id: 150112
accession number: 1980.34
share license status: Copyrighted
url: https://clevelandart.org/art/1980.34
updated: 2024-03-26 01:59:46.167000
Chez Mondrian, 1926 (printed 1980). André Kertész (American, 1894–1985). Gelatin silver print; image: 24.7 x 18.9 cm (9 3/4 x 7 7/16 in.); paper: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.). The Cleveland Museum of Art, James Parmelee Fund 1980.34 © Estate of A. Kertesz
title: Chez Mondrian
title in original language:
series:
series in original language:
creation date: 1926 (printed 1980)
creation date earliest: 1926
creation date latest: 1980
current location:
creditline: James Parmelee Fund
copyright: © Estate of A. Kertesz
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culture: America, 20th century
technique: gelatin silver print
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* André Kertész (American, 1894–1985) - artist
André Kertész American, b. Austria-Hungary, 1894-1985 André Kertész was one of the first photographers to work with the small, 35mm camera, becoming famous for his skill at capturing the fleeting moments of everyday life. In 1911 he bought his first camera and began taking photographs in his native Budapest and the surrounding countryside. The following year, after graduating from Budapest's Academy of Commerce, Kertész took a job as a clerk at the Budapest stock exchange. His interest in photography continued, and he began making spontaneous photographic studies of the city's people and street life. Kertész also took photographs recording the daily life of his fellow soldiers during his service in the Austro-Hungarian army during World War I. After his discharge in 1918, he returned to Budapest and worked there until 1925. He moved to Paris, establishing himself as a freelance photographer, and soon became a member of the avant-garde. His work was published in a variety of magazines and newspapers, including the Münchner Illustrierte Presse, Berliner Illustrierte Zeitung, Uhu, Vu, the London Sunday Times, and L'Esprit nouveau. In 1927 he had his first exhibition at the progressive Galerie au Sacre du Printemps and two years later took part in the Film und Foto show in Stuttgart. Kertész became known for his candid photography and was recognized as a leader in modern, subjective photojournalism. In the early 1930s he also made his well-known series called Distortions, featuring almost 200 studies of the nude female figure reflected in a parabolic mirror. In 1936 Kertész came to New York to work for Keystone Studios under a one-year contract. He remained in the city, producing pictures on a freelance basis until joining the staff of Condé Nast Publications in 1949. Following his retirement in 1962, Kertész focused on his own work, remaining active as a photographer until his death. Over the years he published a number of books and was featured in many exhibitions and publications, including André Kertész: Of Paris and New York, a major show organized by the Art Institute of Chicago and the Metropolitan Museum of Art, New York (1985). M.M.
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measurements: Image: 24.7 x 18.9 cm (9 3/4 x 7 7/16 in.); Paper: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in.); Matted: 45.7 x 35.6 cm (18 x 14 in.)
state of the work:
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inscriptions:
inscription: Written in pencil on verso: "Mondrian's Studio"; "A: Kertesz [signed] / 1926 / Jan 3-1980"
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1980
opening date: 1981-06-24T04:00:00
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).
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LEGACY EXHIBITIONS
* {'description': 'Chicago, Edwynn Houk Gallery, May 3 - June 29, 1985: "Andre Kertesz: Vintage Photographs," repr. as cover of catalogue.', 'opening_date': '1985-05-03T00:00:00'}
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PROVENANCE
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 208
url:
Franklin, Stuart. "Crooked Timber: W. Eugene Smith, Josef Sudek, and Humanist Photography." Harper's 329, no. 1975 (December 2014): 69-75.
page number: 73
url:
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IMAGES