{
"data": {
"id": 150696,
"accession_number": "1982.127",
"share_license_status": "CC0",
"tombstone": "Crucified Christ, c. 1500. Severo da Ravenna (Italian, c.1496-c.1543). Bronze; overall: 28.6 x 23.5 x 5.5 cm (11 1/4 x 9 1/4 x 2 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1982.127",
"current_location": "117A Italian Renaissance",
"title": "Crucified Christ",
"creation_date": "c. 1500",
"creation_date_earliest": 1495,
"creation_date_latest": 1505,
"artists_tags": [
"male"
],
"culture": [
"Italy, Ravenna, 16th century"
],
"technique": "bronze",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "Sculpture",
"type": "Sculpture",
"measurements": "Overall: 28.6 x 23.5 x 5.5 cm (11 1/4 x 9 1/4 x 2 3/16 in.)",
"dimensions": {
"overall": {
"height": 0.286,
"width": 0.235,
"depth": 0.055
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 309644,
"title": "The Year in Review for 1982",
"description": "The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983).",
"opening_date": "1983-01-05T05:00:00"
},
{
"id": 223837,
"title": "Donatello e il suo tempo",
"description": "Donatello e il suo tempo. Palazzo della Ragione, Padova (March 24-July 15, 2001).",
"opening_date": "2001-04-08T00:00:00"
}
],
"legacy": [
{
"description": "Padova, Italy: Organizer: Comune di Padova, venue: Palazzo delle Ragione (4/8 - 7/15/01) \"Donatello e il suo tempo\" exh. cat. no. 27, pp 146-147, p. 222, description, p. 226.",
"opening_date": "2001-07-15T00:00:00"
}
]
},
"provenance": [
{
"description": "Sold, Christie's, London, July 8, 1981, no. 342, to Paul Roseberg & Co.",
"citations": [],
"footnotes": null,
"date": null,
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},
{
"description": "Paul Rosenberg & Co. (New York, New York), sold to the Cleveland Museum of Art, 1982.",
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"footnotes": null,
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],
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"description": "The highly finished surface of this sculpture, including the back, suggests it belonged to a refined collector. Small sculptures would often be held to admire details such as the strands of hair streaming onto Christ\u2019s shoulders, the prominent veins in his forearms, and the intricate knotted cloth at his side.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60779819"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1982.127-crucified-christ"
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"citations": [
{
"citation": "Lee, Sherman E. \u201cYear in Review for 1982.\u201d The Bulletin of the Cleveland Museum of Art 70, no. 1 (January 1983): 3\u201355.",
"page_number": "Mentioned: p. 50, no. 9; reproduced: p. 8",
"url": "http://www.jstor.org/stable/25159799"
},
{
"citation": "Winter, Patrick M. de. \u201cRecent Accessions of Italian Renaissance Decorative Arts, Part I: Incorporating Notes on the Sculptor Severo Da Ravenna.\u201d The Bulletin of the Cleveland Museum of Art 73, no. 3 (March 1986): 74\u2013138.",
"page_number": "Mentioned and reproduced: p. 88-89, fig. 27",
"url": "http://www.jstor.org/stable/25159934"
},
{
"citation": "Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.",
"page_number": "Mentioned and reproduced: P. 172",
"url": ""
}
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"updated_at": "2026-03-27 00:09:18.314000"
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