{
    "data": {
        "id": 150031,
        "accession_number": "1980.245",
        "share_license_status": "CC0",
        "tombstone": "The Marl Pit at Mulcent:  Evening, after 1857. Antoine Chintreuil (French, 1814\u20131873). Oil on paper, mounted to cardboard, mounted to plywood; framed: 64.2 x 115.8 x 7.7 cm (25 1/4 x 45 9/16 x 3 1/16 in.); unframed: 47.6 x 99.2 cm (18 3/4 x 39 1/16 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.245",
        "current_location": null,
        "title": "The Marl Pit at Mulcent:  Evening",
        "creation_date": "after 1857",
        "creation_date_earliest": 1857,
        "creation_date_latest": 1867,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "oil on paper, mounted to cardboard, mounted to plywood",
        "support_materials": [],
        "department": "Modern European Painting and Sculpture",
        "collection": "Mod Euro - Painting 1800-1960",
        "type": "Painting",
        "measurements": "Framed: 64.2 x 115.8 x 7.7 cm (25 1/4 x 45 9/16 x 3 1/16 in.); Unframed: 47.6 x 99.2 cm (18 3/4 x 39 1/16 in.)",
        "dimensions": {
            "framed": {
                "height": 0.642,
                "height_inch": 25,
                "height_inch_fraction": 0.25,
                "width": 1.158,
                "width_inch": 45,
                "width_inch_fraction": 0.5625,
                "depth": 0.077,
                "depth_inch": 3,
                "depth_inch_fraction": 0.0625
            },
            "unframed": {
                "height": 0.476,
                "height_inch": 18,
                "height_inch_fraction": 0.75,
                "width": 0.992,
                "width_inch": 39,
                "width_inch_fraction": 0.0625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Signed lower left: Chintreuil \r\n",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 304521,
                    "title": "Year in Review: 1980",
                    "description": "<i>Year in Review: 1980</i>. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
                    "opening_date": "1981-06-24T04:00:00"
                },
                {
                    "id": 224393,
                    "title": "La nascita dell'impressionismo",
                    "description": "<i>La nascita dell'impressionismo</i>. Casa dei Carraresi, 31100 Treviso, Italy (September 9, 2000-January 14, 2001).",
                    "opening_date": "2000-09-09T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Paris, \u00c9cole Nationale des Beaux-Arts. Tableaux, \u00e9tudes et dessins de Chintreuil (1874), no. 126, La marni\u00e8re de Mulcent; effet du soir, app. \u00e0 C. Daubigny.",
                    "opening_date": null
                },
                {
                    "description": "Treviso, Italy:  Casa Dei Carreresi (organized by Linea d'ombra srl in Conegliano, Italy) (9/9/00-1/14/01) \"La nascita dell'impressionismo\"exh. cat. no. 73, p. 176-177.",
                    "opening_date": "2000-09-09T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Painter Charles Fran\u00e7ois Daubigny by 1874. His collection sale, Paris, Drouot, 14 April 1891 (lot 49), Paysage; soleil couchant, peinture sur papier maroufl\u00e9 sur toile, 48 x 100 cm. Galerie Berne Bellecour, Paris 1893. E. Martinet by 1894. Martinet collection sale, Paris, Drouot, 27 February 1896 (lot 51), La marni\u00e8re de Mulcent; effet du soir. Dr. Salath\u00e9-Dietz. Paris sale, Drouot, 14 December 1976 (lot 76), Paysage: soleil couchant, 48 x 100 cm. Galerie Delestre, Paris. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Marl is a crumbly mixture of clays, calcium, and magnesium carbonates, often used as fertilizer for lime-deficient soils.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60474513"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1980.245-the-marl-pit-at-mulc"
            ]
        },
        "citations": [
            {
                "citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 68, no. 6 (June 1981): 163\u2013219.",
                "page_number": "Mentioned: p. 212, no. 35",
                "url": "http://www.jstor.org/stable/25159730"
            },
            {
                "citation": "Argencourt, Louise d', and Roger Diederen. <em>Catalogue of Paintings</em>. <em>Pt. 4. European Paintings of the 19th Century</em>. Cleveland: Cleveland Museum of Art, 1974.",
                "page_number": "Mentioned and reproduced: P. 130-131, Vol. I, no. 49",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1980.245",
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                "date_created": "2013-08-06T10:20:35",
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        "creditline": "Bequest of Noah L. Butkin",
        "image_credit": null,
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        "athena_id": 150031,
        "creators": [
            {
                "id": 1577,
                "description": "Antoine Chintreuil (French, 1814\u20131873)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Antoine Chintreuil arrived in Paris in 1838 and entered the atelier of history painter Delaroche (q.v.) in 1842. Around the following year, Chintreuil met Corot (q.v.) who became his true teacher and advised him to paint landscapes in the open air. Chintreuil's submissions to the Salon were repeatedly rejected until one of his many views of the surroundings of Paris was accepted at the Salon of 1847. In 1850, Chintreuil moved to Igny, southeast of the capital, where he met Daubigny (q.v.) and for the next seven years painted the woods and forests around the valley of the river Bi\u00e8vre. He then moved to La Tournelle-Septeuil in the Seine valley, where he would remain until his death. An article by Fr\u00e9d\u00e9ric Henriet in l'Artiste of 1858 marked the beginning of his critical recognition. Chintreuil had exhibited regularly at the Salon, although in 1863 he was one of the many artists who had to participate in the Salon des Refus\u00e9s. Later on though, the State purchased several of his works and in 1870 he received the Legion of Honor. Toward the end of his career the artist also painted several coastal scenes. Because of his relentless studying of various light and weather conditions, Chintreuil is one of the artists who, together with others such as Boudin (q.v.) and Jongkind (q.v.), are now seen as the precursors of the impressionists.",
                "name_in_original_language": null,
                "birth_year": "1814",
                "death_year": "1873",
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                "weight": 1
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        ],
        "legal_status": "accessioned",
        "accession_date": "1980-12-19T00:00:00",
        "sortable_date": 1857,
        "date_added_to_oa": null,
        "date_text": "after 1857",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-09-17 11:22:17.981000"
    }
}