id: 150028 accession number: 1980.242 share license status: CC0 url: https://clevelandart.org/art/1980.242 updated: 2024-03-26 01:59:45.703000 Still Life with Vegetables, Partridge, and a Jug, 1858. Adolphe-Félix Cals (French, 1810–1880). Oil on fabric; unframed: 49.5 x 61 cm (19 1/2 x 24 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin 1980.242 title: Still Life with Vegetables, Partridge, and a Jug title in original language: series: series in original language: creation date: 1858 creation date earliest: 1858 creation date latest: 1858 current location: creditline: Bequest of Noah L. Butkin copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Adolphe-Félix Cals (French, 1810–1880) - artist After taking some printmaking and drawing lessons, Adolphe Félix Cals entered the studio of Cogniet (q.v.) at the École des Beaux-Arts in 1828. His academic training resulted in a warm palette and an attention to detail, but at the same time he also developed an unusual interest in depicting the wretched existence of the poor. In the 1830s he went his own course and mostly painted landscapes around Paris. He made his debut at the Salon in 1835 and exhibited regularly until 1870, although he initially received little recognition for his landscapes and genre scenes that addressed social issues and reflected his own impoverished existence. Cals married a young aristocrat, Ernance de Provisy, who eventually went insane. He then raised their daughter, who suffered the same fate as her mother. In 1848 Cals met the art dealer "le Père Martin" who steadily supported him and other painters, such as Millet (q.v.) and Corot (q.v.). Another meeting that proved crucial to Cals was one with Count Doria in 1858, who became his most important patron. After several rejections of his work at the Salon, Cals participated in the Salon des Refusés in 1863. Cals, who had lived and worked mainly in and around Paris all his life, then left the city for Normandy (Honfleur and the Saint Siméon farm) in 1871 and remained there until his death. He was a close friend of Jongkind (q.v.), and in 1873 the two were together in Honfleur, where many other like-minded artists such as Boudin (q.v.) gathered to study out of doors. In 1874 Cals participated in the first impressionist exhibition and continued to do so until 1879. His style evolved accordingly, and he applied a much freer brush stroke in his later work. Art critic Edmond About, who was usually not very generous with compliments, characterized Cals as the most sincere and the most genuine artist he had ever known. --- measurements: Unframed: 49.5 x 61 cm (19 1/2 x 24 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed upper left: Cals 1858 translation: remark: --- CURRENT EXHIBITIONS title: The Realist Tradition: French Painting and Drawing 1830 - 1900 opening date: 1980-11-12T05:00:00 The Realist Tradition: French Painting and Drawing 1830 - 1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 12, 1980-January 18, 1981). title: Year in Review: 1980 opening date: 1981-06-24T04:00:00 Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). --- LEGACY EXHIBITIONS * {'description': 'CMA. Chardin and the Still-Life Tradition in France (1979), 74, 89; no. 15 (repr.).', 'opening_date': '1979-01-01T00:00:00'} * {'description': 'CMA; Brooklyn Museum; Saint Louis Art Museum; Glasgow Art Gallery and Museum. The Realist Tradition: French Painting and Drawing 1830-1900 (1980-82), 149, no. 116 (repr.). Text by Gabriel P. Weisberg.', 'opening_date': '1900-01-01T00:00:00'} --- PROVENANCE Galerie François Delestre, Paris. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980. date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 98-99, Vol. I, no. 36 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1980.242/1980.242_web.jpg print: https://openaccess-cdn.clevelandart.org/1980.242/1980.242_print.jpg full: https://openaccess-cdn.clevelandart.org/1980.242/1980.242_full.tif