{
    "data": {
        "id": 150047,
        "accession_number": "1980.259",
        "share_license_status": "CC0",
        "tombstone": "Cottage by the River with Washerwomen, 1835. Camille Flers (French, 1802\u20131868). Oil on fabric; unframed: 29.8 x 46.1 cm (11 3/4 x 18 1/8 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.259",
        "current_location": null,
        "title": "Cottage by the River with Washerwomen",
        "creation_date": "1835",
        "creation_date_earliest": 1835,
        "creation_date_latest": 1835,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "oil on fabric",
        "support_materials": [],
        "department": "Modern European Painting and Sculpture",
        "collection": "Mod Euro - Painting 1800-1960",
        "type": "Painting",
        "measurements": "Unframed: 29.8 x 46.1 cm (11 3/4 x 18 1/8 in.)",
        "dimensions": {
            "unframed": {
                "height": 0.298,
                "height_inch": 11,
                "height_inch_fraction": 0.75,
                "width": 0.461,
                "width_inch": 18,
                "width_inch_fraction": 0.125
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Signed lower right: Flers / 1835\r\n",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 304507,
                    "title": "The Realist Tradition: French Painting and Drawing 1830 - 1900",
                    "description": "<i>The Realist Tradition: French Painting and Drawing 1830 - 1900</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 12, 1980-January 18, 1981).",
                    "opening_date": "1980-11-12T05:00:00"
                },
                {
                    "id": 304521,
                    "title": "Year in Review: 1980",
                    "description": "<i>Year in Review: 1980</i>. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
                    "opening_date": "1981-06-24T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Barbizon, Salle des F\u00eates. Barbizon au temps de J.-F. Millet (1849-1875) (1975), no. 178 (repr.), Chaumi\u00e8re au bord d'une rivi\u00e8re avec lavandi\u00e8res, 29.5 x 46.0 cm, signed lower right, Collection Claude Marumo, 215.",
                    "opening_date": "1975-01-01T00:00:00"
                },
                {
                    "description": "CMA; Brooklyn Museum; Saint Louis Art Museum; Glasgow Art Gallery and Museum. The Realist Tradition: French Painting and Drawing (1980-82), no. 154 (repr.) Text by Gabriel P. Weisberg.",
                    "opening_date": "1980-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Galerie Claude Marumo, Paris.  Bought by Mr. and Mrs. Noah L. Butkin, Cleveland, in 1977.  Bequeathed to the CMA in 1980.",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60474580"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1980.259-cottage-by-the-river"
            ]
        },
        "citations": [
            {
                "citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 68, no. 6 (June 1981): 163\u2013219.",
                "page_number": "Mentioned: p. 212, no. 50",
                "url": "http://www.jstor.org/stable/25159730"
            },
            {
                "citation": "Argencourt, Louise d', and Roger Diederen. <em>Catalogue of Paintings</em>. <em>Pt. 4. European Paintings of the 19th Century</em>. Cleveland: Cleveland Museum of Art, 1974.",
                "page_number": "Mentioned and reproduced: P. 272-273, Vol. I, no. 99",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1980.259",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1980.259/1980.259_web.jpg",
                "width": "1263",
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                "filesize": "147203",
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            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1980.259/1980.259_print.jpg",
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        "alternate_images": [
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                "full": {
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                    "width": "7951",
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                    "filesize": "122867980"
                },
                "date_created": "2013-03-28T14:27:10",
                "annotation": ""
            }
        ],
        "creditline": "Bequest of Noah L. Butkin",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 150047,
        "creators": [
            {
                "id": 1715,
                "description": "Camille Flers (French, 1802\u20131868)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Camille Flers, son of the director of a porcelain factory, received his first artistic training from a pastelist named Demarey. He then worked at his father's factory and studied under Pierre Ciceri (1782-1868), who had him paint theater decorations. He was also briefly a student of Joseph Fran\u00e7ois Paris (1784-1871), a landscape painter and friend of his father. Flers took a job as a cook on a boat traveling to Brazil in 1820 and journeyed around South America while taking many odd jobs to earn a living. In 1826 he returned to France and worked again as a porcelain decorator. Flers painted in the countryside during his free time and made his Salon debut in 1831. He exhibited there regularly through 1863, receiving a second-class medal in 1847 and the Legion of Honor in 1849. After his initial Salon success, Flers began to work in Normandy and also became fascinated with the area around Fontainebleau. He was one of the precursors of the Barbizon school, making studies directly from nature and using them for the final compositions he created in the studio.",
                "name_in_original_language": null,
                "birth_year": "1802",
                "death_year": "1868",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1980-12-19T00:00:00",
        "sortable_date": 1835,
        "date_added_to_oa": null,
        "date_text": "1835",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-09-17 11:22:18.067000"
    }
}