{
"data": {
"id": 151843,
"accession_number": "1984.169",
"share_license_status": "Copyrighted",
"tombstone": "Church at \"E\" Town, New Mexico, 1933. Edward Weston (American, 1886\u20131958). Vintage gelatin silver print; image: 19.1 x 24.1 cm (7 1/2 x 9 1/2 in.); matted: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, John L. Severance Fund, 1984.169. \u00a9 Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York",
"current_location": null,
"title": "Church at \"E\" Town, New Mexico",
"creation_date": "1933",
"creation_date_earliest": 1933,
"creation_date_latest": 1933,
"artists_tags": [
"male"
],
"culture": [
"America"
],
"technique": "Vintage gelatin silver print",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 1900-1950",
"type": "Photograph",
"measurements": "Image: 19.1 x 24.1 cm (7 1/2 x 9 1/2 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.)",
"dimensions": {
"image": {
"height": 0.191,
"height_inch": 7,
"height_inch_fraction": 0.5,
"width": 0.241,
"width_inch": 9,
"width_inch_fraction": 0.5
},
"matted": {
"height": 0.406,
"height_inch": 16,
"height_inch_fraction": 0.0,
"width": 0.508,
"width_inch": 20,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": "\u00a9 Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York",
"inscriptions": [
{
"inscription": "Written in pencil on recto: \"9-50 Edward Weston [signed] 1933\"; in pencil on verso: \"Church at \"E\" Town / New Mexico\"; \"34-A\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 309849,
"title": "Year in Review for 1984",
"description": "Year in Review for 1984. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985).",
"opening_date": "1985-04-03T05:00:00"
},
{
"id": 310243,
"title": "The Precisionist Aesthetic in American Art",
"description": "The Precisionist Aesthetic in American Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-April 9, 1989).",
"opening_date": "1989-01-24T05:00:00"
},
{
"id": 311875,
"title": "Legacy of Light: Master Photographs from the Cleveland Museum of Art",
"description": "Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997).",
"opening_date": "1996-11-24T05:00:00"
},
{
"id": 194095,
"title": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art",
"description": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).",
"opening_date": "2007-06-24T00:00:00"
}
],
"legacy": [
{
"description": "CMA, April 3 - May 5, 1985: \"Year in Review 1984,\" CMA Bulletin, 72 (April 1985), p. 202, no. 75.",
"opening_date": "1985-04-03T00:00:00"
},
{
"description": "CMA, January 24 - April 9, 1989: \"The Precisionist Aesthetic in American Art.\"",
"opening_date": "1989-01-24T00:00:00"
},
{
"description": "CMA, November 20,1996 - February 2, 1997: \"Legacy of Light: Master Photographs from the Cleveland Museum of Art.\"",
"opening_date": "1997-02-02T00:00:00"
},
{
"description": "The Cleveland Museum of Art (6/24/07 - 9/16/07); \"Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art\", no exhibition catalogue.",
"opening_date": "2007-06-24T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "Working slowly and patiently with large-format equipment, Edward Weston rejected the excitement of the fleeting moment to pursue the timeless and essential truths. For the most part, Weston selected his subjects from the surroundings of his daily life, working only with things or people that moved him powerfully and directly. He discovered the significance and grandeur in commonplace objects. Unifying a concern for objective reality with subjective response and aesthetic control, Weston's work exemplified a major approach to photography, and became a powerful influence on subsequent generations. In June 1933, he took a two-week trip to New Mexico, and while in Elizabethtown was inspired by the cloud-filled sky and gently rolling hills. Weston once observed that in New Mexico \"the heavens and earth become one.\"",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60781140"
],
"internet_archive": []
},
"citations": [
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 373",
"url": ""
}
],
"url": "https://clevelandart.org/art/1984.169",
"images": {},
"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 151843,
"creators": [
{
"id": 1082,
"description": "Edward Weston (American, 1886\u20131958)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Edward Weston American, 1886-1958 Edward Weston was one of the most influential proponents of straight photography in America. Born in Highland Park, Illinois, he made his first photographs in 1902 with a Kodak camera given to him by his father. Four years later he settled in California, supporting himself as a portrait photographer. After attending the Illinois College of Photography, he opened a studio in Tropico (now Glendale), California, in 1911. Initially, Weston made photographs in the soft-focus pictorial style. In the early 1920s, however, his work began to become more sharply focused, with a greater emphasis on form and composition. Among the earliest examples of this new approach are his 1922 photographs of the Armco steel mill in Middletown, Ohio. Over the next few years he continued to experiment with this new style, working in Mexico and then San Francisco. A master of lighting and composition, Weston began a series of closeup studies of shells and vegetables in 1927, creating the clearly focused, detailed images for which he became famous. In 1932 Weston joined Ansel Adams, Willard Van Dyke, Imogen Cunningham, and others in founding Group f/64, which advocated straight, unmanipulated photography. Five years later he received the first fellowship awarded to a photographer by the John Simon Guggenheim Memorial Foundation. The fellowship was renewed in 1938 and allowed Weston to travel and photograph throughout California and the western United States. Working slowly and methodically with large-format cameras, Weston continued to produce sharply focused contact prints until 1948, when Parkinson's disease forced him to give up photography. In subsequent years Weston's sons, Brett and Cole, worked under his supervision to make prints from his negatives. M.M.",
"name_in_original_language": null,
"birth_year": "1886",
"death_year": "1958",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1984-12-05T00:00:00",
"sortable_date": 1933,
"date_added_to_oa": null,
"date_text": "1933",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-01 06:51:13.264000"
}
}