion sur un dauphin; Bacchante sur une panthère (repr.), £6500. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980 date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Jullian, Philippe. "The Symbolists." Architectural Digest 31 (January/February 1975): 58-63. page number: Reproduced: P. 59 url: Wissman, Fronia E. Bouguereau. San Francisco: Pomegranate Artbooks, 1996. page number: Mentioned and reproduced: P. 22-24, pl. 5 url: d' Argencourt, Louise, and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 76-79, cat. no. 30 url: Bartoli, Damien, and Frederick C. Ross. William Bouguereau. Woodbridge Suffolk: Antique Collectors' Club in cooperation with the Art Renewal Center, 2010. page number: Mentioned and reproduced: Vol. II, p. 41, no. 1855/03B url: Lee, Sherman E. “The Year in Review for 1980.” The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163–219. page number: Mentioned: P. 182, 211, no. 27 url: http://www.jstor.org/stable/25159730 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1980.238.2/1980.238.2_web.jpg print: https://openaccess-cdn.clevelandart.org/1980.238.2/1980.238.2_print.jpg full: https://openaccess-cdn.clevelandart.org/1980.238.2/1980.238.2_full.tif