{
"data": {
"id": 150100,
"accession_number": "1980.302",
"share_license_status": "CC0",
"tombstone": "Circus Horses, 1933. Clarence Holbrook Carter (American, 1904\u20132000). Oil on canvas; framed: 75.9 x 101.6 x 2.5 cm (29 7/8 x 40 x 1 in.); unframed: 66 x 91.4 cm (26 x 36 in.). The Cleveland Museum of Art, Gift of Lillian M. Kern, 1980.302",
"current_location": null,
"title": "Circus Horses",
"creation_date": "1933",
"creation_date_earliest": 1933,
"creation_date_latest": 1933,
"artists_tags": [
"May Show",
"Cleveland Institute of Art (alumni)",
"male"
],
"culture": [
"America, Ohio, Cleveland"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "American Painting and Sculpture",
"collection": "American - Cleveland School",
"type": "Painting",
"measurements": "Framed: 75.9 x 101.6 x 2.5 cm (29 7/8 x 40 x 1 in.); Unframed: 66 x 91.4 cm (26 x 36 in.)",
"dimensions": {
"framed": {
"height": 0.759,
"height_inch": 29,
"height_inch_fraction": 0.875,
"width": 1.016,
"width_inch": 40,
"width_inch_fraction": 0.0,
"depth": 0.025,
"depth_inch": 1,
"depth_inch_fraction": 0.0
},
"unframed": {
"height": 0.66,
"height_inch": 26,
"height_inch_fraction": 0.0,
"width": 0.914,
"width_inch": 36,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "signed lower right: Clarence Holbrook Carter 33",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 382025,
"title": "The May Show: 16th Annual Exhibition of Works by Cleveland Artists and Craftsmen",
"description": "The May Show: 16th Annual Exhibition of Works by Cleveland Artists and Craftsmen. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 25-June 3, 1934).",
"opening_date": "1934-04-25T05:00:00"
},
{
"id": 304599,
"title": "The Year in Review for 1981",
"description": "The Year in Review for 1981. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
"opening_date": "1982-02-17T05:00:00"
},
{
"id": 310252,
"title": "Cleveland Art Comes of Age: 1919-1940",
"description": "Cleveland Art Comes of Age: 1919-1940. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 28-September 10, 1989).",
"opening_date": "1989-06-28T04:00:00"
},
{
"id": 219014,
"title": "From Here to Infinity",
"description": "From Here to Infinity. The Cleveland Institute of Art, Cleveland, OH (organizer) (September 7-October 27, 2007).",
"opening_date": "2007-09-07T00:00:00"
},
{
"id": 229012,
"title": "Sawdust and Spectacle: Under the Big Top in Small Town America",
"description": "Sawdust and Spectacle: Under the Big Top in Small Town America. Southern Ohio Museum, Portsmouth, OH (organizer) (October 17, 2009-January 6, 2010); Riffe Gallery, Columbus, OH (February 4-April 18, 2010); Massillon Museum, Massillon, OH (May 15-August 15, 2010).",
"opening_date": "2009-10-17T00:00:00"
}
],
"legacy": [
{
"description": "Cleveland, Cleveland Museum of Art, Annual Exhibition of Cleveland Artists (May 1929)",
"opening_date": "1929-05-01T00:00:00"
},
{
"description": "Syracuse, NY, Syracuse Museum of Fine Arts, 6th Traveling Exhibition of Oils by Cleveland Artists, (December 1934); see article in Syracuse American; article would suggest that the show traveled, but other venues are unknown.",
"opening_date": "1934-12-01T00:00:00"
}
]
},
"provenance": [
{
"description": "Clarence H. Carter; Lillian M. Kern, Cleveland Heights, purchased from the artist",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "White is the preferred color for circus horses, due in part to its greater visibility in darkened, spotlighted spaces.",
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60474690"
],
"internet_archive": []
},
"citations": [
{
"citation": "Clarence Holbrook Carter Entry Card to 1934 May Show. Cleveland Museum of Art May Show Records, Cleveland Museum of Art Archives.",
"page_number": null,
"url": "https://archive.org/details/CMAMS03171"
}
],
"url": "https://clevelandart.org/art/1980.302",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1980.302/1980.302_web.jpg",
"width": "1234",
"height": "893",
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"print": {
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},
"alternate_images": [],
"creditline": "Gift of Lillian M. Kern",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 150100,
"creators": [
{
"id": 9325,
"description": "Clarence Holbrook Carter (American, 1904\u20132000)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "One of Cleveland\u2019s most imaginative interpreters of the American scene, Clarence Carter was born in Portsmouth, Ohio, and developed a love of drawing at an early age. Encouraged by his family, he took private watercolor lessons and won art prizes in county and state fairs in his early teens. He studied with William Eastman, Henry Keller, and Paul Travis at the Cleveland School of Art, 1923\u201327. He exhibited in the annual May Shows at the Cleveland Museum of Art (1927\u201339). In 1927 William Milliken, then curator of paintings at the art museum, organized a subscription scholarship to allow Carter two years of travel through Italy, Switzerland, England, and France. In the summer of 1927 he studied in Capri with Hans Hofmann. On returning to Cleveland in 1929, Carter had his first solo exhibition at the Cleveland Art Center. He taught studio classes at the Cleveland Museum of Art, 1930\u201337. In 1934, under the auspices of the Public Works of Art Project, the first of the New Deal art programs, Carter was commissioned to paint two murals for Cleveland Public Auditorium. For a subsequent governmental art program, the Works Progress Administration, he served as a district supervisor for painting projects in north east Ohio. After 1935 he completed two federal mural commissions: one for the post office in Ravenna, Ohio, and another for the post office in his hometown. In 1938 he moved to Pittsburgh to teach at the Carnegie Institute of Technology (now Carnegie-Mellon University). During the 1930s and 1940s he showed in annual exhibitions in Philadelphia, New York City, Chicago, and Washington, D.C.
Transformations in Cleveland Art (CMA, 1996), p. 224",
"name_in_original_language": null,
"birth_year": "1904",
"death_year": "2000",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1981-03-09T00:00:00",
"sortable_date": 1933,
"date_added_to_oa": null,
"date_text": "1933",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-07-22 20:45:39.470000"
}
}