{
"data": {
"id": 151001,
"accession_number": "1982.5",
"share_license_status": "CC0",
"tombstone": "Chair, c. 1880. Herter Brothers (American). Ebonized cherry and other woods; overall: 84.5 x 40.7 x 46 cm (33 1/4 x 16 x 18 1/8 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1982.5",
"current_location": "208 American Gilded Age and Realism",
"title": "Chair",
"creation_date": "c. 1880",
"creation_date_earliest": 1875,
"creation_date_latest": 1885,
"artists_tags": [
"male"
],
"culture": [
"America, New York"
],
"technique": "ebonized cherry and other woods",
"support_materials": [],
"department": "Decorative Art and Design",
"collection": "Furniture",
"type": "Furniture and woodwork",
"measurements": "Overall: 84.5 x 40.7 x 46 cm (33 1/4 x 16 x 18 1/8 in.)",
"dimensions": {
"overall": {
"height": 0.845,
"height_inch": 33,
"height_inch_fraction": 0.25,
"width": 0.407,
"width_inch": 16,
"width_inch_fraction": 0.0,
"depth": 0.46,
"depth_inch": 18,
"depth_inch_fraction": 0.125
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 309644,
"title": "The Year in Review for 1982",
"description": "The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983).",
"opening_date": "1983-01-05T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Private collection, Connecticut. (Lyndhurst Corporation, New York).",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "In the 1870s, the furniture made by the Herter firm was influenced by Japanese style, as seen in the marquetry at the top of this chair. It closely resembles one that was supplied for use in the Red Room of the White House in the redecoration of 1882\u201383.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60755753"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1982.5-chair"
]
},
"citations": [
{
"citation": "Hawley, Henry. \u201cFour Pieces of American Furniture.\u201d The Bulletin of the Cleveland Museum of Art 69, no. 10 (December 1982): 324\u2013339.",
"page_number": "Mentioned and reproduced: p. 330-332, fig. 9",
"url": "http://www.jstor.org/stable/25159796"
},
{
"citation": "Lee, Sherman E. \u201cYear in Review for 1982.\u201d The Bulletin of the Cleveland Museum of Art 70, no. 1 (January 1983): 3\u201355.",
"page_number": "Reproduced: p. 17; Mentioned: p. 51, no. 28",
"url": "http://www.jstor.org/stable/25159799"
}
],
"url": "https://clevelandart.org/art/1982.5",
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"date_created": "2014-09-29T12:41:50",
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"date_created": "2014-09-29T12:52:07",
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],
"creditline": "Norman O. Stone and Ella A. Stone Memorial Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": "The Cleveland Foundation Gallery",
"athena_id": 151001,
"creators": [
{
"id": 5819,
"description": "Herter Brothers (American)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Christian Herter (1840-83). Born in Stuttgart. He studied at the \u00c9cole des Beaux Arts in Paris before joining his elder half-brother Gustave (1830-98) in New York in 1860. Gustave had been there since 1848 and had worked for Tiffany before founding his own furniture and decorations firm in 1857. In 1864 Christian returned to Paris to study under Pierre-Victor Gallard (1822-92) and in the early 1870s he was in England. Herter Brothers became a leading New York furniture and decorating business in the 1870s and 1880s, being one of the first to abandon the usual run of historical styles and produce pieces rather similar to those made contemporaneously in England, with a discreet use of oriental motifs. Marquetry furniture like that made for the railroad magnate Jay Gould in 1877-82 or the luxurious gilt and inlaid furniture made for the William H. Vanderbuilt House, NY, c. 1882 is typical of the more extravagant type of aesthetic movement in the US. He employed a large staff of craftsmen and designers, the latter including the architect Charles B. Atwood (1849-95). The firm survived until 1906.",
"name_in_original_language": null,
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1982-03-08T00:00:00",
"sortable_date": 1875,
"date_added_to_oa": null,
"date_text": "c. 1880",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 07:47:52.249000"
}
}