{
"data": {
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"share_license_status": "CC0",
"tombstone": "Combat of a Greek and a Turk, after 1835. Imitator of Horace Vernet (French, 1789\u20131863). Oil on fabric; unframed: 75 x 55 cm (29 1/2 x 21 5/8 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin, 1980.291",
"current_location": null,
"title": "Combat of a Greek and a Turk",
"creation_date": "after 1835",
"creation_date_earliest": 1835,
"creation_date_latest": 1845,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "oil on fabric",
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"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Unframed: 75 x 55 cm (29 1/2 x 21 5/8 in.)",
"dimensions": {
"unframed": {
"height": 0.75,
"height_inch": 29,
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},
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"inscriptions": [
{
"inscription": "Signed lower right: Horace Vernet\r\n",
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"exhibitions": {
"current": [
{
"id": 304521,
"title": "Year in Review: 1980",
"description": "Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).",
"opening_date": "1981-06-24T04:00:00"
},
{
"id": 310015,
"title": "Animals as Romantic Icons in French Art",
"description": "Animals as Romantic Icons in French Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 6-July 27, 1986).",
"opening_date": "1986-04-06T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Jan Milner, London. Shepherd Gallery, New York. Bought in February 1974 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.",
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"external_resources": {
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],
"internet_archive": [
"https://archive.org/details/clevelandart-1980.291-combat-of-a-greek-an"
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},
"citations": [
{
"citation": "Lee, Sherman E. \u201cThe Year in Review for 1980.\u201d The Bulletin of the Cleveland Museum of Art 68, no. 6 (June 1981): 163\u2013219.",
"page_number": "Reproduced: p. 169; Mentioned: p. 213, no. 75",
"url": "http://www.jstor.org/stable/25159730"
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 618-621, Vol. II, no. 217",
"url": ""
}
],
"url": "https://clevelandart.org/art/1980.291",
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"creditline": "Bequest of Noah L. Butkin",
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"id": 1612,
"description": "Horace Vernet (French, 1789\u20131863)",
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"qualifier": "imitator of",
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"biography": "Born into a family of artists, Horace Vernet's profession seems to have been inevitable. His father, Carle Vernet (1758-1836), was a painter and lithographer; his grandfathers were Joseph Vernet (1714-1789) and Jean-Michel Moreau the younger (1741-1814), and his uncle the architect Jean-Fran\u00e7ois Chalgrin (1739-1811). While his earliest lessons were given by his father, Vernet also worked in the studio of Fran\u00e7ois-Andr\u00e9 Vincent (1746-1814) until 1810. The following year Vernet created caricatures for the Journal des dames et des modes, an activity he would continue until 1815. He was first accepted at the Salon in 1812, and his talent so impressed J\u00e9r\u00f4me Bonaparte that he commissioned an equestrian portrait from Vernet. Throughout his life, he would receive many official commissions for contemporary history paintings. Vernet kept a busy studio that, during the first years of the Restoration, was used as a meeting place for liberals. When some of his paintings were rejected from the 1822 Salon because of their supposed antiroyalist subject matter, Vernet displayed them at his studio, attracting large crowds. Despite the Salon rejection, Vernet was elected to the Institut de France in 1826 and became the director of the Acad\u00e9mie de France in Rome two years later, a position he would occupy until 1835. After his return to Paris, Vernet became a professor at the \u00c9cole des Beaux-Arts.",
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"birth_year": "1789",
"death_year": "1863",
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"legal_status": "accessioned",
"accession_date": "1980-12-19T00:00:00",
"sortable_date": 1835,
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"updated_at": "2026-09-17 11:22:18.448000"
}
}