{
"data": {
"id": 150075,
"accession_number": "1980.280",
"share_license_status": "CC0",
"tombstone": "Seated African Woman, 1860s. Henri Regnault (French, 1843\u20131871). Oil on fabric; framed: 71.8 x 61.6 x 7.7 cm (28 1/4 x 24 1/4 x 3 1/16 in.); unframed: 57.2 x 47.2 cm (22 1/2 x 18 9/16 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.280",
"current_location": null,
"title": "Seated African Woman",
"creation_date": "1860s",
"creation_date_earliest": 1860,
"creation_date_latest": 1869,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "oil on fabric",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 71.8 x 61.6 x 7.7 cm (28 1/4 x 24 1/4 x 3 1/16 in.); Unframed: 57.2 x 47.2 cm (22 1/2 x 18 9/16 in.)",
"dimensions": {
"framed": {
"height": 0.718,
"width": 0.616,
"depth": 0.077
},
"unframed": {
"height": 0.572,
"width": 0.472
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed lower left: HR [monogram]\r\n",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 304521,
"title": "Year in Review: 1980",
"description": "Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
"opening_date": "1981-06-24T04:00:00"
},
{
"id": 223549,
"title": "Benjamin-Constant and Orientalism During the French Third Republic",
"description": "Benjamin-Constant and Orientalism During the French Third Republic. Mus\u00e9e des Augustins, Toulouse, France (October 4, 2014-January 4, 2015); Montr\u00e9al Museum of Fine Arts, Montreal, Quebec, Canada (organizer) (January 26-May 31, 2015).",
"opening_date": "2014-10-04T00:00:00"
}
],
"legacy": [
{
"description": "CMA. The Artist and the Studio in the Eighteenth and Nineteenth Centuries (1978), no. 28, 52, 54 (repr.).",
"opening_date": "1978-01-01T00:00:00"
},
{
"description": "Mus\u00e9e des Augustins, Toulouse, France (10/4/2014 - 1/4/2015) and Montr\u00e9al Museum of Fine Arts, Quebec (1/26/2015 - 6/7/2015): \"Benjamin-Constant and Orientalism During the French Third Republic\"",
"opening_date": "2014-10-04T00:00:00"
}
]
},
"provenance": [
{
"description": "Paris sale, Drouot, 16 March 1976 (lot 128), \"L'esclave noire, toile 56 x 46, monogramme en bas \u00e0 gauche,\" for ff 2,300. Shepherd Gallery, New York. Bought in August 1976 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
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"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60474633"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1980.280-seated-african-woman"
]
},
"citations": [
{
"citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163\u2013219.",
"page_number": "Mentioned: p. 214, no. 108",
"url": "http://www.jstor.org/stable/25159730"
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 522-524, Vol. II, no. 183",
"url": ""
},
{
"citation": "Bondil, Nathalie, Samuel Montie\u0300ge, Valerie Behiery, and Benjamin-Constant. Benjamin-Constant: Marvels and Mirages of Orientalism. Montreal Museum of Fine Arts; Paris, Frarnce : Hazan, 2014.",
"page_number": "Reproduced: P. 29, fig. 8",
"url": null
}
],
"url": "https://clevelandart.org/art/1980.280",
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"creditline": "Bequest of Noah L. Butkin",
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"athena_id": 150075,
"creators": [
{
"id": 1762,
"description": "Henri Regnault (French, 1843\u20131871)",
"extent": null,
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"role": "artist",
"biography": "The writers who knew him well, such as Henri Cazalis and Arthur Duparc, characterized Henri Regnault as having a fiery temperament, being demanding, but also capable of generosity and compassion. A timid being, respectful of others, was hidden behind a sometimes arrogant facade. Highly athletic, he was an untiring hiker; he swam, hunted, and went horseback riding. He had always made drawings; as a child he drew the animals of the Jardin des Plantes from memory. Once he had completed his classical studies, Regnault had no difficulty in deciding upon his vocation. Seeking advice, his father, Victor Regnault, the famous chemist and physicist, contacted Ingres (q.v.) and Hippolyte Flandrin (1809-1864). At that time Flandrin was very busy painting frescoes at Saint Germain-des-Pr\u00e9s and could not take Regnault on as a student. Thus, Flandrin directed him to the studio of Louis Lamothe (1822-1869), another former student of Ingres.1 Austere and dull, Lamothe knew no better than to assign Regnault the task of drawing after the religious subjects of Raphael (1493-1520), Poussin (1594-1665), and Ingres. Meanwhile, at the \u00c9cole des Beaux-Arts, under Alexandre Cabanel (1823-1889) Regnault was being taught to work after nude models. Neither method suited the young student, who was more interested in color. Nevertheless, even this experience did not thwart his deeply felt calling. \r\nJust at the beginning of a dazzling career, Regnault's life ended tragically when, at the age of twenty-seven, he fell under Prussian fire at Buzenval in 1871.",
"name_in_original_language": null,
"birth_year": "1843",
"death_year": "1871",
"use_in_caption": true,
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"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1980-12-19T00:00:00",
"sortable_date": 1860,
"date_added_to_oa": null,
"date_text": "1860s",
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"is_nazi_era_provenance": true,
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"updated_at": "2026-03-27 00:08:02.640000"
}
}