id:			150974
accession number:	1982.373.b
share license status:	Copyrighted
url:			https://clevelandart.org/art/1982.373.b
updated:		2024-03-26 01:59:49.914000

Female Head in Profile (verso), 1913–1915. Constantin Brancusi (Romanian, 1876–1957). Green crayon; The Cleveland Museum of Art, Gift of Mr. and Mrs. Frank H. Porter 1982.373.b © Artists Rights Society (ARS), New York

title:				Female Head in Profile (verso)
title in original language:	
series:				
series in original language:	
creation date:			1913–1915
creation date earliest:		1913
creation date latest:		1915
current location:		
creditline:			Gift of Mr. and Mrs. Frank H. Porter
copyright:			© Artists Rights Society (ARS), New York

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culture:	France, 20th century
technique:	green crayon
department:	Drawings
collection:	DR - French
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Constantin Brancusi (Romanian, 1876–1957)  - artist
Constantin Brancusi Romanian, 1876-1957 Constantin Brancusi was one of the outstanding sculptors of the 20th century. The Romanian-born artist also was actively engaged in making photographs of his sculpture throughout much of his career, creating images that fall into two main categories: views of his studio and pictures of single works. Following studies at the School of Arts and Crafts in Craiova, the National School of Fine Arts in Bucharest, and the École Nationale des Beaux-Arts in Paris, Brancusi began exhibiting his sculpture in Paris in 1906. It is not known when he first began to photograph his pieces. However, by 1921 he was interested in improving his photographic skills and asked Man Ray for technical advice, as well as for suggestions for buying equipment and setting up a darkroom. Brancusi used photography not only to document his sculpture, but also to promote it. He would make sets of photographs showing front, back, and side views of a piece that could be sent to prospective buyers outside Paris. Although Alfred Stieglitz and Edward Steichen, among others, also photographed his sculpture, Brancusi felt that only he could produce images that did justice to his work. Making his own photographs also allowed him to present his sculpture as he wanted it to be seen. Well aware of the influence of light, Brancusi often experimented with lighting effects to emphasize the dynamic qualities of a piece. When he died in 1957, more than 550 negatives and 1,000 prints were found in his studio. In addition to a Brancusi photograph, the Cleveland Museum of Art's collection includes one of his sculptures. M.M.
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	inscription:	upper right: in graphite:  12 / __ / 7  ;  left of lower center, in graphite:  Harvey[?]
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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Kathleen Dudley
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	Roland, Browse & Delbanco, London
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	Frank Porter, Cleveland
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	Kathleen Dudley; (Roland, Browse & Delbanco, London); Frank Porter, Cleveland
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RELATED WORKS

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CITATIONS

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IMAGES