{
"data": {
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"accession_number": "1984.175",
"share_license_status": "CC0",
"tombstone": "The Waterfalls at Tivoli, 1737. Claude-Joseph Vernet (French, 1714\u20131789). Oil on canvas; framed: 142.5 x 192.5 x 9 cm (56 1/8 x 75 13/16 x 3 9/16 in.); unframed: 123.2 x 172.6 cm (48 1/2 x 67 15/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1984.175",
"current_location": "216B French and German",
"title": "The Waterfalls at Tivoli",
"creation_date": "1737",
"creation_date_earliest": 1737,
"creation_date_latest": 1737,
"artists_tags": [
"male"
],
"culture": [
"France"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - French 18th Century",
"type": "Painting",
"measurements": "Framed: 142.5 x 192.5 x 9 cm (56 1/8 x 75 13/16 x 3 9/16 in.); Unframed: 123.2 x 172.6 cm (48 1/2 x 67 15/16 in.)",
"dimensions": {
"framed": {
"height": 1.425,
"height_inch": 56,
"height_inch_fraction": 0.125,
"width": 1.925,
"width_inch": 75,
"width_inch_fraction": 0.8125,
"depth": 0.09,
"depth_inch": 3,
"depth_inch_fraction": 0.5625
},
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"height": 1.232,
"height_inch": 48,
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"width": 1.726,
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"width_inch_fraction": 0.9375
}
},
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"inscriptions": [
{
"inscription": "Signed lower left: \"fait a Rome par J. Vernet\"",
"inscription_translation": null,
"inscription_remark": null,
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],
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"current": [
{
"id": 309849,
"title": "Year in Review for 1984",
"description": "Year in Review for 1984. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985).",
"opening_date": "1985-04-03T05:00:00"
}
],
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},
"provenance": [
{
"description": "Prince Lucien Bonaparte (1775-1840), Ludlow, England",
"citations": [],
"footnotes": null,
"date": "-1812",
"sortorder": null
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{
"description": "William Buchanan",
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"footnotes": null,
"date": "By 1815",
"sortorder": null
},
{
"description": "Sale: Lapeyri\u00e8re, Paris, France, March 14, 1825",
"citations": [],
"footnotes": null,
"date": "March 14, 1825",
"sortorder": null
},
{
"description": "Boursault, sold, Paris, May 1832, through H. Artaria to Edmund Higginson",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
},
{
"description": "Edmund Higginson, 1802 - 1871 (Saltmarshe Castle, England) (sold, London, June 4-6, 1846)",
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"footnotes": null,
"date": "1832-1846",
"sortorder": null
},
{
"description": "Lord Charles Vere Townshend, 1785 - 1853, upon his death, held in trust by the estate",
"citations": [],
"footnotes": null,
"date": "-1853",
"sortorder": null
},
{
"description": "Estate of Lord Charles Vere Townshend (sold, London, May 13, 1854);",
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"footnotes": null,
"date": "1853-1854",
"sortorder": null
},
{
"description": "Frost & Reed (London, England), sold to Siegfried Sassoon, 1949",
"citations": [],
"footnotes": null,
"date": "-1949",
"sortorder": null
},
{
"description": "Siegfried Sassoon (sold, Sotheby's, London, 1984, to the Cleveland Museum of Art)",
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"footnotes": null,
"date": "1949-1984",
"sortorder": null
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"date": "1984-",
"sortorder": 10
}
],
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"description": "Likely Vernet's first major work during his study in Rome, this landscape demonstrates his signature style. Vernet preferred and is remembered for marine subjects and water is also a central theme in this painting. Vernet became the predominant French landscape painter of the 18th century, contributing to a long French tradition. While in Rome, he absorbed the Italian tradition of dramatic, rugged landscape paintings, established by Salvador Rosa in the 1600s. This influence is reflected in Vernet's presentation of the craggy rock formations and cascades that made Tivoli, a small town twenty miles east of Rome, famous. Vernet here synthesizes this style with the calmer pastoral mode, more typical of the French landscape tradition, with its roots in the work of Claude Lorrain. Vernet generally inserted elements of humanity in his work, here evident in the touches of civilization in the background and the fishermen in the foreground. Vernet enjoyed considerable popularity, evidenced by the fact that Napoleon's brother Lucien Bonaparte held this painting as a part of his impressive collection.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q20020203"
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"https://archive.org/details/clevelandart-1984.175-the-waterfalls-at-ti"
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"citations": [
{
"citation": "Choix de gravures\u2026de la galeire de Lucien Bonaparte, 1812, Stanza !V (no. 36).",
"page_number": "",
"url": ""
},
{
"citation": "Buchanan, William. Memoirs of Painting: With a Chronological History of the Importation of Pictures by the Great Masters into England Since the French Revolution. London: Printed for R. Ackerman, 1824.",
"page_number": "p. 293, no. 172.",
"url": ""
},
{
"citation": "Ingersoll-Smouse, Florence. Joseph Vernet, peintre de marine, 1714-1789; e\u0301tude critique suivie d'un catalogue raisonne\u0301 de son \u0153uvre peint. Paris: E\u0301. Bignou, 1926.",
"page_number": "p. 98. No 2055",
"url": ""
},
{
"citation": "Turner, Evan H. \u201cThe Year in Review for 1984.\u201d The Bulletin of the Cleveland Museum of Art 72, no. 2 (1985).",
"page_number": "cat. No. 21",
"url": "https://www.jstor.org/stable/25159897"
},
{
"citation": "Dempsey, James H. \u201cThe Annual Report for 1984.\u201d The Bulletin of the Cleveland Museum of Art 72, no. 4 (1985).",
"page_number": "cover, p. 242",
"url": "https://www.jstor.org/stable/25159905"
},
{
"citation": "Fine Arts Museums of San Francisco, Pierre Rosenberg, Marion C. Stewart, and Thierry Lefranc\u0327ois. French Paintings 1500-1825, the Fine Arts Museums of San Francisco. San Francisco: The Museum, 1987.",
"page_number": "p. 335, fig. 1",
"url": ""
},
{
"citation": "Cleveland Museum of Art, and Alan Chong. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.",
"page_number": "p. 250",
"url": ""
},
{
"citation": "Ciardi, Roberto Paolo, Antonio Pinelli, and Cinzia Maria Sicca. Pittura toscana e pittura europea nel Secolo dei lumi: atti del convegno, Pisa, Domus galilaeana 3-4 dicembre 1990. Firenze: Studio per edizioni scelte, 1993.",
"page_number": "pl. 158",
"url": ""
},
{
"citation": "Rosenberg, Pierre, Renaud Temperini, and Jean-Pierre Caillet. La peinture franc\u0327aise. Paris: Menge\u0300s, 2001.",
"page_number": "P. 479",
"url": ""
},
{
"citation": "Imhof, Michael. Die Malerei der Romantik: von Friedrich bis Turner. Petersberg, Deutschland: Michael Imhof Verlag, 2026.",
"page_number": "Mentioned and reproduced: p. 42-43",
"url": ""
}
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