id: 151837 accession number: 1984.163 share license status: CC0 url: https://clevelandart.org/art/1984.163 updated: 2024-03-26 01:59:53.152000 A Scene in York, 1845. William Henry Fox Talbot (British, 1800–1877). Salted paper print from calotype negative; image: 16.1 x 20.3 cm (6 5/16 x 8 in.); paper: 18.5 x 22.5 cm (7 5/16 x 8 7/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund 1984.163 title: A Scene in York title in original language: series: series in original language: creation date: 1845 creation date earliest: 1845 creation date latest: 1845 current location: creditline: John L. Severance Fund copyright: --- culture: England, 19th century technique: salted paper print from calotype negative department: Photography collection: PH - British 19th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * William Henry Fox Talbot (British, 1800–1877) - artist William Henry Fox Talbot British, 1800-1877 Born in Melbury, Dorset, Fox Talbot was a gentleman of the 19th century who, like many others of his class, pursued leisure activities in the arts and sciences. He experimented with means for capturing permanently the elusive images formed on paper by the camera obscura, an instrument used as a drawing aid. After several years of varying results, Talbot successfully devised a process that chemically recorded the image made by light on a piece of paper. On February 21, 1839, one month after the announcement of Louis-Jacques-Mandé Daguerre's photographic process, Talbot presented his experiments to the Royal Society in London. Talbot's process differed greatly from that of Daguerre. Unlike the daguerreotype's sharply detailed image, the calotype, or Talbotype, was softly blurred; yet because the positive image was made from a negative, it had the advantage of multiple reproduction. This formed the basis of conventional photography. A graduate of Trinity College, Cambridge, Talbot was a man of scholarly and scientific bent whose interests included optics and botany. Before his work in photography, he also had published on mathematics and linguistics. He later played an important role in the deciphering of Assyrian and other cuneiform inscriptions of interest to biblical scholars. Talbot was made a Fellow of the Royal Society at age 32. He is credited with the first photographic negative, which still exists, a view of a set of windows at his home, Lacock Abbey. He invented a form of engraving that was a forerunner of photogravure, as well as other innovations in the quickly growing art form for which he was largely responsible. Talbot's The Pencil of Nature (1844-46) and Sun Pictures in Scotland (1845) are two of the earliest photographically illustrated books. T.W.F. --- measurements: Image: 16.1 x 20.3 cm (6 5/16 x 8 in.); Paper: 18.5 x 22.5 cm (7 5/16 x 8 7/8 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in pencil on verso: "426" translation: remark: --- CURRENT EXHIBITIONS title: Year in Review for 1984 opening date: 1985-04-03T05:00:00 Year in Review for 1984. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985). title: Legacy of Light: Seven Masters in Depth opening date: 1996-11-20T05:00:00 Legacy of Light: Seven Masters in Depth. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20-February 2, 1996). --- LEGACY EXHIBITIONS * {'description': 'CMA, April 3 - May 5, 1985: "Year in Review 1984," CMA Bulletin, 72 (April 1985) p. 202, no. 71, repr. p. 184', 'opening_date': '1985-04-03T00:00:00'} * {'description': 'CMA, July 10 - August 19, 1990: "The Camera, " Classroom Level, no exhibition catalogue.', 'opening_date': '1990-07-10T00:00:00'} * {'description': 'CMA, November 20,1996 - February 2, 1997: "Legacy of Light: Seven Masters in Depth."', 'opening_date': '1997-02-02T00:00:00'} --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 355 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1984.163/1984.163_web.jpg print: https://openaccess-cdn.clevelandart.org/1984.163/1984.163_print.jpg full: https://openaccess-cdn.clevelandart.org/1984.163/1984.163_full.tif