id: 150087
accession number: 1980.291
share license status: CC0
url: https://clevelandart.org/art/1980.291
updated: 2024-03-26 01:59:46.047000
Combat of a Greek and a Turk, after 1835. Imitator of Horace Vernet (French, 1789–1863). Oil on fabric; unframed: 75 x 55 cm (29 1/2 x 21 5/8 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin 1980.291
title: Combat of a Greek and a Turk
title in original language:
series:
series in original language:
creation date: after 1835
creation date earliest: 1835
creation date latest: 1845
current location:
creditline: Bequest of Noah L. Butkin
copyright:
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culture: France, 19th century
technique: oil on fabric
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Horace Vernet (French, 1789–1863) - artist
Born into a family of artists, Horace Vernet's profession seems to have been inevitable. His father, Carle Vernet (1758-1836), was a painter and lithographer; his grandfathers were Joseph Vernet (1714-1789) and Jean-Michel Moreau the younger (1741-1814), and his uncle the architect Jean-François Chalgrin (1739-1811). While his earliest lessons were given by his father, Vernet also worked in the studio of François-André Vincent (1746-1814) until 1810. The following year Vernet created caricatures for the Journal des dames et des modes, an activity he would continue until 1815. He was first accepted at the Salon in 1812, and his talent so impressed Jérôme Bonaparte that he commissioned an equestrian portrait from Vernet. Throughout his life, he would receive many official commissions for contemporary history paintings. Vernet kept a busy studio that, during the first years of the Restoration, was used as a meeting place for liberals. When some of his paintings were rejected from the 1822 Salon because of their supposed antiroyalist subject matter, Vernet displayed them at his studio, attracting large crowds. Despite the Salon rejection, Vernet was elected to the Institut de France in 1826 and became the director of the Académie de France in Rome two years later, a position he would occupy until 1835. After his return to Paris, Vernet became a professor at the École des Beaux-Arts.
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measurements: Unframed: 75 x 55 cm (29 1/2 x 21 5/8 in.)
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inscriptions:
inscription: Signed lower right: Horace Vernet
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remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1980
opening date: 1981-06-24T04:00:00
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).
title: Animals as Romantic Icons in French Art
opening date: 1986-04-06T04:00:00
Animals as Romantic Icons in French Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 6-July 27, 1986).
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LEGACY EXHIBITIONS
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PROVENANCE
Jan Milner, London. Shepherd Gallery, New York. Bought in February 1974 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
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wall description:
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RELATED WORKS
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CITATIONS
Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.
page number: Mentioned and reproduced: P. 618-621, Vol. II, no. 217
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1980.291/1980.291_web.jpg
print: https://openaccess-cdn.clevelandart.org/1980.291/1980.291_print.jpg
full: https://openaccess-cdn.clevelandart.org/1980.291/1980.291_full.tif