id: 150508 accession number: 1981.64 share license status: CC0 url: https://clevelandart.org/art/1981.64 updated: 2024-03-26 01:59:47.885000 The River, 1902. Maxime Maufra (French, 1861–1918). Oil on fabric; unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.). The Cleveland Museum of Art, Gift of Lewis C. Williams 1981.64 title: The River title in original language: series: series in original language: creation date: 1902 creation date earliest: 1902 creation date latest: 1902 current location: creditline: Gift of Lewis C. Williams copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Maxime Maufra (French, 1861–1918) - artist Maxime Maufra, taught by local artists, began painting in his hometown of Nantes. It was not until 1883, after having returned from Great Britain, where he had discovered the Old Masters and the English painters Thomas Gainsborough (1727-1788), Constable (q.v.), and Turner (q.v.), that Maufra gave up a business career and began to devote himself entirely to painting. Three years later he exhibited two landscapes at the 1886 Paris Salon to critical acclaim. He then traveled throughout Normandy and Brittany painting seascapes and landscapes and settled in Paris in 1892, returning every year to Brittany. It was during a visit in Pont-Aven in 1890 that he met Gauguin (q.v.) and Paul Sérusier (1864-1927). The work of these artists overshadowed the influence he had undergone from such painters as Pissarro (q.v.) and Sisley (q.v.). By 1890 he was greatly affected by synthetism, the style invented by Émile Bernard (1868-1941) and developed by Gauguin, that translates forms into flat colored planes arranged in a decorative pattern. This style is most apparent in Maufra's prints and drawings. In 1894 Le Barc de Bouteville held an exhibition of Maufra's work, and the dealer Durand-Ruel supported his artistic career until the end. --- measurements: Unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed lower right: Maufra 02 translation: remark: --- CURRENT EXHIBITIONS title: The Year in Review for 1981 opening date: 1982-02-17T05:00:00 The Year in Review for 1981. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). --- LEGACY EXHIBITIONS * {'description': 'New York, Durand-Ruel. Exposition of Maxime Maufra (1896), no. 10, Les falaises de Bec au Fry [sic], St. Jean-du-Doigt.', 'opening_date': None} --- PROVENANCE Given by Maufra to the Victor Vignon sale, Paris, Drouot, 4 June 1903 (lot 12),. date: footnotes: citations: Bought by Galerie Durand-Ruel, Paris (stock number 7393). date: footnotes: citations: Sold to Desmond Fitzgerald, Brookline, MA, 9 March 1922. date: footnotes: citations: American Art Gallery sale, New York, 21-22 April 1927 (lot 88), to Kraushaar Galleries., New York. date: footnotes: citations: Purchased by Lewis C. Williams, Cleveland. date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974. page number: Mentioned and reproduced: P. 424-425, Vol. II, no. 147 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1981.64/1981.64_web.jpg print: https://openaccess-cdn.clevelandart.org/1981.64/1981.64_print.jpg full: https://openaccess-cdn.clevelandart.org/1981.64/1981.64_full.tif