{
    "data": {
        "id": 151807,
        "accession_number": "1984.14",
        "share_license_status": "CC0",
        "tombstone": "The Judgment of Paris, 1602. Joachim Anthoniz Wtewael (Dutch, 1566\u20131638). Oil on copper; framed: 25.5 x 30.5 x 3 cm (10 1/16 x 12 x 1 3/16 in.); unframed: 15.4 x 20.5 cm (6 1/16 x 8 1/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1984.14",
        "current_location": "213 Dutch Painting",
        "title": "The Judgment of Paris",
        "creation_date": "1602",
        "creation_date_earliest": 1602,
        "creation_date_latest": 1602,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Netherlands"
        ],
        "technique": "oil on copper",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - Netherlandish-Dutch",
        "type": "Painting",
        "measurements": "Framed: 25.5 x 30.5 x 3 cm (10 1/16 x 12 x 1 3/16 in.); Unframed: 15.4 x 20.5 cm (6 1/16 x 8 1/16 in.)",
        "dimensions": {
            "framed": {
                "height": 0.255,
                "height_inch": 10,
                "height_inch_fraction": 0.0625,
                "width": 0.305,
                "width_inch": 12,
                "width_inch_fraction": 0.0,
                "depth": 0.03,
                "depth_inch": 1,
                "depth_inch_fraction": 0.1875
            },
            "unframed": {
                "height": 0.154,
                "height_inch": 6,
                "height_inch_fraction": 0.0625,
                "width": 0.205,
                "width_inch": 8,
                "width_inch_fraction": 0.0625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "signed lower left:  IO. WTE / WAEL. FE / 1602 [TE, AE in monogram]",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 309849,
                    "title": "Year in Review for 1984",
                    "description": "<i>Year in Review for 1984</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985).",
                    "opening_date": "1985-04-03T05:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "The Cleveland Museum of Art, Cleveland, Ohio",
                "citations": [],
                "footnotes": [],
                "date": "1984-",
                "sortorder": 1
            },
            {
                "description": "(Harari & Johns, London, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": [],
                "date": "At least 1982-1984",
                "sortorder": 2
            },
            {
                "description": "Private collection, England?",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Anne W. Lowenthal\u2019s 1986 catalogue raisonn\u00e9 indicates that the painting had been in an English private collection prior to Harari &amp; Johns.&nbsp; However, the Harari &amp; Johns file on this painting makes no reference to an English private collection.</div>"
                ],
                "date": null,
                "sortorder": 3
            },
            {
                "description": "Probably the Marques de Fuente Hermosa, Spain",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->he records of Harari &amp; Johns indicate that the painting was originally in the collection of the Marques de Fuente Hermosa in the late 17th century.&nbsp; However, the title was not created until 1761, and thus this cannot have been the case.&nbsp; Additionally, as the painting was executed by Wtewael in 1602, the Marques de Fuente Hermosa could not have been the original owner.&nbsp; Research into documentation confirming that the painting was in this collection is ongoing.&nbsp; There are multiple early auction appearances of paintings of this subject by Wtewael, but none list the Marques de Fuente Hermosa as buyer or seller.&nbsp; In any event, it is difficult to identify the CMA painting with certainty in these auctions because there are at least six identified versions and copies of the painting.&nbsp; The Fuente de Hermosa collection is likely the Spanish private collection mentioned in CMA\u2019s file on the painting. &nbsp;</div>"
                ],
                "date": "After 1761-?",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The artist dated and signed this work on a rock at the bottom right of the painting.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The Trojan prince Paris was asked to determine which goddess was the most beautiful. Hera (tothe left of the group) offered him political power, and Athena (seen from the back), military prowess, but Paris awarded the golden apple to Venus, the goddess of love, who promised him Helen, the most beautiful mortal in the world.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60475285"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1984.14-the-judgment-of-pari"
            ]
        },
        "citations": [
            {
                "citation": "Lowenthal, Anne W. <em>Joachim Wtewael and Dutch Mannerism</em>. Doornspijk, The Netherlands: Davaco, 1986.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Turner, Evan H. \"The Year in Review for 1984.\" <em>The Bulletin of the Cleveland Museum of Art</em> 72, no. 2 (1985): 163-207.",
                "page_number": "Referenced: cat. no. 22, p. 201, Reproduced: p. 190",
                "url": "http://www.jstor.org/stable/25159897."
            },
            {
                "citation": "\"1993 Annual Report.\" <em>The Bulletin of the Cleveland Museum of Art</em> 81, no. 6 (1994): 143-218.",
                "page_number": "Mentioned: p. 170",
                "url": "https://www.jstor.org/stable/25161457"
            },
            {
                "citation": "Chong, Alan, \"Beauty Revealed\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 35 no. 01, January 1995",
                "page_number": "Mentioned & reproduced: 8-9",
                "url": "https://archive.org/details/CMAMM1995-01/page/n7"
            }
        ],
        "url": "https://clevelandart.org/art/1984.14",
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        "creditline": "Mr. and Mrs. William H. Marlatt Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "The Harold C. Schott Foundation Gallery",
        "athena_id": 151807,
        "creators": [
            {
                "id": 2838,
                "description": "Joachim Anthoniz Wtewael (Dutch, 1566\u20131638)",
                "extent": null,
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                "birth_year": "1566",
                "death_year": "1638",
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                "weight": 1
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        ],
        "legal_status": "accessioned",
        "accession_date": "1984-03-26T00:00:00",
        "sortable_date": 1602,
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        "date_text": "1602",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 07:50:22.059000"
    }
}