id: 150043 accession number: 1980.254.2 share license status: CC0 url: https://clevelandart.org/art/1980.254.2 updated: 2024-03-26 01:59:45.790000 Still Life with Herring, Bread, and Cheese, 1858. Alexandre-Gabriel Decamps (French, 1803–1860). Oil on canvas; unframed: 63 x 38 cm (24 13/16 x 14 15/16 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin 1980.254.2 title: Still Life with Herring, Bread, and Cheese title in original language: series: series in original language: creation date: 1858 creation date earliest: 1858 creation date latest: 1858 current location: creditline: Bequest of Noah L. Butkin copyright: --- culture: France, 19th century technique: oil on canvas department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Alexandre-Gabriel Decamps (French, 1803–1860) - artist Decamps was born into a bourgeois family and as a young boy sent by his father to the Picardian countryside to experience the realities of peasant life. These formative years not only nurtured his interest for nature but also directed him toward an artistic career. He returned to Paris in 1816 and studied briefly with Étienne Bouhot (1780-1862), who painted architectural scenes. In 1818, Decamps joined the studio of Alexandre-Denis Abel de Pujol (1785-1861), and copied (Dutch) Old Master paintings in the Louvre. Unimpressed with his academic education, Decamps had become an independent artist by 1820. He earned an income and a reputation with satirical lithographs and anecdotal scenes that were popular with collectors. Decamps's Salon debut occurred in 1827, and the following year he became one of the first distinguished European artists to travel to Asia Minor and North Africa. He returned to Paris with countless drawings and sketches that would serve him for the rest of his career and quickly became one of the leading orientalist painters. He also renewed his earlier interest in lithography and published an album of his hunting scenes. In 1835, he made a journey to Italy, where he studied the works of Raphael (1485-1520) and Nicolas Poussin (1594-1665). Upon his return, he began painting biblical scenes, set against convincing depictions of Near Eastern landscapes, based on his earlier travels. He went to the forest of Fontainebleau in 1843-44 and befriended Dupré (q.v.). Decamps would revisit Fontainebleau ten years later and purchased a house there in 1857. He was one of the most successful and famous artists of this time. His patrons included the Marquis Mason, the Barons de Rothschild, and the Duc d'Orléans. He was elected to the Salon Jury in 1851 and kept this position until 1853. In 1855, at the Paris Exposition Universelle, his works were featured in a retrospective exhibition, along with those of Delacroix (q.v.) and Ingres (q.v.). Although he was a critically acclaimed and financially successful artist during his lifetime, Decamps's reputation quickly waned after his death in 1860. --- measurements: Unframed: 63 x 38 cm (24 13/16 x 14 15/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed lower left: dc Rev 1858; inscribed: quoe [sic] virtus et quanta sit / vivere parvo [How virtuous, and how great to live with simple things] translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * {'description': 'CMA. Chardin and the Still-Life Tradition in France (1979), 61, 85, 90, figs. 18, 19.', 'opening_date': '1979-01-01T00:00:00'} --- PROVENANCE Decamps sale, Paris, Drouot, 23-24 January 1865 (lots 26, 27), bought by M. Desprez for ff 300, ff 225. His collection sale, Versailles, 17 December 1972 (lot 218), to Georges Martin du Nord at Galerie B. G. Verte, Paris. Sold to Galerie Brame-Lorenceau, Paris. Bought by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980. date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 208-211, Vol. I, no. 76 url: Herring, Sarah. The Nineteenth-Century French Paintings. London : National Gallery Company, 2019. page number: Mentioned and reproduced: pp.132-133, fig. 22 url: Delapierre, Emmanuelle. "Dans la Cuisine de Ribot: le Realisme de l'Objet." In Théodule Ribot, 1823-1891: Une Délicieuse Obscurité. Emmanuelle Delapierre, Luc Georget, Gabriel Weisberg, eds., 58-117. Paris: LienArt, 2021. page number: Mentioned and reproduced: P. 94, fig. 28 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1980.254.2/1980.254.2_web.jpg print: https://openaccess-cdn.clevelandart.org/1980.254.2/1980.254.2_print.jpg full: https://openaccess-cdn.clevelandart.org/1980.254.2/1980.254.2_full.tif